Seeing dead people through a child's eyes was a scary daily occurrence for Cindy Eyler. This true story of seeing the deceased is full of eye-opening experiences of how the spirit world interacts with our physical world. Hear how those who have crossed over still interact with us, whether we are conscious of it or not. Learn what happens to some when they cross over whether from natural causes, illness, or suicide. Take a journey through a Medium's eyes: . Understanding where our deceased loved ones reside . A journey to and connecting with angels . Increased awareness of the spirit world . Communicating with the deceased . Healing relationships with the deceased . Suicide and the Afterlife . How to co-exist and work with the spirit world. We all have an eternal spirit whether it resides in a physical or spirit form. One thing you will realize: Death is not an end, rather a new beginning!

THE INSTANT SUNDAY TIMES BESTSELLER 'With brutal, beautiful honesty, Clover articulates how bereavement shocks and dislocates - and in all the pain, there's SO much life.' MARIAN KEYES 'MUST READ ... A remarkable acount of love and grief.' - DAILY MAIL 'She is a vigorous and fearless writer, grabbing us by the throat to describe life's horrors and her responses to them, filling her pages with the magnetic force of her own life as wife, lover and mother of five which somehow has to go on.' SPECTATOR ............................................... 'Can death bring something good to my life?' A few weeks before Christmas, Clover's sister died of breast cancer, aged forty-six. Just days before, she had been given years to live. Her sudden death split Clover's life apart. The Red of My Blood charts Clover's fearless passage through the first year after her sister's death. It is a book about what life feels like when death interrupts it, and about bearing the unbearable and describing an experience that seems beyond words. Lyrical, hopeful, it is also about the magical way in which death and life exist so vividly beside one another, and the wonder of being human. 'A beautiful addition to the literature of loss. It will serve as a lit match, to be passed from one person to the next in the darkest moments.' THE SUNDAY TIMES CLOVER STROUD'S NEW BOOK, THE GIANT ON THE SKYLINE: ON HOME, BELONGING AND LEARNING TO LET GO, IS OUT ON 9 MAY

"Even though I looked alive and vital, the hourglass measuring the aliveness of my soul was swiftly draining to the bottom. I was losing my battle to be myself. I was in my prime. My career was taking off; I was surrounded by loving friends and family. Yet it felt like time was running out." Dr. Robin L. Smith, noted psychologist, ordained minister, motivational speaker, and best-selling author of Lies at the Altar, seemed to have the perfect life, but underneath it all, she felt empty. In this powerful new work, Dr. Robin painstakingly chronicles a time when she felt at the end of her rope, unable to truly see herself or escape the unrelenting craving in her heart. Throughout her life, she had always focused on living up to everyone else’s expectations, doing everything they asked—everything they recommended—in the hopes that by pleasing others she would find fulfillment and success. Instead she found herself spiritually and emotionally starved with a hungry soul begging for change. Through vivid descriptions of the symptoms of her hunger, the gnawing emptiness in her soul, and her courageous journey to discovering herself, Dr. Robin opens a window into her own experiences in order to provide insight into yours. With clarity and empathy she starts you on a path to uncovering the real you—the you that lays beneath all the doubt, superficiality, and life crises. Dr. Robin honestly bares her soul and shares her story—plus stories of other hungry souls including her friends, clients from her psychology practice, family, and celebrities—and in the process, teaches you to recognize, survive, embrace, and conquer your own hunger. She teaches you to step into your own story so you can listen to and learn from the wisdom within.

I've long found writing scratches places just out of reach somewhere in my psyche. Amazingly, I often have friends, acquaintances, even total strangers tell me my words somehow scratch hard to reach places for them as well. Each of our lives is a wondrous tapestry in the making. The most satisfying experience I have is seeing people embrace God's plan for them, to begin to see something beautiful emerge from all the disjointed knots and loose end of their often severely troubled lives. I've collected a number of my own knots and threads here, often frayed ends becoming part of the tapestry of my life. Some dark. Some brilliant. Some fuzzy. Some gold. I trust all will become something beautiful in the end.

