The Islamic Republic of Iran has entered its fourth decade, and the values and legacy of the Revolution it was founded upon continue to have profound and contradictory consequences for Iranian life. Despite the repressive power of the current regime the immense creativity of popular cultural practices, that negotiate and resist a repressive system, is a potent and dynamic force. This book draws on the expertise and experience of Iranian and international academics and activists to address diverse areas of social and cultural innovation that are driving change and progress. While religious conservatism remains the creed of the establishment, this volume uncovers an underground world of new technology, media and entertainment that speaks to women seeking a greater public role and a restless younger generation that organises and engages with global trends online.

Rev. version of the author's thesis (M.A.--University of Kansas)

For decades, political observers and pundits have characterized the Islamic Republic of Iran as an ideologically rigid state on the verge of collapse, exclusively connected to a narrow social base. In A Social Revolution, Kevan Harris convincingly demonstrates how they are wrong. Previous studies ignore the forceful consequences of three decades of social change following the 1979 revolution. Today, more people in the country are connected to welfare and social policy institutions than to any other form of state organization. In fact, much of Iran’s current political turbulence is the result of the success of these social welfare programs, which have created newly educated and mobilized social classes advocating for change. Based on extensive fieldwork conducted in Iran, Harris shows how the revolutionary regime endured through the expansion of health, education, and aid programs that have both embedded the state in everyday life and empowered its challengers. This focus on the social policies of the Islamic Republic of Iran opens a new line of inquiry into the study of welfare states in countries where they are often overlooked or ignored.

This book unravels the story of English, the language of "the enemies", in post-revolutionary Iran. Situating English within the nation's broader social, political, economic and historical contexts, the book explores the politics, causes, and agents of the two diverging trends of indigenization/localization and internationalization/Anglo-Americanization in English education in Iran over the past three decades.

This book provides a comprehensive overview of Iran's political economy since the 1979 revolution and examines the country's energy sector.

“A lovely tribute to the courage and creativity of Iran’s musicians . . . filled with hope and sadness—and the universal human desire for freedom.” —Joe Klein, Time Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. Now, more than forty years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians—a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper—each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran—about its future and identity, changing notions of religious belief, and the quest for political freedom. Music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public. “Paints a vivid portrait of the struggles over popular music in the Islamic Republic.” —Mark LeVine, author of Heavy Metal Islam

The majority of these papers were originally published in Social Research, v. 56, no. 1, spring 1989.

The Russian Revolutions of 1917 and the Iranian Revolution of 1979 are two examples of dramatic, sudden and extraordinary political upheaval that significantly altered the nature of the state and society in the modern age. Here, Ghoncheh Tazmini provides an unprecedented comparative study of these two major revolutions of the twentieth century, which although removed from each other both spatially and temporally, have striking similarities. Examining the roots, events and impact of these two defining upheavals, Tazmini analyses how they resemble each other, stressing the continuity of the dilemma of modernisation for the Romanov, Pahlavi, Communist and Islamist rulers alike. This book is a significant contribution to both historical and contemporary debates concerning Russian and Iranian politics, and to the discourse on the origins and consequences of modernisation and revolution themselves.

In this fully revised and expanded second edition, Dr. Milani offers new insights into the causes and profound consequences of Iran's Islamic Revolution. Drawing on dozens of personal interviews with the officials of the Islamic Republic and on recently released documents, he presents a provocative analysis of the dynamics and characteristics of factional politics in Islamic Iran. Among the new issues covered are the events leading up to the Teheran hostage crisis, Ayatollah Khomeini's life and writings, President Rafsanjani's activities against the Shah, Rafsanjani's recent reforms, Iran's involvement in the Kuwaiti crisis, and the domestic and foreign policy challenges facing Iran in the post?Cold War era.The second edition is specifically revised for use as a text for courses dealing with Iran, the Middle East, and revolutionary movements.

By looking at all the presidential elections since the revolution, this book offers a new analysis of politics in Iran.