One of the Atlantic's "Books to Get Lost in This Summer" Best Books of August 2023: New York Times Book Review, Christian Science Monitor, InsideHook, BookRiot, WNET AllArts, Arlington Magazine A trenchant reclamation of the Chinese American movie star, whose battles against cinematic exploitation and endemic racism are set against the currents of twentieth-century history. Born into the steam and starch of a Chinese laundry, Anna May Wong (1905–1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood’s most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos—with a touch of defiance—“Orientally yours.” Now, more than a century after her birth, Yunte Huang narrates Wong’s tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wong’s rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a “Dragon Lady,” “Madame Butterfly,” or “China Doll,” Huang’s biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wong’s all-too-brief fifty-six years on earth.

'A deeply researched, hugely empathic biography.' HELEN O'HARA 'Sure to enthral anyone fascinated by audacious, before-their-time women.' KAREN ABBOTT 'This superbly detailed book does Wong's story proper justice.' BOB STANLEY ' A must read, for anyone who loves pop culture or cares about representation in Hollywood.' PHIL YU Set against the glittering backdrop of Los Angeles in the gin-soaked Jazz Age and the rise of Hollywood, this debut book celebrates Anna May Wong, the first Asian American movie star, to bring an unsung heroine to light and reclaim her place in cinema history. In her time, Anna May was a legendary beauty, witty conversationalist, and fashion icon. Plucked from her family's laundry business in Los Angeles, she rose to stardom in Douglas Fairbanks's blockbuster The Thief of Bagdad. Fans and the press clamored to see more of this unlikely actress, but when Hollywood repeatedly cast her in stereotypical roles, she headed abroad in protest. Anna May starred in acclaimed films in Berlin, Paris, and London; she dazzled royalty and heads of state across several nations, leaving trails of suitors in her wake. She returned to challenge Hollywood at its own game by speaking out about the industry's blatant racism. She used her new stature to move away from her typecasting as the China doll or dragon lady, and worked to reshape Asian American representation in film. Along with unprecedented access to Anna May's personal effects courtesy of the Wong family, in Not Your China Doll, Katie Gee Salisbury also draws on her own experiences as an Asian American woman to showcase the vibrant, radical life of a groundbreaking artist.

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Between 1919 and 1961, pioneering Chinese American actress Anna May Wong established an enduring legacy that encompassed cinema, theater, radio, and American television. Born in Los Angeles, yet with her US citizenship scrutinized due to the Chinese Exclusion Act, Wong—a defiant misfit—innovated nuanced performances to subvert the racism and sexism that beset her life and career. In this critical study of Wong's cross-media and transnational career, Yiman Wang marshals extraordinary archival research and a multifocal approach to illuminate a lifelong labor of performance. Viewing Wong as a performer and worker, not just a star, To Be an Actress adopts a feminist decolonial perspective to speculatively meet her as an interlocutor while inviting a reconsideration of racialized, gendered, and migratory labor as the bedrock of the entertainment industries.

This title provides a biography of Anna May Wong who is undoubtedly, one of the best known and most popular Chinese-American actresses ever to have graced the silver screen. Between 1919 and 1960 she starred in over 50 movies.

Seminar paper from the year 2006 in the subject American Studies - Culture and Applied Geography, grade: 2,0, Free University of Berlin (JFKI), course: Model Minority and Alien Pollutant: Situating the Yellow Race in America 1850- 1950, language: English, abstract: Asian American actress Anna May Wong (1905- 1961) was the most famous actress among all Chinese American actresses during the first half of the twentieth century. Her career spanned four decades and during that time she played all the Asian stereotypes from Dragon Lady and lotus blossom to seductress. Her status as a female of Asian ancestry living in America complicted her precedings in getting out of stereotypical parts she was offered. So how and why could Anna May Wong then raise to stardom in a time when Orientals were faced with racism, but in spite of that, is not sufficiently remembered nowadays?

Throughout the history of the United States, images of China have populated the American imagination. Always in flux, these images shift rapidly, as they did during the early decades of the twentieth century. In this erudite and original study, Karen J. Leong explores the gendering of American orientalism during the 1930s and 1940s. Focusing on three women who were popularly and publicly associated with China—Pearl S. Buck, Anna May Wong, and Mayling Soong—Leong shows how each negotiated what it meant to be American, Chinese American, and Chinese against the backdrop of changes in the United States as a national community and as an international power. The China Mystique illustrates how each of these women encountered the possibilities as well as the limitations of transnational status in attempting to shape her own opportunities. During these two decades, each woman enjoyed expanding visibility due to an increasingly global mass culture, rising nationalism in Asia, the emergence of the United States from the shadows of imperialism to world power, and the more assertive participation of women in civic and consumer culture.

"A biography of Chinese American film star Anna May Wong who, in spite of limited opportunities, achieved her dream of becoming an actress and worked to represent her race on screen in a truthful, positive manner." (Provided by publisher).