In Dead Men’s Propaganda: Ideology and Utopia in Comparative Communications Studies, Terhi Rantanen investigates the shaping of early comparative communications research between the 1920s and 1950s, notably the work of academics and men of practice in the United States. Often neglected, this intellectual thread is highly relevant to understanding the 21st-century’s challenges of war and rival streams of propaganda. Borrowing her conceptual lenses from Karl Mannheim and Robert Merton, Rantanen draws on detailed archival research and case studies to analyse the extent and importance of work outside and inside the academy, illuminating the work of pioneers in the field. Some of these were well-known academics such as Harold Lasswell and the authors of the seminal book Four Theories of the Press. Others operated in the world of news agencies, such as Associated Press's Kent Cooper, or were marginalised as émigré scholars, notably Paul Kecskemeti and Nathan Leites. Her study shows how comparative communications, from its very beginning, can be understood as governed by the Mannheimian concepts of ideology and utopia and the power play between them. The close relationship between these two concepts resulted in a bias in knowledge production, contributed to dominant narratives of generational conflicts, and to the demarcation of Insiders and Outsiders. By focusing on a generation at the forefront of comparative communications at this pivotal time in the 20th century, this book challenges orthodoxies in the intellectual histories of communication studies.

Dead Men Telling Tales is an original account of the lasting cultural impact made by the autobiographies of Napoleonic soldiers over the course of the nineteenth century. Focusing on the nearly three hundred military memoirs published by British, French, Spanish, and Portuguese veterans of the Peninsular War (1808-1814), Matilda Greig charts the histories of these books over the course of a hundred years, around Europe and the Atlantic, and from writing to publication to afterlife. Drawing on extensive archival research in multiple languages, she challenges assumptions made by historians about the reliability of these soldiers' direct eyewitness accounts, revealing the personal and political motives of the authors and uncovering the large cast of characters, from family members to publishers, editors, and translators, involved in production behind the scenes. By including literature from Spain and Portugal, Greig also provides a missing link in current studies of the Revolutionary and Napoleonic Wars, showing how the genre of military memoirs developed differently in south-western Europe and led to starkly opposing national narratives of the same war. Her findings tell the history of a publishing phenomenon which gripped readers of all ages across the world in the nineteenth century, made significant profits for those involved, and was fundamental in defining the modern 'soldier's tale'.

This book is for those men who have accepted Jesus' call. Who have picked up their cross and followed. And found the road is steeper than it looked. The cross is heavier. That although Jesus promised His yoke is easy and His burden is light, sometimes dropping to our knees and asking our Lord and Savior for His help is much, much harder than carrying the burden. This book is for every Christian man who wonders if he's on the right track. Wonders if he's the only one. Wonders how come everyone else seems to have it so together. Wonders why everyone else is getting ahead. Wonders how to keep the balls in the air, the engine red-lining, the wheels turning. Wonders if the thoughts he has or the actions he's taken are unique, forgivable, fathomable. This book is for the Christian man who struggles with pornography. The Christian man who struggles with anger and frustration. The Christian man who has thought about leaving his family. Or cheating on his wife. This book is for the man who just can't take the reins of his family and be its spiritual leader. If you are a Christian man who is never tempted, never tortured, never unsure, never mistaken, never wrong, never proud, never tired... this book is not for you. If you are a man who deep down wants to be a man of God but you are not sure how, this book is for you. If you are a man who struggles to be the man you know God wants you to be, this book is for you. If you've done something stupid and wonder how you can call yourself a Christian... this book is for you. This is a book for Christian men who wonder how to be a good a Christian husband and father and a man of God in a fallen world. It is for Christian women who would like insight into the trials and triumphs their husbands, sons and fathers are dealing with. This is a book that will help you towards becoming the man God dreams of you being.

A witty and formally versatile collection of poetry exploring life, faith, and history by the Witter Bynner Prize-winning poet. With Dead Men’s Praise, Jacqueline Osherow gives us her fourth and most ambitious collection of poetry to date. Her hybrid inspiration ranges from Dante’s terza rima, to free verse, to biblical psalms, all delivered in a casually conversational voice. Combining the self-mocking inflections of Yiddish jokes with the pure lyric inspiration of biblical verse, these poems range in theme from Italian hill towns to contemporary art installations in Los Angeles to the vanished Jewish world of the Ukraine. Her effortless humor and sharp insights take us from imaginings of the future to recovery of the past, and her distinctive voice becomes a fusion of the sublime and the down-to-earth. “Like Elizabeth Bishop, who wove her voice into a sestina so effortlessly you forget the form is there, Osherow makes villanelles, sonnets, and even Dante’s terza rima feel genuinely conversational.” —David Yaffe, The Village Voice

