These early works by various authors were originally published in the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume III.' contains a collection of short stories that include 'The She-Wolf' by H. H. Munro, 'The Horror of the Heights' by Arthur Conan Doyle, 'After Dark in the Playing Fields' by M. R. James, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the late 19th century and early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume II.' contains a collection of short stories that include 'The Messenger' by Robert W. Chambers, 'The Brazilian Cat' by Arthur Conan Doyle, 'A Relic of the Pliocene' by Jack London, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating. The Cryptofiction Classics series contains a collection of wonderful stories from some of the greatest authors in the genre, including Ambrose Bierce, Arthur Conan Doyle, Robert Louis Stevenson, and Jack London. From its roots in cryptozoology, this genre features bizarre, fantastical, and often terrifying tales of mythical and legendary creatures. Whether it be giant spiders, werewolves, lake monsters, or dinosaurs, the Cryptofiction Classics series offers a fantastic introduction to the world of weird creatures in fiction.

These early works by various authors were originally published in the early 20th century and we are now republishing them with a brand new introduction as part of our Cryptofiction Classics series. 'Cryptofiction - Volume IV.' contains a collection of short stories that include 'The Cats of Ulthar' by H. P. Lovecraft, 'Running Wolf' by Algernon Blackwood, 'The Horror-Horn' by E. F. Benson, and many other classic tales of strange creatures. The genre of cryptofiction has grown up in the shadow of its older brothers, science fiction and fantasy, and specialises in the concept of mysterious creatures such as sea monsters, wolf-men, and lost pre-historic creatures. Cryptofiction takes its name from another, non-literary practice: cryptozoology. This is generally regarded as a pseudoscience by mainstream scientists, relying as it does upon anecdotal, often unverifiable evidence. However, it still boasts many enthusiasts, and continues to exert considerable artistic allure. Cryptofiction is here to stay, and the stories in this collection map the development of a genre which is as strange as it is fascinating.

Zoologica Fantastica includes fifteen stories of devilish creatures, unknown species, and weird beasts from air, sea, and land. Cryptofiction is a form of science fiction, where the excitement of zoological discovery meets imaginative biology and adventure. The stories in this anthology arise from the pulps (primarily the 1920s and 1930s), the bedrock of today's speculative fiction. From giant insects to Sargasso Sea monsters, creatures from past eons, or horrors from the cavernous depths, these stories celebrate the as yet undiscovered creatures that hide in the far corners of our planet, waiting for unwary explorers to cross their paths.