"I lived through World War II in Germany with the attitude of a child. The women in our household protected me and 'the front,' where all the men had gone far away for a time," says Shanti Elke Bannwart. "I had no comparison and was not familiar with a life without war. The surrounding events of total destruction seemed like a normal backdrop to my childhood. The men had gathered somewhere in the mysterious place where the war happened." Bannwart's memoir, Dancing On One Foot, Growing Up In Nazi Germany, just published by Sunstone Press, confronts a major issue-World War II observed during the author's childhood in Nazi Germany. It explores the psychological imprint of that experience and the healing in later years after the author settles in the High Desert of the American Southwest. The book is also a tribute to the ability of women and children to survive hardships and celebrate life in all its straight and crooked ways-to dance, even if there's only one foot left to stand on. Here is the account of a woman's lifelong journey to understand what she came to face about war and her native country's part in a great crime. She is driven by a deep urge to lift the veil around the dark mystery of human violence. Yet, an undercurrent of vibrant joy runs inside her and through this book. It infuses all the layers of her memory, as if her wounding and the darkness of her story have fertilized her love of life.

Growing Up Female in Nazi Germany explores the world of the Bund Deutscher Mädel (BDM), the female section within the Hitler Youth that included almost all German girls aged 10 to 14. The BDM is often enveloped in myths; German girls were brought up to be the compliant handmaidens of National Socialism, their mental horizon restricted to the "three Ks" of Kinder, Küche, Kirche (children, kitchen, and church). Dagmar Reese, however, depicts another picture of life in the BDM. She explores how and in what way the National Socialists were successful in linking up with the interests of contemporary girls and young women and providing them a social life of their own. The girls in the BDM found latitude for their own development while taking on responsibilities that integrated them within the folds of the National Socialist state. "At last available in English, this pioneering study provides fresh insights into the ways in which the Nazi regime changed young 'Aryan' women's lives through appeals to female self-esteem that were not obviously defined by Nazi ideology, but drove a wedge between parents and children. Thoughtful analysis of detailed interviews reveals the day-to-day functioning of the Third Reich in different social milieus and its impact on women's lives beyond 1945. A must-read for anyone interested in the gendered dynamics of Nazi modernity and the lack of sustained opposition to National Socialism." --Uta Poiger, University of Washington "In this highly readable translation, Reese provocatively identifies Nazi girls league members' surprisingly positive memories and reveals significant implications for the functioning of Nazi society. Reaching across disciplines, this work is for experts and for the classroom alike." --Belinda Davis, Rutgers University Dagmar Reese is The Moses Mendelssohn Zentrum Potsdam researcher on the DFG-project "Georg Simmels Geschlechtertheorien im ‚fin de siecle' Berlin", 2004 William Templer is a widely published translator from German and Hebrew and is on the staff of Rajamangala University of Technology Srivijaya.

Focusing on politics, gender, and identities, a group of international dance scholars provide a broad overview of new methodological approaches – with specific case studies – and how they can be applied to the study of ballet and modern dance. With an introduction exploring the history of dance studies and the development of central themes and areas of concerns in the field, the book is then divided into three parts: politics explores 'Ausdruckstanz' – an expressive dance tradition first formulated in the 1920s by dancer Mary Wigman and carried forward in the work of Pina Bausch and others gender examines eighteenth century theatrical dance – a time when elaborate sets, costumes, and plots examined racial and sexual stereotypes identity is concerned with modern dance. Exploring contemporary analytical approaches to understanding performance traditions, Dance Discourses' pedagogical structure makes it ideal for courses in performing arts and humanities.

This book relates to us the experiences of a child under Hitler's dictatorship. It describes the author's activities in the military service and his attempts to survive in a land shattered by war. Of interest for parents, this biography also shows – in practice – how their child’s future can be programmed into success or failure. By taking us directly into the innermost minds of children it illustrates the long-term effects of the adults' words and attitudes. It also implies that, in spite of setbacks and rejections, a sense of persistence and optimism will lead to a meaningful and rewarding life

In February 1943 the Gestapo arrested approximately 10,000 Jews remaining in Berlin. Most died at Auschwitz. Two thousand of those Jews, however, had non-Jewish partners and were locked into a collection center on a street called Rosenstrasse. As news of the surprise arrest pulsed through the city, hundreds of Gentile spouses, mostly women, hurried to the Rosenstrasse in protest. A chant broke out: "Give us our husbands back." Over the course of a week protesters vied with the Gestapo for control of the street. Now and again armed SS guards sent the women scrambling for cover with threats that they would shoot. After a week the Gestapo released these Jews, almost all of whom survived the war. The Rosenstrasse Protest was the triumphant climax of ten years of resistance by intermarried couples to Nazi efforts to destroy their families. In fact, ninety-eight percent of German Jews who did not go into hiding and who survived Nazism lived in mixed marriages. Why did Hitler give in to the protesters? Using interviews with survivors and thousands of Nazi records never before examined in detail, Nathan Stoltzfus identifies the power of a special type of resistance--the determination to risk one's own life for the life of loved ones. A "resistance of the heart..."

Your students and users will find biographical information on approximately 300 modern writers in this volume of Contemporary Authors(R).

'I doubt I'll ever read a better account of the history and sociology of popular music than this one.' Brian Eno 'Profound.and beyond.' Robert Plant Legendary producer and record label boss Joe Boyd has spent a lifetime travelling the globe and immersing himself in music. He has witnessed first-hand the growing popularity of music from Africa, India, Latin America, the Caribbean and Eastern Europe since the 1960s and was one of the protagonists of the 'world music' movement of the 1980s. In this sweeping history, Boyd sets out to explore the fascinating backstories to these sounds and documents a decade of encounters with the most extraordinary musicians and producers who have altered the course of music for us all. And the Roots of Rhythm Remain shows how personalities, events and politics in places such as Havana, Lagos, Budapest, Kingston and Rio are as colourful and momentous as anything that took place in New Orleans, Harlem, Laurel Canyon or Liverpool. And, moreover, how jazz, rhythm and blues and rock 'n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon. 'A gift to the world. Blow your mind and your speakers' Cerys Matthews 'One only hopes that this will be taught in schools.' Ry Cooder

“Dancing On One Foot” confronts a major issue—World War II observed during the author’s childhood in Nazi Germany. It explores the psychological imprint of that experience and the healing in later years after the author settles in the High Desert of the American Southwest. The book is also a tribute to the ability of women and children to survive hardships and celebrate life in all its straight and crooked ways—to dance, even if there’s only one foot left to stand on. Here is the account of a woman’s lifelong journey to understand what she came to face about war and her native country’s part in a great crime. She is driven by a deep urge to lift the veil around the dark mystery of human violence. Yet, an undercurrent of vibrant joy runs inside her and through this book. It infuses all the layers of her memory, as if her wounding and the darkness of her story have fertilized her love of life. SHANTI ELKE BANNWART was born in Hamburg, Germany at the onset of World War II. She moved to the United States in 1983 and studied at Lesley University, Cambridge, for her master’s degree in Expressive Therapies. She also received a MFA in Creative Writing from Goddard College and is now a Life-Coach and psychotherapist in private practice in Santa Fe, New Mexico and a clay artist educated at the Institute of American Indian Arts. Her essays have been published in national and international magazines and she has been awarded various winning prizes in literary competitions.