This book explores lesbians in film from early representations to contemporary ones, spanning sixty years and over twenty films. Concentrating on lesbian desire and subtext, Kabir draws on films such as Queen Christina, The Killing of Sister George, Rebecca, Desperately Seeking Susan and The Color Purple. She details their narratives in conjunction with an examination of different spectating positions and new syntheses of filmic languages. Deploying lesbian history, black subjectivity, feminist film criticism and material from psychoanalysis, Daughters of Desire explores narrative, desire and identifications. From castration and agency to the fetishization of beauty, from mothering, narcissism, and Oedipus to rage and trauma, Kabir crosses frontiers in film studies and feminist theory.

This first systematic study of mother-daughter relationships as represented in Western European fiction during the second half of the 20th century provides a comparative study of works from England, France, Germany, Austria, Ireland, Italy, and Spain. For each individual body of texts, the authors identify characteristics arising from specific national literary traditions and from internal cultural diversities. The text suggests avenues for future investigation both within and across national boundaries. The featured writers include Steedman, Diski, Winterson, Tennant, de Beauvoir, Leduc, Djura, Wolf, Jelinek, Mitgutsch, Novak, Lavin, O'Brien, O'Faolin, Morante, Sanvitale, Ramondino, Chacel, Rodoreda, and Martin Gaite. The six contributing authors are scholars from New Zealand, England, Ireland, Italy and Wales. Annotation copyrighted by Book News, Inc., Portland, OR

The American family has long been at the centre of the typical Hollywood narrative. But the depiction of the nuclear family within contemporary mainstream US cinema has not yet been closely studied. Home Movies addresses this oversight by assessing recent cinematic representations of the family in terms of cultural politics and representations of gender, sexuality, race and class. Focusing on a diverse range of popular films - from Meet the Parents to The Incredibles - Claire Jenkins analyses the father-daughter relationship within sequels and series; Meryl Streep's embodiment of the mother; the superhero family and extraordinary manifestations of the ordinary family; disaster films which depict the president as father; 'mom-coms' and Hollywood's representations of the non-traditional family. She combines film studies, gender studies and family history to demonstrate the complexities of Hollywood's family values.

A Daughter's Desire, A Mother's Worst Nightmare tells the true story of one woman's quest as she struggles to preserve her arranged marriage by continuing in her abusive relationship. The names have been changed to protect the privacy of the people involved in the story. Shivani Ragunandan, a twenty-two-year-old college graduate, found herself betrothed into marriage by her family. Although it was not what she truly wanted, she went ahead with the wedding-only to find herself in a very unhappy marriage. Her husband was emotionally and physically abusive, cheating on her whenever the opportunity presented itself. Abiding by the rules of an arranged marriage in her Indo-Guyanese tradition, she was not allowed to file a divorce. She tried continuously to preserve her marriage to her twenty-seven-year-old husband. Although Shivani knew deep inside that this was not what she wanted, she feared her innocence, dignity, and reputation would be tarnished forever if she left her husband. Bound by cultural ties, she had no one to turn to but the celestial deities and her mother for guidance, faith, and strength.

Interprets the fundamental relationship between fathers and daughters in fiction as the father proposing, and the daughter either accepting or refusing. Considers a wide range of works and writers, from Little women and Huck Finn to Henry James and The Story of O. Paper edition (unseen), $12.95. Annotation copyrighted by Book News, Inc., Portland, OR

Ruth Perry describes the eighteenth-century transformation of the English family as a function of major social changes. She uses social history, literary analysis and anthropological kinship theory to examine texts by Austen, Richardson, Burney, and many others. This important study will be of interest to social and literary historians.

This is a comprehensive reference guide examining the language employed by Shakespeare to represent women in the full range of his poetry and plays. Including over 350 entries, Alison Findlay shows the role of women within Shakespearean drama, their representations on the Shakespearean stage, and their place in Shakespeare's personal and professional lives.

It was a gruesome crime scene. His beloved father was beheaded, and the prime suspect is his best friend, Nephi. Will justice be served? Will he avenge the murder of his father? Join Laban the younger on an epic journey from Jerusalem to the American continent in search of Nephi the murderer. The Book of Zelph is the world's most true book. It is the real-life story of the founding of America from the perspective of the Lamanites, the principal ancestors of the Native Americans.

This book presents an accessible introduction to the conceptualization and treatment of eating disorders from a psychoanalytic perspective. Each of the chapters offers a different perspective on these difficult-to-treat conditions and taken together, illustrate the breadth and depth that psychoanalytic thinking can offer both seasoned clinicians as well as those just beginning to explore the field. Different aspects of how psychoanalytic theory and practice can engage with eating disorders are addressed, including mobilizing its nuanced developmental theories to illustrate the difficulties these patients have with putting feelings into words, the loathing that they feel towards their bodies, the disharmonies they experience in the link between body and mind, and even the ways that they engage with online Internet forums. This is an accessible read for clinicians at the start of their career and will also be a useful, novel take on the subject for experienced practitioners.

This fascinating account of young women's lives challenges existing assumptions about working class life and womanhood in England between the end of the First World War and the beginning of the 1950s. While contemporaries commonly portrayed young women as pleasure-loving leisure consumers, this book argues that the world of work was in fact central to their life experiences. Social and economic history are woven together to examine the working, family, and social lives of the maids, factory workers, shop assistants, and clerks who made up the majority of England's young women. Selina Todd traces the complex interaction between class, gender, and locale that shaped young women's roles at work and home, indicating that paid work structured people's lives more profoundly than many social histories suggest. Rich autobiographical accounts show that, while poverty continued to constrain life choices, young women also made their own history. Far from being apathetic workers or pliant consumers, they forged new patterns of occupational and social mobility, were important breadwinners in working class homes, developed a distinct youth culture, and acted as workplace militants. In doing so they helped to shape twentieth-century society.