This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.

The phrase “Daughter of Zion” is in recent Bible translations often rendered “Daughter Zion”. The discussion behind this change has continued for decades, but lacks proper linguistic footing. Parlance in grammars, dictionaries, commentaries and textbooks is often confusing. The present book seeks to remedy this defect by treating all relevant expressions from a linguistic point of view. To do this, it also discusses the understanding of Hebrew construct phrases, and finds that while there is a morphological category of genitive in Akkadian, Ugaritic and Arabic, Hebrew, Aramaic and Syriac do not display it. The use of this term as a syntactical category is unfortunate, and the term should be avoided in Hebrew grammar. Metaphor theory and the use of irony are also tools in the discussion of the phrases. As a result of the treatment, the author finds that there are some Hebrew construct phrases where nomen regens describes the following nomen rectum, and the description may be metaphorical, in some cases also ironical. This seems to be the case with “Daughter of Zion” and similar phrases. This understanding calls for a revision of the translation of the phrases, and new translations are suggested.

In this volume Robin Parry not only builds on traditional scholarship to interpret the book of Lamentations within its ancient context but also ventures further, exploring how the book can function as Christian Scripture. Parry provides the first systematic attempt to read Lamentations in light of the cross and resurrection. --from publisher description

The Daughter Zion allegory represents a particular narrative articulation of the paradigm of bridal mysticism deriving from the Song of Songs, the core element of which is the quest of Daughter Zion for a worthy object of love. Examining medieval German religious writing (verse and prose) and Dutch prose works, Annette Volfing shows that this storyline provides an excellent springboard for investigating key aspects of medieval religious and literary culture. In particular, she argues, the allegory lends itself to an exploration of the medieval sense of self; of the scope of human agency within the mystical encounter; of the gendering of the religious subject; of conceptions of space and enclosure; and of fantasies of violence and aggression. Volfing suggests that Daughter Zion adaptations increasingly tended to empower the religious subject to seek a more immediate relationship with the divine and to embrace a wider range of emotions: the mediating personifications are gradually eliminated in favour of a model of religious experience in which the human subject engages directly with Christ. Overall, the development of the allegory from the twelfth to the fifteenth centuries marks the striving towards a greater sense of equality and affective reciprocity with the divine, within the context of an erotic union.

The Oxford Handbook of the Minor Prophets provides a clear and engaging one-volume guide to the major interpretative questions currently engaging scholars of the twelve Minor Prophets by collecting 40 essays by both established and emerging scholars who explore a wide range of methodological perspectives. Divided into four sections, the first group of essays is devoted to historical studies which consider the manuscript evidence for these books and overview debates about how, when, and by whom they were composed. Essays dealing with literary explorations consider the genres and rhetorical style of the material, key themes, and intertextual connections with other sections of the Jewish and Christian canons. A large section on the history of interpretation traces the ways in which past and present confessional communities, scholars, and artists have understood the Minor Prophets. In the final section, essays on individual books of the twelve Minor Prophets explore the structure, themes, and contested issues of each book.

ECPA Book Award finalist With the Dictionary of the Old Testament: Prophets, IVP's Black Dictionary series completes its coverage of the Old Testament canonical books. A true compendium of recent scholarship, the volume includes 115 articles covering all aspects of Isaiah, Jeremiah, Ezekiel, the twelve "minor prophets" and Daniel. Each book's historical, cultural, religious and literary background is thoroughly covered, alongside articles on interpretation history and critical method. Pastors, scholars and students will find this a deep resource for their Old Testament studies. Reference volumes in the IVP Bible Dictionary Series provide in-depth treatment of biblical and theological topics in an accessible, encyclopedia format, including cross-sectional themes, methods of interpretation, significant historical or cultural background, and each Old and New Testament book as a whole.

This concise commentary on the Prophets, excerpted from the Fortress Commentary on the Bible: The Old Testament and Apocrypha, engages readers in the work of biblical interpretation. Contributors from a rich diversity of perspectives connect historical-critical analysis with sensitivity to current theological, cultural, and interpretive issues. Each chapter (Isaiah through Malachi) includes an introduction and commentary based on three lenses: ancient context, the interpretative tradition, and contemporary questions and challenges. The Prophets introduces fresh perspectives and draws students, preachers, and interested readers into the challenging work of interpretation.

Lamentations is a book that has never had a place of honor at the table of Christian spirituality. This is an unfortunate state of affairs because its challenging poetry has much to offer. This volume explores the how the biblical book of Lamentations may be engaged afresh so that it can function as Holy Scripture for the ekklesia. Four main chapters consider issues in hermeneutics, exegesis, the use of Lamentations in worship, and pastoral reflections. These chapters have been supplemented by seventeen reception history studies written by an international team of Jewish and Christian scholars. These studies introduce a wide range of interpretations and uses of the book of Lamentations from throughout the history of Judaism and Christianity. They include examinations of the use of Lamentations in Isaiah 40-55, the Targum, Rashi, and contemporary Jewish thought, the Patristic period, Calvin, Jewish and Christian worship, music, Rembrandt, and psychological and feminist interpretation. Appendices include new English translations of LXX Lamentations and Targum Lamentations.

This volume seeks to guide students in religious or literary studies or other interested readers toward understanding and appreciation of biblical prophetic poetry. Each of the three sections of the book includes a chapter examining one of the literary features with brief examples from prophetic texts, followed by another chapter of applied criticism of a full prophetic poem (Joel 2 on parallelism, Jeremiah 4 on voice, and Isaiah 24 on design). Among the distinct features of the book are diagrams of parallel lines, promoting two-dimensional, “binocular” reading of the poems. Of all the literature of the Bible, prophetic poetry has probably been least accessible to the modern reader. Language is dense, images are obscure, and logical development of ideas seems almost inaccessible. Reading Prophetic Poetry seeks to help readers appreciate the luminous beauty of the language and the austere power and surprising relevance of the ideas in these relatively obscure biblical texts. It introduces an accessible approach to prophetic poetry which invites readers to turn to the biblical texts on their own with new ideas for appreciating the riches of these ancient poems.