In 1913, at the age of 54, Daisy Bates went to live in the deserts of South Australia. Brilliantly reviewed, astonishingly original, this "eloquent and illuminating portrait of an extraordinary woman" (New York Times Book Review) tells a fascinating, true story in the tradition of Isak Dinesen and Barry Lopez.

"This book is about the life and work of Daisy Bates, drawn from her letters and published writings. The book covers: 1 The Making of Daisy May O'Dwyer, 1859-1904 2 'The Virus of Research', 1904-1912 3 'The Great White Queen of the Never-Never Lands', 1912-1933 4 'My Natives and I', 1933-1941 5 'A Bit Mental'? The Last Years, 1941-1951 Daisy Bates' Letters and Other Records Daisy Bates' Published Writings Works about Daisy Bates"--Provided by publisher.

This book is a compilation from various sources and, is An experimental approach to list the Anthropologists in this world, by reading this book readers may get awareness on field of anthropology and the scope and the limits, however its just a small part .i.e.ONLY VOLUME - 01 of the book. 2nd volume is under editing.

An original and riveting biography of two of the most singular women Australia has ever seen. Daisy Bates and Ernestine Hill were bestselling writers who told of life in the vast Australian interior. Daisy Bates, dressed in Victorian garb, malnourished and half-blind, camped with Aboriginal people in Western Australia and on the Nullarbor for decades, surrounded by her books, notes and artefacts. A self-taught ethnologist, desperate to be accepted by established male anthropologists, she sought to document the language and customs of the people who visited her camps. In 1935, Ernestine Hill, journalist and author of The Great Australian Loneliness, coaxed Bates to Adelaide to collaborate on a newspaper series. Their collaboration resulted in the 1938 international bestseller, The Passing of the Aborigines. This book informed popular opinion about Aboriginal people for decades, though Bates's failure to acknowledge Hill as her co-author strained their friendship. Traversing great distances in a campervan, Eleanor Hogan reflects on the lives and work of these indefatigable women. From a contemporary perspective, their work seems quaint and sentimental, their outlook and preoccupations dated, paternalistic and even racist. Yet Bates and Hill took a genuine interest in Aboriginal people and their cultures long before they were considered worthy of the Australian mainstream's attention. With sensitivity and insight, Hogan wonders what their legacies as fearless female outliers might be. 'I responded to this book with every cell in my body, neuron in my brain and beat of my heart. A stunning achievement of epic storytelling, historical enquiry and elegant analysis. Eleanor Hogan has resurrected Hill and Bates as Australian icons, women as complex, compelling and deeply flawed as the nation itself.' — Clare Wright 'A meticulous unveiling of the enigmatic Daisy Bates and her writing companion Ernestine Hill. Tracking her subjects across the Nullabor, Hogan strips away layer after layer of dissimulation as she unpicks their writing partnership.' — Bill Garner 'Into the Loneliness is a fascinating biographical study of two significant and intriguing women who were in many ways ahead of their time, yet reflective of it in their artistic endeavours. Using a sophisticated structure and interconnected narratives, this impressive biography reconceptualises the shifting, complex, relationships between Daisy Bates, Ernestine Hill and Indigenous Australians.' — Jenny Hocking 'Into the Loneliness presents a relationship between two remarkable but flawed women, one with profound, ongoing consequences for Indigenous people. It's a book about sexism, about writing, and the nature of friendship. It's a study of white Australian attitudes that persist to this day. And it's an astonishing true story that leaps off the page.' — Jeff Sparrow

Presents biographical profiles of American women leaders and activists, including birth and death dates, major accomplishments, and historical influence.

The contributors to this collection approach the subject of the translation of cultures from various angles. Translation refers to the rendering of texts from one language into another and the shift between languages under precolonial (retelling/transcreation), colonial (domestication), and postcolonial (multilingual trafficking) conditions.

