Here is an exploration of pulp literature and pulp mentalities: an investigation into the nature and theory of the contemporary mind in art and in life. Here too, the violent, the sensational and the erotic signify different facets of the modern experience played out in the gaudy pages of kitsch literature. Clive Bloom offers the reader a chance to investigate the underworld of literary production and from it find a new set of co-ordinates for questions regarding publishing and reading practices in America and Britain, ideas of genre, problems related to commercial production, concerns regarding high and low culture, the canon and censorship, as well as a discussion of the rhetoric of current critical debate. Concentrating on remembered authors as well as many long disregarded or forgotten, Cult Fiction provides a theory of kitsch art that radically alters our perceptions of literature and literary values whilst providing a panorama of an almost forgotten history: the history of pulp.

Winner of Geek Ireland Book of the Year 2014! "Like 'Wreck-It Ralph' meets 'The Hunger Games" - Goodreads review "This book is like nothing I’ve really read before. A mix of dystopia, thriller, sci-fi, crime and just plain awesomeness" - the-arcade.ie "Take a part of Philip K Dick add a bit of Gibson throw in a splash of references and we get a tip of this wonderful and powerful piece of writing as Tina Lockhart soon takes part in the a city controlled not just by a game mechanics but the horror of a world controlled by desensitised society Murder cyberpunk and 90 references . What else do you want? 5/5 excellent writing" - Geek Eire Synopsis; Municipal City: the only place on earth where you can be anyone. Anyone from your favourite movies, books, tv shows, comics, video games or any cult media you can imagine. This is not virtual reality. This is real. Tina Lockhart arrives at the City to do exactly that, and is willing to pay any price to get in, willing to take the Elixir drug she needs just to breathe the air, and willing to kill, and risk being killed, just to survive. Municipal City: the only place on earth where you can do anything. Anything can be replicated, given the right technology, and anything can be done as long as you follow the rules of the game. But someone isn’t playing by the rules. Someone is murdering players in the safe zones, something that should be impossible. As dangerous as this is for Tina Lockhart, things get worse as she becomes the one accused of these killings, and Tina desperately needs to find the truth in her world of cult fiction.

This is the story of Stephen Moore. It is also the story of a bench and a fire called Malcolm. Above all, it is the story of the birth of that great religion called Mooranity.

What makes a novel cult?: drink and drugs; sex and rock 'n' roll?; a window on subcultures?; the ability to tap into the zeitgeist? This book provides an insight into the cult canon assessing 250 authors who have pioneered experiments in style and content, from Kathy Acker and Nelson Algren via Burroughs and Bukowski to Tom Wolfe and Irvine Welsh.

Cult Film as a Guide to Life investigates the world and experience of cult films, from well-loved classics to the worst movies ever made. Including comprehensive studies of cult phenomena such as trash films, exploitation versions, cult adaptations, and case studies of movies as different as Showgirls, Room 237 and The Lord of the G-Strings, this lively, provocative and original book shows why cult films may just be the perfect guide to making sense of the contemporary world. Using his expertise in two fields, I.Q. Hunter also explores the important overlap between cult film and adaptation studies. He argues that adaptation studies could learn a great deal from cult and fan studies about the importance of audiences' emotional investment not only in texts but also in the relationships between them, and how such bonds of caring are structured over time. The book's emergent theme is cult film as lived experience. With reference mostly to American cinema, Hunter explores how cultists, with their powerful emotional investment in films, care for them over time and across numerous intertexts in relationships of memory, nostalgia and anticipation.

A television series is tagged with the label "cult" by the media, advertisers, and network executives when it is considered edgy or offbeat, when it appeals to nostalgia, or when it is considered emblematic of a particular subculture. By these criteria, almost any series could be described as cult. Yet certain programs exert an uncanny power over their fans, encouraging them to immerse themselves within a fictional world. In Cult Television leading scholars examine such shows as The X-Files; The Avengers; Doctor Who, Babylon Five; Star Trek; Xena, Warrior Princess; and Buffy the Vampire Slayer to determine the defining characteristics of cult television and map the contours of this phenomenon within the larger scope of popular culture. Contributors: Karen Backstein; David A. Black, Seton Hall U; Mary Hammond, Open U; Nathan Hunt, U of Nottingham; Mark Jancovich; Petra Kuppers, Bryant College; Philippe Le Guern, U of Angers, France; Alan McKee; Toby Miller, New York U; Jeffrey Sconce, Northwestern U; Eva Vieth Sara Gwenllian-Jones is a lecturer in television and digital media at Cardiff University and co-editor of Intensities: The Journal of Cult Media. Roberta E. Pearson is a reader in media and cultural studies at Cardiff University. She is the author of the forthcoming book Small Screen, Big Universe: Star Trek and Television.

The ubiquity of horses in literary texts, visual media, and other cultural documents indicates a vibrant cult of the horse during the Victorian Period. Treating the novels of Charles Dickens, Elizabeth Braddon, Anna Sewell, and George Moore, Gina M. Dorr

Cult of Defeat in Mexico's Historical Fiction: Failure, Trauma, and Loss examines recent Mexican historical novels that highlight the mistakes of the nineteenth century for the purpose of responding to present crises.

WHAT MAKES A CULT WRITER? Whether pioneering in their craft, fiercely and undeniably unique or critically divisive, cult writers come in all shapes and guises. Some gain instant fame, others instant notoriety, and more still remain anonymous until a chance change in fashion sees their work propelled into the limelight. Cult Writers introduces 50 novelists deserving of a cult status. The literary genres and subjects explored within these writers’ pages are rich and diverse – acting as mirrors of their genius minds. FromIrvine Welsh’s gritty Edinburgh streets, to Ken Kesey’s drug-fuelled madness; from feminist trailblazer Sylvia Plath to the magical realism of Angela Carter – discover little knowns with small, devout followings and superstars gracing the covers of magazines. Each writer is special in their individuality and their ability to inspire, antagonise and delight. Cult Writers is an essential addition to any book lover's library, as well as an entertaining introduction to our weird and wonderful world of literature. Also in the series: Cult Artists, Cult Filmmakers + Cult Musicians The writers: Kathy Acker, James Baldwin, J.G. Ballard, Mikhail Bulgakov, Charles Bukowski, William S. Burroughs, Octavia E. Butler, Italo Calvino, Albert Camus, Angela Carter, Colette, Maryse Conde, Julio Cortazar, Philip K. Dick, Douglas Coupland, Marguerite Duras, Ralph Ellison, Elena Ferrante, Janet Frame, Jean Genet, Joseph Heller, Michel Houellebecq, James Joyce, Franz Kafka, Ken Kesey, Chris Kraus, Milan Kundera, Ursula K. Le Guin, Doris Lessing, Cormac McCarthy, Carson McCullers, Yukio Mishima, Haruki Murakami, Anais Nin, Sylvia Plath, Thomas Pynchon, Raymond Queneau, Ayn Rand, Pauline Reage, Jean Rhys, Juan Rulfo, Francoise Sagan, J.D. Salinger, Arkady and Boris Strugatsky, Donna Tartt, Jim Thompson, J.R.R. Tolkien, Kurt Vonnegut, Virginia Woolf, Irvine Welsh.

The social novel is the traditional haunt of the liberal conscience. What does the triumph of the New Right mean for this type of fiction in Britain and the US? Should the liberal left seek consensus or assertion? This book examines these issues, and assesses the state of both nations, as well as that of the contemporary novel.