Personal tragedy and communal catastrophe up to the present day are universal human experiences that call forth lament. Lament singers--from the most ancient civilizations to traditional oral poets to the biblical psalmists and poets of Lamentations to popular singers across the globe--have always raised the cry of human suffering, giving voice to the voiceless, illuminating injustice, or pleading for divine help. This volume gathers an international collection of essays on biblical lament and Lamentations, illuminating their genres, artistry, purposes, and significant place in the history and theologies of ancient Israel. It also explores lament across cultures, both those influenced by biblical traditions and those not, as the practices of composition, performance, and interpretation of life's suffering continue to shed light on our knowledge of biblical lament. --From publisher's description.

Jews arrived in the Republic of Rome some time in the second or first century B.C.E. They soon formed their own community which absorbed Roman cultural forms but was able to maintain its identity and integrity. For more than twenty centuries, the Italian peninsula has been home to the heirs of this ancient minority community, whose culture is a blend of traditional Jewish content with Roman, then Italian cultural forms. Gardens and Ghettos: The Art of Jewish Life in Italy is the title of an exhibition curated by Vivian B. Mann and Emily Braun for The Jewish Museum, New York (September 1989-January 1990), an exhibition that explores the extraordinarily rich artistic legacy of Italian Jewry. This book, like the exhibition itself, focuses on four time periods: the Empire, the Era of the City States (1300-1550), the Era of the Ghettos (1550-1750), and the period since the Risorgimento. Artifacts and architecture are generously represented along with fine arts. Essays by prominent scholars introduce us to the historical and cultural context of a splendid array of works, from ancient Roman architectural fragments and gold glass to illuminated manuscripts and printed books from the Renaissance, baroque ceremonial textiles and silver, and paintings, graphics, and sculpture of the modern era. The many illustrations illuminate the art and life of a minority community in dynamic tension with dominant society and show the vibrant, ongoing contribution by Jews to the arts of Italy. Jews arrived in the Republic of Rome some time in the second or first century B.C.E. They soon formed their own community which absorbed Roman cultural forms but was able to maintain its identity and integrity. For more than twenty centuries, the Italian peninsula has been home to the heirs of this ancient minority community, whose culture is a blend of traditional Jewish content with Roman, then Italian cultural forms. Gardens and Ghettos: The Art of Jewish Life in Italy is the title of an exhibition curated by Vivian B. Mann and Emily Braun for The Jewish Museum, New York (September 1989-January 1990), an exhibition that explores the extraordinarily rich artistic legacy of Italian Jewry. This book, like the exhibition itself, focuses on four time periods: the Empire, the Era of the City States (1300-1550), the Era of the Ghettos (1550-1750), and the period since the Risorgimento. Artifacts and architecture are generously represented along with fine arts. Essays by prominent scholars introduce us to the historical and cultural context of a splendid array of works, from ancient Roman architectural fragments and gold glass to illuminated manuscripts and printed books from the Renaissance, baroque ceremonial textiles and silver, and paintings, graphics, and sculpture of the modern era. The many illustrations illuminate the art and life of a minority community in dynamic tension with dominant society and show the vibrant, ongoing contribution by Jews to the arts of Italy.