For more than 50 years America's unrelenting hostility toward the Cuban Revolution has resulted in the development of a siege mentality among island leadership and its citizens. In a vibrant new look at Cuban-American relations, Keith Bolender analyzes the effects this has had on economic, cultural, and political life.

Captain Jake Grafton faces the duel threats of a determined assassin and a vicious drug lord, both intent on plunging the U.S. into chaos.

Spotlights the remarkable writers who will not be silenced by persecution Following the August 12 attack on author Salman Rushdie, readers everywhere realized the vulnerability — and the courage — of writers who speak truth to power. The freedom to write is under threat today throughout the world, with more than 1,000 writers, journalists, and publishers known to be imprisoned or persecuted in more than 100 countries. Writers Under Siege bears witness to the power and danger of the pen, and to the powerful longing for the right to use it without fear. Collected here are fifty contributions by writers who have paid dearly for the privilege of writing. Some have been tortured; some have been killed. All understand the cost of speaking up and speaking out. This book was prepared by PEN, which is both the world’s oldest human rights organization and the oldest international literary organization. It commemorates PEN’s eighty-fifth anniversary and celebrates PEN’s work by giving voice to persecuted writers from around the globe. The contributors come from more than twenty countries, from Belarus to Zimbabwe. Many are well-known in the English-speaking world, including Orhan Pamuk, from Turkey, winner of the 2006 Nobel Prize for Literature; Harold Pinter, from England, winner of the 2005 Nobel Prize for Literature; Aung San Suu Kyi, from Burma, winner of the 1991 Nobel Peace Prize; and Anna Politkovskaya, from Russia, the noted journalist and author who was murdered in 2006, shortly after writing the piece that appears in this collection. Other contributors are less famous, perhaps, but their contributions are no less compelling. In prose and poetry, in fiction and non-fiction, they reveal the personal consequences of war, conflict, terrorism, and authoritarianism. While the pieces collected here differ in their settings and their subjects, all are riveting. Grouped into four sections — Prison, Death, Asylum, and The Freedom to Write — they call our attention to the fundamental humanity we share and highlight the inhumanity we can so easily condone. Contributors include: Chris Abani, Angel Cuadra Landrove, Asiye Guzel, Augusto Ernesto Llosa Giraldo, Mamadali Makhmudov, Orhan Pamuk, Harold Pinter, Anna Politkovskaya, Aung San Suu Kyi, Thich Tue Sy, Gai Tho, and Ken Saro-Wiwa.

From Menem’s new Thatcherite experiment in Argentina, through Fujimori’s unexpected victory in Peru, to Collor’s near defeat at the hands of the rapidly growing Workers’ Party of Brazil, Latin American politics is once again in turmoil. Whilst military dictators have been dumped from office, their liberal and populist replacements have found television exposure and playboy reputations insufficient to hold together societies still remorselessly squeezed insufficient to hold together societies still remorselessly squeezed by United States foreign policy. But US influence in the subcontinent is not only under siege from the impoverished masses of increasingly unstable states; it is also threatened by intensifying superpower competition as Japan and a unifying Europe mount their challenges for world dominance. In this wide-ranging and original polemic, Petras and Morley examine the social structures which emerged from neo-liberal economic policy during the 1970s and 1980s. they show how Latin American society is increasingly organized around a continental bourgeoisie maintaining high levels of foreign investment, a national bourgeoisie operating on the margins of legality and committed to both economic deregulation and public-sector activity, and a growing class of low-paid and poorly employed workers subject to the demands of export-oriented capital into international financial circuits is matched by technical and intellectual integration, with a collapse into conformity of formerly critical groupings. For students and the interested general reader, this balanced and rigorous analysis of state power and social form provides a substantial new framework in which to consider the exigent questions of US-Latin American relations.

This book provides a detailed history of Cuba from before the arrival of Columbus to 1995. Topics covered include: the Spanish colonisation, the role of Christianity, slavery, the US interventions, the Mafia connection, the Castro revolution, and Cuba's struggle to survive in the so-called 'Special Period' following the collapse of the Socialist bloc. Particular attention is given to the prolonged US efforts to overthrow the Castro regime, involving the United States in violations of international law and crimes against humanity.