**A SUNDAY TIMES BESTSELLER** Mark Renton from Trainspotting is back – and he’s finally a success An international jet-setter, he now makes significant money managing DJs, but the constant travel, airport lounges, soulless hotel rooms and broken relationships have left him dissatisfied with his life. He’s then rocked by a chance encounter with Frank Begbie, from whom he’d been hiding for years after a terrible betrayal and the resulting debt. But the psychotic Begbie appears to have reinvented himself as a celebrated artist and – much to Mark’s astonishment – doesn’t seem interested in revenge. Sick Boy and Spud, who have agendas of their own, are intrigued to learn that their old friends are back in town, but when they enter the bleak world of organ-harvesting, things start to go so badly wrong. Lurching from crisis to crisis, the four men circle each other, driven by their personal histories and addictions, confused, angry – so desperate that even Hibs winning the Scottish Cup doesn’t really help. One of these four will not survive to the end of this book. Which one of them is wearing Dead Men’s Trousers? ‘Welsh is on compulsively readable, searingly funny form’ The Times ‘No one captures the competing affections and resentments that underpin lifelong friendships like Welsh’ Esquire

Rebuttal to the most popular IRS lie and deception. Attach to response letters or legal pleading. Disclaimer: https://sedm.org/disclaimer.htm For reasons why NONE of our materials may legally be censored and violate NO Google policies, see: https://sedm.org/why-our-materials-cannot-legally-be-censored/

Edward Conze’s The Psychology of Mass Propaganda presents a commentary on the psychology of propaganda during the rise of fascism in Europe in the 1930s. It discusses the conditions which generate vulnerability to misinformation in human societies, and thus offers insight into how propaganda may be "withstood." Completed in 1939, during the period of Conze’s own inflection from Marxist philosophy to Buddhist studies, the original manuscript was never published and is now in print for the first time. Presenting a unique historical perspective, while also appealing to an acutely topical interest in the conditions under which autocracy and fascism arise, the book examines the psychology of mass propaganda through copious contemporary and historical examples. Conze focuses especially on recent news articles and the statements of the propagandists of many of the governments that would go on to participate in the Second World War, including Germany, Italy, the USSR, USA and UK, all of which he interprets through the lens of recent psychological and historical research. The book has been edited and includes a new introduction by Richard N. Levine and Nathan H. Levine, also featuring a foreword by American legal scholar Laurence H. Tribe, and an afterword by actor, director, writer, and Buddhist priest Peter Coyote. This is a fascinating opportunity for scholars across several disciplines, including political scientists and psychologists, historians and sociologists, to access one of Conze’s previously unpublished works. It will also be of importance to those interested in Conze’s work on Buddhist philosophy, and in the psychology of propaganda more broadly.

This is the first comprehensive study of one of the most important aspects of the Reformation in England: its impact on the status of the dead. Protestant reformers insisted vehemently that between heaven and hell there was no 'middle place' of purgatory where the souls of the departed could be assisted by the prayers of those still living on earth. This was no remote theological proposition, but a revolutionary doctrine affecting the lives of all sixteenth-century English people, and the ways in which their Church and society were organized. This book illuminates the (sometimes ambivalent) attitudes towards the dead to be discerned in pre-Reformation religious culture, and traces (up to about 1630) the uncertain progress of the 'reformation of the dead' attempted by Protestant authorities, as they sought both to stamp out traditional rituals and to provide the replacements acceptable in an increasingly fragmented religious world. It also provides detailed surveys of Protestant perceptions of the afterlife, of the cultural meanings of the appearance of ghosts, and of the patterns of commemoration and memory which became characteristic of post-Reformation England. Together these topics constitute an important case-study in the nature and tempo of the English Reformation as an agent of social and cultural transformation. The book speaks directly to the central concerns of current Reformation scholarship, addressing questions posed by 'revisionist' historians about the vibrancy and resilience of traditional religious culture, and by 'post-revisionists' about the penetration of reformed ideas. Dr Marshall demonstrates not only that the dead can be regarded as a significant 'marker' of religious and cultural change, but that a persistent concern with their status did a great deal to fashion the distinctive appearance of the English Reformation as a whole, and to create its peculiarities and contradictory impulses.

Death, Men and Modernism argues that the figure of the dead man becomes a locus of attention and a symptom of crisis in British writing of the early to mid-twentieth century. While Victorian writers used dying women to dramatize aesthetic, structural, and historical concerns, modernist novelists turned to the figure of the dying man to exemplify concerns about both masculinity and modernity. Along with their representations of death, these novelists developed new narrative techniques to make the trauma they depicted palpable. Contrary to modernist genealogies, the emergence of the figure of the dead man in texts as early as Thomas Hardy's Jude the Obscure suggests that World War I intensified-but did not cause-these anxieties. This book elaborates a nodal point which links death, masculinity, and modernity long before the events of World War I.