It is a truth universally acknowledged that all is fair in love and war. Mr. Darcy and Mr. Bingley have both fallen in love with the vivacious Elizabeth Bennet. Bingley is Darcy's best friend, but will that keep Darcy from pursuing the woman he wants more than anything in the world? Darcy in Love and War is a Pride and Prejudice Variation Novella based on Jane Austen's most romantic couple.

'[A] masterpiece of reportorial thoroughness, painstaking research, and serious reflection.' Edward Said

Now A Hallmark Channel Original Movie It is a truth universally acknowledged that a single woman teetering on the verge ofthirty must be in want of a husband. Not true for Manhattanite ElizabethScott. Instead of planning a walk down the aisle, she's crossing the pond with the onlycompanion she needs—her darling dog, Bliss. Caring for a pack of show dogs in Englandseems the perfect distraction from the scandal that ruined her teaching career, and herreputation, in New York. What she doesn't count on is an unstoppable attraction tobillionaire dog breeder Donovan Darcy. The London tycoon's a little bit arrogant, a wholelot sexy…and the chemistry between them is disarming. When passion is finallyunleashed, might Elizabeth hope to take home more than a blue ribbon?

Cory Beecher didn’t mean to shoot handsome Tyler Montgomery and only kisses him so he doesn’t find the runaway slave in the barn. Abolitionists never considered marrying slave owners, but her world explodes with new found desire when her lips touch his. Can she go through with her carefully crafted plans to marry math instructor Douglas Raymond when her heart longs for another? Tyler Montgomery needs to find the runaway slaves before his rival Edward Vandal captures them. Although he doesn’t want to involve the fiery and beautiful Miss Beecher, once she kisses him, all his plans unravel. As his rival closes in on the quarry, he hesitates to leave, knowing she’s marrying the wrong man. But what does an unemployed lawyer with questionable parentage have to offer the woman he loves?

The choice of a lifetime... One young lady following her passion for music. Two strong men locked in a bitter rivalry for her heart. A journey of self-discover, and a trap of her own making. Georgiana Darcy is going to have to carve out her own destiny, however ill-equipped she may feel... Praise for In the Arms of Mr. Darcy: "Engaging, fast-paced, and searingly romantic." — Austenprose "Eloquent . . . Lathan continues to bring the Regency period to life . . . I was swept up by the romance." — Rundpinne "Ms. Lathan's writing is lyrical and perfect for this genre ... Jane Austen would be proud." — The Good, the Bad and the Unread "One of the best [Austen sequels] yet written. . .we get an in-depth look into the deep and everlasting love Darcy and Elizabeth share." — Everything Victorian and More Bestselling author Sharon Lathan has created a world of sensual Jane Austen continuations, including Mr. and Mrs. Fitzwilliam Darcy: Two Shall Become One and Loving Mr. Darcy Journeys Beyond Pemberley. Her work is widely praised for bringing the Regency period to life and for the depth of her stories of true love.

Ideas of masculinity and femininity become sharply defined in war-reliant societies, resulting in a presumed enmity between men and women. This so-called battle of the sexes intensifies in tandem with dispositions to fight actual wars. These are among the fascinating discoveries Tom Digby shares in Love and War, which describes the making and manipulation of gender in both militaristic and nonmilitaristic societies and the consequences for men and women in their personal, romantic, sexual, and professional lives. Drawing on cross-cultural comparisons and examples from popular media, including sports culture, the rise of ÒgonzoÓ and ÒbangbusÓ pornography, and ÒInternet trolls,Ó Digby shows how misogyny and toughness are deployed to construct masculinity in ways that undermine relations between women and men. Through diverse philosophical methodologies, he identifies the cultural elements that contribute to heterosexual antagonism, such as an enduring faith in male force to solve problems, the glorification of violent men who suppress caring emotions, the devaluation of menÕs physical and emotional lives, an imaginary gender binary, male privilege premised on the subordination of women, and the use of misogyny to encourage masculine behavior. Digby tracks the Òcollateral damageÓ of this disabling misogyny in the lives of both men and women, but ends on a hopeful note. He ultimately finds the link between war and gender to be dissolving in many societies: war is becoming degendered, and gender is becoming demilitarized.

The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past.