The recent retirement of Fidel Castro turned the world’s attention toward the tiny but prominent island nation of Cuba and the question of what its future holds. Amid all of the talk and hypothesizing, it is worth taking a moment to consider how Cuba reached this point, which is what Antoni Kapcia provides with his incisive history of Cuba since 1959. Cuba In Revolution takes the Cuban Revolution as its starting point, analyzing social change, its benefits and disadvantages, popular participation in the revolution, and the development of its ideology. Kapcia probes into Castro’s rapid rise to national leader, exploring his politics of defense and dissent as well as his contentious relationship with the United States from the beginning of his reign. The book also considers the evolution of the revolution’s international profile and Cuba’s foreign relations over the years, investigating issues and events such as the Bay of Pigs crisis, Cuban relations with Communist nations like Russia and China, and the flight of asylum-seeking Cubans to Florida over the decades. The collapse of the Soviet Union between 1989 and 1991 catalyzed a severe economic and political crisis in Cuba, but Cuba was surprisingly resilient in the face of the catastrophe, Kapcia notes, and he examines the strategies adopted by Cuba over the last two decades in order to survive America’s longstanding trade embargo. A fascinating and much-needed examination of a country that has served as an important political symbol and diplomatic enigma for the twentieth century, Cuba In Revolution is a critical primer for all those interested in Cuba’s past—or concerned with its future.

This study explores the social functions of literature from the perspective of policymakers, writers, readers and residents in contemporary Cuba. It provides a new perspective on post-59 Cuban literature that underlines how cultural policy has made literature a hybrid activity between elite and mass culture, with inherent social, rather than aesthetic or political, value. Whilst many traditional studies of Cuban literature assume either its subjugation to politics and ideology or, conversely, its role in resisting political discourse via a rather naïve notion of artistic freedom, this project explores the varied, dynamic and multiple ways in which literature works in Cuban society: as a catalyst for identity construction aimed at consensus and belonging, but also as an instrument of self-differentiation and self-definition, even in the more recent context of a more market-oriented system. The study reviews policy from 1959 to the present, and presents contemporary case studies exploring the social functions of literature for writers, readers and ordinary Havana residents.

This book examines the ways in which Cuba's revolutions of 1933 and 1959 became touchstones for border-crossing endeavors of radical politics and cultural experimentation over the mid-twentieth century. It argues that new networks of solidarity building between US and Cuban allies also brought with them perils and pitfalls that could not be separated from the longer history of US empire in Cuba. As US and Cuban subjects struggled together towards common aspirations of racial and gender equality, fairer distribution of wealth, and anti-imperialism, they created a unique index of cultural work that widens our understanding of the transition between hemispheric modernism and postmodernism. Canvassing poetry, music, journalism, photographs, and other cultural expressions around themes of revolution, this book seeks new understanding of how race, gender, and nationhood could shift in meaning and materialization when traveling across the Florida Straits.

In this extensively researched book, Anna Clayfield challenges contemporary Western views on the militarization of Cuba. She argues that, while the pervasiveness of armed forces in revolutionary Cuba is hard to refute, it is the guerrilla legacy, ethos, and image—“guerrillerismo”—that has helped the Cuban revolutionary project survive. The veneration of the guerrilla fighter has been crucial to the political culture’s underdog mentality. Analyzing official discourse, including newspapers, history textbooks, army training manuals, the writings of Che Guevara, and the speeches of Fidel Castro, Clayfield examines how the Cuban government has promoted guerrilla motifs. After 1959, the revolutionary leadership relied on this discourse to shape a new political culture. During the implementation of Soviet-style management in the late 1960s and 1970s, Cuba underwent profound structural changes, but the beliefs and values that underpinned the Revolution—and that were linked to the guerrilla ethos—were still upheld. Clayfield traces the shifting ideologies that circulated in Cuba during the 1980s to show how this rhetorical strategy helped prevent the proliferation of a siege mentality. The guerrilla code became a recourse Cuban leadership used to steel the population through the 1990s Special Period following the collapse of the Soviet Union. And while the outside world perceived the changes that took place during Raúl Castro’s tenure to be signs the Revolution’s socialist model was fading, Clayfield proves guerrillerismo remained an important anchor for the new regime. By weaving the guerrilla ethos into the fabric of Cuban identity, the government has garnered legitimacy for the political authority of former guerrilleros, even decades after the end of armed conflicts. The Guerrilla Legacy of the Cuban Revolution chronicles how guerrilla rhetoric has allowed the Revolution to adapt and transform over time while appearing to remain true to its founding principles. It also raises the question of just how long this discourse can sustain the Revolution when its leaders are no longer veterans of the sierra, those guerrillas who participated in the armed struggle that brought them to power so many years ago.