"Dark Confessions" is an intense new novella told in the unique style of dark writer 'Fritz O'Skennick' and concentrates on the darker nature of man, exploring the facets and mind states of murder, revenge and the lengths we'd go to in the name of love, honor and redemption...

From "a vivid and entertaining storyteller" (J.A. Redmerski, New York Times bestselling author), a steamy and suspenseful paranormal romance perfect for fans of A Discovery of Witches. For Sheriff's Deputy Elizabeth Caine, seeing is believing. But in the past few months, she's witnessed an otherworldly realm of ancient magic and ghostly spirits that defies explanation. When a friend connected to that world of witchcraft is taken captive by a ruthless criminal, Bess will risk anything to find her, even if it means enlisting the help of a former lover she can no longer trust. Ferdinand Lafitte can't tell Bess the truth about his feelings for her, not while a powerful spell binds him. But he can guide her through the lush bayou in search of Mala LaCroix, whose fate means as much to him as it does to Bess. Yet as their search reveals the darkest kinds of sorcery, they find themselves drawn together more passionately than ever before.

In this radical reinterpretation, Mr. Thompson argues that Melville, seeking to disguise his agonized conviction of the cruelty and malice of God, consistently satirized Christian doctrine. He endeavors to show that Melville resorted to literary deceptions that could simultaneously hoodwink and satirize the point of view of his orthodox readers. This bold challenge to the conventional interpretation of Melville is brilliantly presented and fully supported by external and internal evidence in such a way as to reveal a sinister intent in all of the major narratives from Typee through Billy Budd. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

One of the leading critics of our time, R.W.B. Lewis, charts the career of Hart Crane's imagination-of his vision, his rhetoric, and his craft. Crane, who has heretofore been assigned a relatively minor place in American letters, emerges from this rich, dense book as one of the finest poets in our language. Mr. Lewis traces the development of the theme which runs through all of Crane’s poetry-the need for the visionary and loving transfiguration of the actual world-and claims that it is this theme which gives Crane’s poetry its extraordinary consistency. Mr. Lewis also relates Crane’s development as poet to the Anglo-American Romantic tradition and argues that Blake, Wordsworth, Keats, and Emerson are vital to an understanding of Crane’s work. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hart Crane's Queer Modernist Aesthetic argues that the aspects of experience which modernists sought to interrogate – time, space, and material things – were challenged further by Crane's queer poetics. Reading Crane alongside contemporary queer theory shows how he creates an alternative form of modernism.

Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.

Roger Chillingworth, an aging scholar, returns to Puritan Boston and finds a crowd gathered to witness an official punishment. He spots a young woman holding a baby, whom he recognises as his wife, Hester Prynne, standing on the platform. Hester has been found guilty of “the most sinful act”. She refuses to reveal the father of her child and so, is ordered to wear the scarlet letter ‘A’ for the rest of her life as a mark of shame.Hester accepts her punishment and struggles to create a new life for her daughter Pearl. For the next seven years, she endures the accusing stares of the society, but holds her head high through the trials and tribulations. Reverend Dimmesdale, Hester’s pastor is the only person,who empathises with her. Meanwhile, Roger Chillingworth is full of vengeance and determined to exact revenge from Hester’s lover.The Scarlet Letter tells the tale of Roger Chillingworth, Hester Prynneand Arthur Dimmesdale as they struggle with their internal conflicts in the morally rigid 17th century society.

Amelia Brown is willing to do anything to make it stop, this feeling that hurts like an entire battlefield inside her. The plan is in action when a magnetizing stranger, Ethan Garcia, holds her hand as they rush her to the hospital. The unjustified tears in his hazel eyes are poetry to Amelia. This is the first time she thinks there might just be another way to end her suffering. For a minute, Amelia’s drooling heart forgets that it’s already been given to Austin, her almost perfect husband. She swings in and out of love with the husband, who still manages to sway her with those sea-blue eyes, and the stranger whose overpowering touch and dominating gaze warn Amelia that he’s trouble. She wonders if it’s possible to love two people at the same time. Will she try to revive a failing marriage with a husband that once kept her like a queen? Will she incurably fall for the stranger whose extremism scares and excites her at the same time? Or will she discover spine-chilling information about them, only to realize that she’s been a victim to a long-thought evil plan?

Make use of a detailed plan and ready-to-use lessons for teaching appeal terms and Book Hook writing to students. Getting Beyond "Interesting": Teaching Students the Vocabulary of Appeal to Discuss Their Reading is a practical application book that gives librarians all the tools they need to implement the teaching of both appeal terms and Book Hook writing and sharing. When students know how to write Book Hooks and have access to an easy-to-use system for allowing students to share Book Hooks, the result is greatly increased reading through the power of peer recommendations. This book not only supplies a detailed plan for teaching appeal terms and Book Hook writing, but it also provides two extensive appendices containing all the black line masters and forms needed to implement these lessons. As a result, practitioners will be able to enhance their students' reading culture through increased sharing of reading—and most importantly, by empowering students with the ability to clearly define their reading preferences.

A fascinating, beautifully illustrated collection of stories from the hit podcast Lore - now an online streaming series They live in shadows - deep in the forest, late in the night, in the dark recesses of our mind. They're spoken of in stories and superstitions, relics of an unenlightened age, old wives' tales, passed down through generations. And yet, no matter how wary and jaded we have become, as individuals or as a society, a part of us remains vulnerable to them. Werewolves and wendigos, poltergeists and vampires, angry elves and vengeful spirits. In this beautifully illustrated volume, the host of the hit podcast Lore serves as a guide on a fascinating journey through the history of these terrifying creatures, and explores not only the legends but what they tell us about ourselves. Aaron Mahnke invites us to the desolate Pine Barrens of New Jersey, where the notorious winged, red-eyed Jersey Devil dwells. Mahnke delves into harrowing accounts of cannibalism-some officially documented, others the stuff of speculation . . . perhaps. He visits the dimly lit rooms where séances take place, the European villages where gremlins make mischief, and Key West, Florida, home of a haunted doll named Robert. The monsters of folklore have become not only a part of our language but a part of our collective psyche. Whether these beasts and bogeymen are real or just a reflection of our primal fears, we know, on some level, that not every mystery has been explained, and that the unknown still holds the power to strike fear deep in our hearts and souls. As Aaron Mahnke reminds us, sometimes the truth is even scarier than the lore... Praise for the Lore podcast 'Truth can often be much scarier than fiction - something Mahnke proves as he dives deep into the world of folklore and the darker side of history in a quest to root out the fragment of truth at the bottom of our fears." - Entertainment Weekly 'Narrated by Mahnke in a style that evokes spooky campfire stories, Lore is a history lesson like no other.' - Esquire