A world-famous ballerina’s dramatic life Dancing Past the Light cinematically illuminates the glamorous and moving life story of Tanaquil “Tanny” Le Clercq (1929‒2000), one of the most celebrated ballerinas of the twentieth century, describing her brilliant stage career, her struggle with polio, and her important work as a dance teacher, coach, photographer, and writer. Born in Paris, Le Clercq became a principal dancer with the New York City Ballet at age 19 and a role model for aspiring dancers everywhere. Orel Protopopescu recounts Le Clercq’s intense marriage to the company’s renowned choreographer George Balanchine, for whom Le Clercq was a muse, the prototype of the exquisite, long-limbed “Balanchine ballerina.” Enhanced with a wealth of previously unpublished photos, personal letters, and sketches by Balanchine, this book offers an intimate portrait of Le Clercq’s dancing life and her relationship to the man who was both her mentor and husband. It delves into her friendships with other dancers as well, including a longtime rival for her affections, choreographer Jerome Robbins. Le Clercq contracted polio while on tour in Europe at age 27 and would never dance again. This book offers a rare account of how Le Clercq grappled with a fate considered unimaginable for a ballerina and began to share her love of dance as a writer and dance teacher. It also highlights Le Clercq’s role in the struggles for racial equality and disability rights. Her art was her vehicle: she and Arthur Mitchell made history as the couple in New York City Ballet’s first interracial pas de deux at City Center in 1955 and later she taught from a wheelchair at his Dance Theatre of Harlem. With insights from interviews with her friends, students, and colleagues, Dancing Past the Light depicts the joys and the dark moments of Le Clercq’s dramatic life, celebrating her mighty legacy.

The Glory-Filled Life Begins with a Glory-Filled Mind Does it feel as if you are continually hitting a ceiling in your life—that power, breakthrough, and transformation are always just out of reach? Like many believers, you are unknowingly living under a self-imposed barrier: a non-transformed mind whose very thoughts prevent you from experiencing the fullness of a glory-presence life—and give the enemy permission and power to wreak havoc in your life. But it doesn't have to be this way. When a medical error caused a fatal heart attack, Messianic Rabbi Felix Halpern found himself facing the Throne of God before miraculously returning to life. Drawing from his Throne Room encounter, Rabbi Halpern unearths fresh Heaven-sourced revelations that empower you to experience a glory-filled life every day. Full of inspired teaching and real-world application, this book propels you into a glory mindset that will transform the way you think and live, equipping you to: Break through your self-imposed ceiling Wield the glory authority you have over the devil and his demons, Experience the exhilarating adventure of an open Heaven, and Take hold of everything that is available to you in the glory-filled life. Stop defaulting to defeat and learn how to triumphantly Dance Past the Darkness of a mediocre, powerless, and status quo spiritual experience. Let the glory of God engulf your mind, transform your life, and usher you into greater levels of power, breakthrough, and transformation.

This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. The essays find a balance between past and present and examine how dance and bodily practices are core identity and cultural creators. Reaching beyond the typically Eurocentric view of dance, Dancing from Past to Present opens a world of debate over the role dance plays in forming and expressing cultural identities around the world.

All The Major Dance Styles Of The Indian Subcontinent Share A Common Root System Of Ethical And Aesthetic Values. Hence No Single Style Can Claim To Be Purer Or Older Than Any Other. Kathak- The Style That Grew, Took Shape And Flourished In The Northern Regions Of The Subcontinent-Has Been Misunderstood And Misinterpreted On Account Of Ignorance And Prejudice From Various Quarters. This Book Sets Out, Therefore, To Rectify Incorrect Perceptions By Presenting Historical Facts And Placing Kathak Dance In Its Proper Cultural Context. The Background Of The Dance Is Explained In Detail; The Religious, Social And Political Influences Over The Centuries Are Recounted; Myth, Theory And Reality Are Expounded Upon; Current Trends Are Described And Future Possibilities Examine; And, Not Least, The Sheer Beauty Of Kathak Is Exposed To Both The Eye And The Intellect. This Book Provides Not Only Information On Technique And Training But Also Tells The Dance Lover What To Look For In A Typical Kathak Performance. It Will, Indeed, Assist The Reader Better To Appreciate And Understand A Great Dance Style. The Names And Addresses Of Recognised Dance Schools And Teachers, Both In India And Abroad, Will Prove Useful, As Will The Glossary And Bibliography. India S Kathak Dance: Past, Present, Future Is Essential Reading For All Those Who Wish To Be Acquainted With India S Immense Cultural And Artistic Achievements.

Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.

DigiCat Publishing presents to you this special edition of "The Coldstone" by Dora Amy Elles. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Winner of the Selma Jeanne Cohen Prize in Dance Aesthetics (2014) For twenty-five years, Ann Cooper Albright has been exploring the intersection of cultural representation and somatic identity in dance. For Albright, dancing is a physical inquiry, a way of experiencing and participating in the world, and her writing reflects an interdisciplinary approach to seeing and thinking about dance. In her engagement as both a dancer and a scholar, Albright draws on her kinesthetic sensibilities as well as her intellectual knowledge to articulate how movement creates meaning. Throughout Engaging Bodies movement and ideas lean on one another to produce a critical theory anchored in the material reality of dancing bodies. This blend of cultural theory and personal circumstance will be useful and inspiring for emerging scholars and dancers looking for a model of writing about dance that thrives on the interconnectedness of watching and doing, gesture and thought. Hardcover is un-jacketed.

The first major English-language study of a legendary dancer

Now it is possible for the first time to trace in a systematic way the language patterns of one of the greatest poets who have written in English, W. B. Yeats. Like A Concordance to the Poems of Matthew Arnold, the first of the Cornell Concordances that are under the general editorship of Professor Parrish, this volume was produced on an IBM 704 electronic data-processing machine. Computer technique has so advanced that the Yeats concordance includes punctuation and gives cross references for the second parts of hyphenated words. The frequency of every word in Yeats's poems is given, and an appendix lists all indexed words in order of frequency. The body of this book consists of an index of all significant words in Yeats, each word listed in the line or lines in which it occurs. The concordance is based on the variorum text of Yeats, edited by Alspach and Allt, and includes all variants that occur in printed versions of Yeats's poems.

A powerhouse grimdark fantasy of bloodshed, ambition, and fate, The House of Sacrifice is the thunderous conclusion to Anna Smith Spark's Empires of Dust trilogy, which began with The Court of Broken Knives. Marith Altrersyr has won. He cut a path of blood and vengeance and needless violence around the world and now he rules. It is time for Marith to put down his sword, to send home his armies, to grow a beard and become fat. It is time to look to his own house, and to produce an heir. The King of Death must now learn to live.But some things cannot be learnt. The spoils of war turn to ash in the mouths of the Amrath Army and soon they are on the move again. But Marith, lord of lies, dragon-killer, father-killer, has begun to falter and his mind decays. How long can a warlord rotting from within continue to win? As the Army marches on to Sorlost, Thalia's thoughts turn to home and to the future: a life grows inside her and it is a precious thing - but it grows weak. Why must the sins of the father curse the child? Empires of DustThe Court of Broken KnivesThe Tower of Living and DyingThe House of Sacrifice