My Dearest Darcy... What do you do after Happily Ever After? Lizzy and Darcy are married. They’re ecstatically happy newlyweds. But a journey to London separates them. Whatever will they do? Write letters, of course! In this sequel to Jane Austen’s masterpiece, read the witty, passionate correspondence between her most beloved pair as they survive separation, sisters, and surprise guests. The giddy newlyweds keep the flame alight the old-fashioned way... All while reminding each other — and us — just what a perfectly matched couple they are. "Clever and charming, snarky and steamy, meticulously researched with welcome appearances from real-world historical figures. Can't wait for Volume II!" — Heather Albano, Keeping Time trilogy (Novel-length, steamy Regency romance. Some four-letter words — used impeccably, of course.) My dearest Darcy I have ruined fully eighteen of these beautiful, creamy linen sheets to get even this far. You will laugh at me, I know, but I am in this my mother’s daughter, and such prodigal waste of paper offends my sense of thrift and of propriety. And for what? Because I wish to write you, but do not know how to call you. Dearest Husband? Too formal. Dear Fitzwilliam? Too familiar. Beloved lover? Far too familiar, though very true, and I am still close enough to what little maidenly modesty I ever possessed not to wish you to open this letter in public upon such a greeting. (And I do warn you that I cannot promise that pages to come will not venture into territory that might destroy both your modesty and what little remains of mine, and so I hope that you will save the rest of this letter for perusal in some private place; you may take that for a promise or for a threat, as you will!) My own Billy? Well, I think I can imagine the mask of mortification that that salutation would provoke; I will keep that one for special, private moments, I think, when you have become too much the forbidding, proud Mr. Darcy of old and I simply wish to laugh at you. And so My dearest Darcy it is—not only because it strikes me as particularly euphonious, but because it is true, in whole and in parts. I love your sister—my new sister—dearly, but I can say without any compunction that you are indeed the dearest Darcy to me, dearer even than myself. You are Darcy, first and foremost—I can scarcely think of you by any other name, even though it is now my own. It is the name by which I first knew you, by which I truly came to know you, and by which I have come to love you with all of my foolish, conceited heart. Too, you are mine. Pride is a sin, as we both know to our misfortune, but I think that this is one of the things of which I am proudest: that you, virtuous, accomplished, intelligent, upright—occasionally to a fault—belong to me. And that I, vain, silly, homely and venal, belong to you, soul, mind and body. Of your possession of my soul you must trust. Of my mind you have this evidence—that you have been gone from our bed and from our home for but four hours, and I have had scarcely a thought but of you. [...] (Here, good my lord, is the point at which I must ask you to remember that I warned you to read this in a private place. If you failed to heed my warning, on your head be it!) As for my body, sir, you have ample evidence of your possession of that: it has been yours to do with as it has pleased you for these past weeks and, oh, Darcy, I hope it has pleased you to take ownership so completely. It has pleased me, and pleased me again, to the point where now, having felt you within me and against me only this morning, my body weeps at your absence, desiring only to be taken—and to take—again.

Mr. Darcy's younger sister searches for her own happily-ever-after... The year is 1814, and it is springtime at Pemberley. Elizabeth and Mr. Darcy have married. But now a new romance is in the air, along with high fashion, elegant manners, scandal, deception, and the wonderful hope of a true and lasting love. Shy Georgiana Darcy has been content to remain unmarried, living with her brother and his new bride. But Elizabeth and Darcy's fairy-tale love reminds Georgiana daily that she has found no true love of her own. And perhaps never will, for she is convinced the one man she secretly cares for will never love her in return. Georgiana's domineering aunt, Lady Catherine de Bourgh, has determined that Georgiana shall marry, and has a list of eligible bachelors in mind. But which of the suitors are sincere, and which are merely interested in Georgiana's fortune? Georgiana must learn to trust her heart--and rely on her courage--for she also faces the return of the man who could ruin her reputation and spoil a happy ending, just when it finally lies within her grasp. Georgiana Darcy's Diary is Book 1 of the Pride and Prejudice Chronicles and is appropriate for all ages. The Pride and Prejudice Chronicles: Georgiana Darcy's Diary Pemberley to Waterloo Kitty Bennet's Diary keywords: free, freebie, clean historical romance, clean Regency romance, England, Jane Austen sequel, Pride and Prejudice sequel, Mr. Darcy, Elizabeth Bennet, Lizzie Bennet, Pemberley, British, cozy

Give in to your love of scandal, secrets and shopping with the sparkling Marrying Mr Darcy trilogy – the perfect Christmas treat for Jane Austen fans.