Moving beyond notions of cultural imperialism, this book furthers our understanding of the implications of global media culture and politics in the 1990s. Leading scholars from a range of fields bring different perspectives to bear on the role of the state, the range of culture beyond the media, the contribution of international organizations, and the potential for resistance and alternatives. They reflect on the New World International Communications Order' as delineated since the 1970s, and examine its changing nature. Throughout, they connect analysis of the flows and forces which form the world media and communications with the fundamental themes of social science, and illuminate the ways in which underlying questions of inequality, power and control reappear within new media environments.

A text which describes the ways that European powers used science and scientific inquiry to enforce their supposed cultural superiority on societies of Africa, Asia and Latin America.

Cultural Imperialism and the Indo-English Novel focuses on the novels of R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie and explores the tension in these novels between ideology and the generic fictive strategies that shape ideology or are shaped by it. Fawzia Afzal-Khan raises the important question of how much the usage of certain ideological strategies actually helps the ex-colonized writer deal effectively with postcolonial and postindependence trauma and whether or not the choice of a particular genre or mode employed by a writer presupposes the extent to which that writer will be successful in challenging the ideological strategies of "containment" perpetuated by most Western "orientalist" texts and writers. She argues that the formal or generic choices of the four writers studied here reveal that they are using genre as an ideological "strategy of liberation" to help free their peoples and cultures from the hegemonic strategies of "containment" imposed upon them. She concludes that the works studied here constitute an ideological rebuttal of Western writers' denigrating "containment" of non-Western cultures. She also notes that self-criticism, as implied in Rushdie's works, is not be confused with self-hatred, a theme found in Naipaul's work.

Using the work of Edward Said as a point of departure, this book dissects the concept of Orientalism through the lens of 19th century missionary impressions of Kurdistan. Wilcox argues that dominant interpretations of Said's work have a tendency to present Orientalism as an essentialist practice and instead offers an alternative manifestation in which the Oriental is perceived as the mutable product of cultural forces. The relationship between missionaries and imperialism has long been a contentious issue with many scholars highlighting their apparent ambiguity. This study reveals how Protestant missionaries can be identified as anti-imperialist in their rhetoric of ecumenical independence; yet through their preconceptions of Oriental inferiority, they contributed to a more subtle undermining of local forms of knowledge and identity. Wilcox argues that this apparent ambiguity is in part a consequence of the ways in which the term imperialism is frequently used to allude to diverse and even contradictory meanings; therefore it is not so much the missionaries who are ambiguous, as the ways in which they are judged by today's multivalent standards. The analysis also makes clear the complex discursive processes which can undermine the actions of altruistic individuals. By drawing threads from this 19th century example into the current geopolitical foreground of Middle East-West relations, this book not only sheds light upon a little-known historical case study but also illuminates larger questions of the present and future encouraging a more vigorous examination of contemporary Orientalist prejudices.

In the controversy over female genital mutilation, Congress was quick to condemn practices throughout Africa and the Middle East and to take action criminalizing the practice domestically. Moral Imperialism sets out to bring an international human rights framework to the analysis of current international and domestic legal, political, and cultural crises.

This new edition provides a comprehensive overview of current theory and research written by the top theorists and researchers in each area. It has been updated to address the growing influence of technology, changing relationships, and several growing integrated approaches to communication and includes seven new chapters on: ■ Digital Media ■ Media Effects ■ Privacy ■ Dark Side ■ Applied Communication ■ Relational Communication ■ Instructional Communication ■ Communication and the Law The book continues to be essential reading for students and faculty who want a thorough overview of contemporary communication theory and research.

Political science interpretations of international relations tend to focus on abstract terms of economic interest, domination, rights and justice. Trapped within this limited horizon, the discipline fails to explain why nations of similar economic structure would have variant ideas for their foreign policies, and why nations with different economic structures and ideologies could develop a similar global posture during certain periods of their histories. This innovative study examines imperialism from a cultural and linguistic perspective, portraying the rise and fall of ancient Greek, Roman, medieval Islamic, modern British, Russian and American empires as a part of the natural life of world civilizations. As these imperial cultures matured through centuries of literary accumulation and interaction with other cultures, they finally found their confidence on the world stage and transitioned from an aggressive policy towards others to a more tolerant one.

Now in an updated fourth edition, this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music culture. With new and expanded entries on genres and subgenres, the text comprehensively examines the social and cultural aspects of popular music, taking into account the digital music revolution and changes in the way that music is manufactured, marketed and delivered. New and updated entries include: Age and youth Black music Digital music culture K-Pop Mash-ups Philadelphia Soul Pub music Religion and spirituality Remix Southern Soul Streaming Vinyl With further reading and listening included throughout, Popular Music: The Key Concepts is an essential reference text for all students studying the social and cultural dimensions of popular music.

This concise volume presents key concepts and entries from the twelve-volume ICA International Encyclopedia of Communication (2008), condensing leading scholarship into a practical and valuable single volume. Based on the definitive twelve-volume IEC, this new concise edition presents key concepts and the most relevant headwords of communication science in an A-Z format in an up-to-date manner Jointly published with the International Communication Association (ICA), the leading academic association of the discipline in the world Represents the best and most up-to-date international research in this dynamic and interdisciplinary field Contributions come from hundreds of authors who represent excellence in their respective fields An affordable volume available in print or online

A Global Idea outlines how youth—as shown by the Arab Spring uprisings and subsequent state responses—became a prominent social and political category during the first two decades of the twenty-first century in the Middle East. Drawing on ethnographic fieldwork, interview data, and textual analysis, Mayssoun Sukarieh explains that the spread of youth as an important category is linked to the operation of a "global youth development complex," a diverse transnational network of state, private sector, civil society, and international development aid organizations that worked through key urban areas such as Washington, DC, Amman, and Dubai. In its analysis of the arrival, extension, and embedding of the youth development complex in the Middle East during this period, A Global Idea addresses a broader question that is of global and not just regional concern. How are certain ideas that are central to the working and reproduction of global capitalism able to travel the world so that they are found virtually everywhere?