This collection of essays explores the impact of Jesus within and beyond Christianity, including his many afterlives in literature and the arts, social just and world religions during the past two thousand years and especially in the present global context. This third volume focuses on the diverse afterlives of Jesus within contemporary culture and the arts. Moving beyond the explicitly religious afterlives traced in the first two volumes, this set of essay traces selected afterlives of Jesus within Indigenous cultures around the Pacific, as well as in the arts and in the contested fields of gender and sexuality. The contributors include religion scholars from diverse cultural contexts, as well as faith practitioners reflecting on Jesus within their own particular context. While the essays are all grounded in critical scholarship, reflective practice, or both, they are expressed in nontechnical language that is accessible to interested nonspecialists.

This collection of essays explores the impact of Jesus within and beyond Christianity, including his many afterlives in literature and the arts, social justice, and world religion during the past two thousand years and especially in the present global context. This second volume focuses on the diverse interfaith afterlives of Jesus. Moving beyond the explicitly Christian afterlives traced in volume one, this set of essays explores how Jesus has significant afterlives in Islam, Judaism, Hinduism, Ruism and Mormonism, as well as selected secular afterlives in progressive Christianity. The contributors include religion scholars from the respective traditions, as well as faith practitioners reflecting on Jesus within their own religious context. While the essays are all grounded in critical scholarship, reflective practice, or both, they are expressed in nontechnical language that is accessible to interested nonspecialists.

This collection of essays explores the impact of Jesus within and beyond Christianity, including his many afterlives in literature and the arts, social justice and world religions during the past two thousand years and especially in the present global context. This first volume focuses on selected historical afterlives of Jesus, including the Pantokrator of Byzantium and the Aryan Jesus of Nazi Germany. This collection is not an exercise in Christian apologetics, nor is it an interfaith project—except in the sense that many of the contributors are from a Christian context of some kind, while others are from other contexts. The contributors include scholars in relevant fields, as well as religious practitioners reflecting on Jesus in their own cultural and religious settings. While the essays are original work that is grounded in critical scholarship, reflective practice, or both, they are expressed in nontechnical language so the information is accessible to intelligent nonspecialists.

Millennials and Gen Zers have been characterized as individualistic capitalist consumers, as politically unengaged and spiritually selfish, or only interested in identity politics. This edited collection, by bringing together younger generations of theologians, activists, campaigners, artists, and those working in politics, academia, the church, economics, or community work, offers a new narrative of justice- one that is globally aware and actively intersectional. Bringing together powerful young voices with a wealth of contextually grounded experiences of faith and justice, spreading over Mexico, India, Nagaland, Germany, Wales, Ecuador, South Africa, Palestine, Brazil, Canada, Indonesia, Scotland, England and the Pacific, the chapters in this book imagine daring new possibilities. Together the chapters reveal a generation who face a burning, politically and religiously right-leaning, egotistical world, and who know clearly that the legacies of Empire, which continue white hegemony, patriarchy, heterosexuality, normalized cisgender identities, the class war, colonial debts, Western epistemology, and ecological extraction, must be overcome and replaced by a transnational solidarity of resistance and reimagination.

The Afterlife in Popular Culture: Heaven, Hell, and the Underworld in the American Imagination gives students a fresh look at how Americans view the afterlife, helping readers understand how it's depicted in popular culture. What happens to us when we die? The book seeks to explore how that question has been answered in American popular culture. It begins with five framing essays that provide historical and intellectual background on ideas about the afterlife in Western culture. These essays are followed by more than 100 entries, each focusing on specific cultural products or authors that feature the afterlife front and center. Entry topics include novels, film, television shows, plays, works of nonfiction, graphic novels, and more, all of which address some aspect of what may await us after our passing. This book is unique in marrying a historical overview of the afterlife with detailed analyses of particular cultural products, such as films and novels. In addition, it covers these topics in nonspecialist language, written with a student audience in mind. The book provides historical context for contemporary depictions of the afterlife addressed in the entries, which deal specifically with work produced in the 20th and 21st centuries.

This book explores a Christian view of Jesus of Nazareth that responds to critical demands from numerous perspectives, encompassing Jesus of History research, differing cultural contexts, feminism, and post-colonialism.

The study of the reciprocal relationship between the Bible and popular culture has blossomed in the past few decades, and the time seems ripe for a broadly-conceived work that assesses the current state of the field, offers examples of work in that field, and suggests future directions for further study. This Handbook includes a wide range of topics organized under several broad themes, including biblical characters (such as Adam, Eve, David and Jesus) and themes (like Creation, Hell, and Apocalyptic) in popular culture; the Bible in popular cultural genres (for example, film, comics, and Jazz); and "lived" examples (such as museums and theme parks). The Handbook concludes with a section taking stock of methodologies and the impact of the field on teaching and publishing. The Oxford Handbook of the Bible and American Popular Culture represents a major contribution to the field by some of its leading practitioners, and will be a key resource for the future development of the study of both the Bible and its role in American popular culture.

St. Paul, the apostle to the gentiles, has bequeathed guidelines for both personal and political behavior to individual citizens and to states that have retained their relevance to humanity to this day. However, his statement in Romans 13 that “the powers-that-be are ordained of God” has been interpreted in conflicting ways, especially since the time of Martin Luther in sixteenth-century Germany. Luther’s occasional insistence that the ruler had to be obeyed unquestionably led to a political culture in Prusso-Germany that was systematized by the philosopher G. W. F. Hegel (1770–1831). His teachings gave rise to the disastrous ultra-authoritarian regimes of both Marxist-Leninism (left-wing Hegelianism) and National Socialism (right-wing Hegelianism). The author of this book, being equipped with a long training in Prusso-German history, has explained how this happened and why both Imperial Germany and the Nazi Third Reich unleashed expansionist wars and justified them with ideologies that were both hostile to Western European and transatlantic democratic, parliamentary values. The author’s familiarity with the contemporary history of both the liberal-parliamentary West Germany and the authoritarian communist East Germany has enabled him to portray the internecine German debate that was largely influenced by the remarkable ministry of the martyred Lutheran pastor Dietrich Bonhoeffer.

Biblical scholars Timothy K. Beal and Tod Linafelt, along with an esteemed group of contributors, offer a provocative range of views on The Passion of the Christ. The book is organized in three parts. The first analyzes the film in terms of its religious foundations, including the Gospels and nonbiblical religious texts. The second group of essays focuses on the ethical and theological implications of the film's presentation of the Christian Gospel. Finally, the third section explores the film as a pop cultural phenomenon.

With contributions from 29 leading international scholars, this is the first single-volume guide to the appropriation of medieval texts in contemporary culture. Medieval Afterlives in Contemporary Culture covers a comprehensive range of media, including literature, film, TV, comics book adaptations, electronic media, performances, and commercial merchandise and tourism. Its lively chapters range from Spamalot to the RSC, Beowulf to Merlin, computer games to internet memes, opera to Young Adult fiction and contemporary poetry, and much more. Also included is a companion website aimed at general readers, academics, and students interested in the burgeoning field of Medieval afterlives, complete with: - Further reading/weblinks - 'My favourite' guides to contemporary medieval appropriations - Images and interviews - Guide to library archives and manuscript collections - Guide to heritage collection See also our website at https://medievalafterlives.wordpress.com/.