In 1927, three women, including the daughter of an earl, a former cigar girl-turned-society darling, and a beauty pageant contestant, all vie to be the first woman to fly across the Atlantic.

The book captures key moments in the critical and creative dialogue of literary scholars, poets and artists with poet, author, documentary film-maker and literary scholar Stephanos Stephanides. Employing a polyphonic and cross-disciplinary perspective, the twenty-three essays and creative pieces flow together in cycles of continuities and discontinuities, emulating Stephanides’s fluid and transgressive universe. Drawing on the broad topic of borders and crossings, Shifting Horizons and Crossing Borders offers critical material on themes such as space and place, dislocation and migration, journeys and bridges, movement and fluidity, the aesthetics and the politics of the sea, time, nostalgia and (trans)cultural memory, identity and poetics, translation and translatability, home and homecoming. An invaluable reference for anyone interested in the crosscurrents between the poetic, the cultural and the political.

Horizons of Difference offers twelve original essays inspired by Luce Irigaray's complex, nuanced critique of Western philosophy, culture, and metaphysics, and her call to rethink our relationship to ourselves and the world through sexuate difference. Contributors engage urgent topics in a range of fields, including trans feminist theory, feminist legal theory, film studies, critical race theory, social-political theory, philosophy of religion, environmental ethics, philosophical aesthetics, and critical pedagogy. In so doing, they aim to push the scope of Irigaray's work beyond its horizon. Horizons of Difference seeks conversations that Irigaray herself has yet to fully consider and explores areas that stretch the limits of the notion of sexuate difference itself. Sexuate difference is a unifying mode of thought, bringing disparate disciplines and groups together. Yet it also resists unification in demanding that we continually rethink the basic coordinates of space, place, and identity. Ultimately, Horizons of Difference insists that the fragmented, wounded subjectivities within the dominant regime of masculine sameness can inform how we negotiate space, find place, and transform identity.

The rules of new product development have changed. The most fundamental nature of supply and demand has shifted and markets have undergone a reversal. Users are in control now, determining the success and failure of every company and product in the market. Companies that underestimate the implications of this shift are guaranteed to fail, wasting time and resources pursuing products the market will not accept. Demand Horizon is a new mental model for understanding and adapting to the demand-driven economy. It’s a framework for making sense of the new rules in product creation, offering both strategic understanding and practical actions for adapting to the new rules of business. Written by Gerry Campbell, an accomplished executive, entrepreneur and product creator, Demand Horizon illuminates the techniques and approaches that have enabled him to create patented products that are used by every person on earth who uses a search engine, social networking site or smartphone.

The tall ship Sofia sank off New Zealand’s North Island in February 1982, stranding its crew on disabled life rafts for five days. They struggled to survive as any realistic hope of rescue dwindled. Just a few years earlier, Pamela Sisman Bitterman was a naïve swabbie looking for adventure, signing on with a sailing co-operative taking this sixty-year-old, 123-foot, three-masted gaff-topsail schooner around the globe. The aged Baltic trader had been rescued from a wooden boat graveyard in Sweden and reincarnated as a floating commune in the 1960s. By the time Sofia went down, Bitterman had become an able seaman, promoted first to bos’un and then acting first mate, immersing herself in this life of a tall ship sailor, world traveler, and survivor.

In ""Coyote's Eternal Horizon,"" the rugged American frontier of the 1870s serves as a backdrop for a gripping tale of redemption and survival. Silas Hawthorne, a former outlaw seeking a fresh start, arrives in the struggling town of Redemption's Crossing. As he attempts to build a new life, he forms an unexpected bond with Sarah Blackwood, the resilient owner of the local general store. The harsh beauty of the frontier comes alive through vivid descriptions, while the town itself becomes a character in its own right. The novel's heart lies in Silas's internal struggle between his desire for redemption and the shadows of his past. When a ruthless land baron threatens the town's existence, Silas must confront his demons and choose between his new life and old habits. The story unfolds through interconnected vignettes, revealing pieces of Silas's history and the town's collective fight for survival. Themes of justice, community, and the elusive American dream are explored against the backdrop of frontier life, where moral ambiguity often reigns supreme. The ever-present coyote serves as a powerful metaphor for freedom, while the distant horizon symbolizes the promise of a better future – always visible, yet perpetually out of reach.

The author shares his dream of sailing around the world, first formulated when he was six years old. The outfitting of his boat for the task and the trip itself taking 7 years, starting and ending in Hawaii. Leading him as far north as Alaska, south to New Zealand and into the relatively uncharted waters of the Black Sea, up the Dnieper River in the Ukraine and to Saudi Arabia. Along the way he encounters high winds to 70 knots and 50 foot waves, equipment breakdowns that have to be diagnosed and fixed without outside help. A boarding by armed vigilantes in Indonesia, the killing of a cruising friend by escaped convicts in Panama and the author holding a Rumanian Marines Uzi hostage, add excitement not normally expected in a sailing venture. The expected satisfying experiences of natural beauty, the encounters with wildlife and the interaction with wonderful people along the way are not neglected. The author meets his future wife in Tonga and previously single-handing, he is now able to share his adventures with this lovely Polynesian maiden. The book is full of helpful information on various technical aspects and explanations to help even non-sailors understand and enjoy, vicariously, the sailing life. Many anecdotes illustrate the challenges and rewards of a life at sea.

This book presents over 100 papers from the 3rd Engineering & Product Design Education International Conference dedicated to the subject of exploring novel approaches in product design education. The theme of the book is "Crossing Design Boundaries" which reflects the editors’ wish to incorporate many of the disciplines associated with, and integral to, modern product design and development pursuits. Crossing Design Boundaries covers, for example, the conjunction of anthropology and design, the psychology of design products, the application of soft computing in wearable products, and the utilisation of new media and design and how these can be best exploited within the current product design arena. The book includes discussions concerning product design education and the cross-over into other well established design disciplines such as interaction design, jewellery design, furniture design, and exhibition design which have been somewhat under represented in recent years. The book comprises a number of sections containing papers which cover highly topical and relevant issues including Design Curriculum Development, Interdisciplinarity, Design Collaboration and Team Working, Philosophies of Design Education, Design Knowledge, New Materials and New Technologies in Design, Design Communication, Industrial Collaborations and Working with Industry, Teaching and Learning Tools, and Design Theory.

In our everyday imaginations we use the laws of nature with their tremendous possibilities of technical progress for the benefit of mankind. The three catastrophes of Chernobyl (26 April 1986), Fukushima Daichii (11 March 2011) and in the Gulf of Mexico, explosion of the drilling platform Deepwater Horizon (20 April 2010), have shaken this world view. Who directed this development? Is it a matter of human error or technical failure? For the answer, approaches from the natural sciences and the humanities are presented.