This 4-volume collection is the first compilation of primary sources to historicize the cultural impact of railways on a global scale from their inception in Great Britain to the Great Depression. Gathered together are over 200 rare out-of-print published and unpublished materials from archival and digital repositories throughout the world. Organized by historical geography, the second volume spans the British Empire.

Throughout history there have been women, endowed with curiosity and abundant spirit, who stepped out of the cave, cast off the shackles of expectation, and struck out for new territory. In this ode to bold, brash, and sometimes just plain dangerous women, Barbara Holland reanimates those rebels who defied convention and challenged authority on a truly grand scale: they traveled the world, commanded pirate ships, spied on the enemy, established foreign countries, scaled 19,000-foot passes, and lobbied to change the Constitution. Some were merry and flamboyant; others depressive and solitary. Some dressed up as men; others cherished their Victorian gowns. Many were ambivalent or absentminded mothers. But every one of them was fearless, eccentric, and fiercely independent. Barbara Holland evokes their energy in this unconventional book that will acquaint you with the likes of Grace O’Malley, a blazing terror of the Irish seas in the 1500s, and surprise you with a fresh perspective on legends like Bonnie Parker of “Bonnie and Clyde” fame. With wit, wisdom, and irreverent flair, They Went Whistling makes a compelling case for the virtue of getting into trouble.

'Hello World' is the story of a life online. Part travelogue, part memoir, Sue Thomas draws on her online travels as well as her physical journeys in the USA, Australia, Spain and England. While the book is non-fiction, it is a direct descendent of 'Correspondence', Thomas’ extraordinary novel that also deals with the synergies between digital and physical worlds. Like its fictional counterpart, Hello World will trigger feelings in readers of recognition and will stimulate debate on the nature of the physical in a wired world for years to come. First published in 2004. 'This is a book about a love affair. It's also a meditation on a phenomenon that has changed not just our lives but our perceptions of ourselves.' The Independent. '...an essential tour guide to the poetics of time, space and gender in the Information Age. This book is quite simply a Baedeker to the cyber-realm.' Carolyn Guertin. '...engagingly and warmly written, 'Hello World' combines first-person meditations with a wealth of information. Highly recommended for first-time users and those who want to try dipping their toes into the cyberwaters.' N. Katherine Hayles. '...embracing digital media for its freedom and life beyond the physical page, her writings fuse the surfaces, textures, histories and interactions of our bodies and minds.' Robin Rimbaud / Scanner. 'Sue Thomas is one of the most innovation thinkers, promoters and facilitators on the web.' Stelarc. '...anyone who feels both seduced and appalled by the complexities of embedded technology will empathise with this account of the personal highs and lows of an intimate relationship with technology.' Jenny Wolmark. 'Speaking with ease and authority, earned through years of immersive investigation, Sue Thomas critiques virtuality in a manner which makes this book accessible to those who are new to the networked world, as well as a must-read for those already there.' Melinda Rackham. 'Hello World is fascinating, almost hypnotic. Thomas travels all over the physical world, and all over the virtual world, visiting sights and sites of intrinsic and historical interest. She describes what she sees, tells us how the experience affects her, and recounts how past travelers have marked these conceptual landscapes. Thomas invokes Thoreau throughout the book, and the comparison is apt: As Thoreau's observations of the activity around Walden Pond always told us as much about him as they did about the nature he studied, so, too, Thomas's observations reveal much about herself. The intensity of her love for cyberspace is manifest in her attentiveness to the detail of each virtual experience.' Tekka. 'Thomas offers a way of being in the world that refuses hierarchies and primacies and offers us a model of an engaged and creative practice that is both virtual and real.' RealTime. 'As a mix it's intense and entrancing, and it demonstrates the ease with which computers, electronic communications, and lives all intertwine beyond the home.' Alan Sondheim. Originally published in paperback by Raw Nerve Books. Web Supplement http://travelsinvirtuality.typepad.com/helloworld/