"Lynn Davidman has written a courageous and important book about the impact of losing one's mother at an early age. Courageous because this is painful material--no one who reads it can help but recall their own mother's passing, even if not at an early age--and important because it seems there are few, if any, other books like it."—Virginia Olesen, University of California, San Francisco "This is an interesting, important, well-written book on a profoundly moving subject."—Barbara Katz Rothman, author of Genetic Maps and Human Imaginations "This is an important contribution to our understanding of the social construction of personal loss. It's an absorbing read and a vivid, often poignant, description of the response to mother loss. Motherloss is a real find for anyone interested in the importance of mothering."— Arlene Kaplan Daniels, Northwestern University "Sociology should focus on the most important human experiences, and Lynn Davidman gives us a sensitive account of the experience of losing one's mother. She shows that a sociology focused on meaning and identity best enables us to understand the personally unique experience of this loss for any individual without losing the shared cultural and social context in which such loss is also given form."—Nancy Chodorow, author of The Power of Feelings

'A tremendous ball of fire hurled into the dark recesses of our world' Ocean Vuong 'Radical . . . invites the reader to become an agent in a joint act of recovery' Tracy K. Smith 'Psychotropic, visionary songs of love and defiance' Ralf Webb 'Deeply informed by love, and a tenderness for the ravages and tumult of existence' Eileen Myles 'Queer . . . gorgeous . . . just stunning' Joelle Taylor A captivating, original call for creative freedom from one of the most singular poets of our time 'this mechanistic world . . . has required me to FIND MY BODY to FIND MY PLANET in order to find my poetry' Since their inception in 2005, CAConrad's (soma)tic poems have acted as an urgent appeal for an embodied, unfettered creative practice. Rooted in the Sanskrit 'soma', meaning 'to press and be newly born', and the Greek-derived 'somatic', relating to the body, Conrad's (soma)tic poetry reaches out from electrifying, esoteric rituals. Their methods are elaborate, and the results are unexpected: one, for instance, might begin by seeing the poet flood their body with the field calls of extinct animals - and end not only in a consideration of survivor's guilt and the destruction of ecosystems, but also in an elated sense of the presence, close at hand, of the many friends and lovers they lost to AIDS. Conrad draws on these rituals to enter a political, physical and spiritual state of consciousness, meditating on ecology, queerness and grief in powerful, dreamlike poetry that invites us to engage with the essence of things. This new selection is a testimony to poetry's capacity to reconnect us with the present moment and put an end to the alienation we feel: from our bodies, our surroundings, our planet.

Flop Musicals of the Twenty-First Century offers a provocative and revealing historical narrative of a group of musicals that cost millions and had spectacular potential ... but bombed anyway. Stephen Purdy examines at length the production histories, which are all bound together by a common thread. The book focuses the lens on several seemingly infallible theatre creatives who weren’t destined to repeat their successes with the shows discussed in this volume. As such, Purdy grounds the discussion by examining what the legendary creators of Les Misérables, pop superstar Elton John, wunderkind Julie Taymor, and many others have in common besides being inspired storytellers of iconic Broadway musicals. The answer is that they also all created shows that, for one reason or a dozen, didn’t find an audience. Flop Musicals of the Twenty-First Century shares the story of what can happen when formidable creative teams of sell-out musicals attempt to re-create their success but miss the mark. This is an engaging book for students, practitioners, and fans of musical theatre that contains thoughtful observations about luck and creative differences, botched adaptations, and alienated audiences, all of which can determine the fate of a musical.

I had an incredible moment while I was living in my home country, and I lived, for a while, with my parents and grandparents in a suburb. I had some people in the family travel to a new country, and I used to play with young friends in my town and went to school from kindergarten to high school. I had extraordinary intelligence as a part of my talents, and my friends and I had a team of soccer players. I was in the choir at a church in the city. I had intimate relationships when I was a teenager, and I had some people pass away in my family. I was a Latino practice dancer at a club in the city, and I went to another high school in the city of my country. I had my life instantly changed when I had the opportunity to come to a new country to live a new life with my parents.

A prime selection of poetry and fiction from the USA, Canada, the UK, France, Portugal, Denmark and Australia. Quirky landscape art from Ontario artist, Douglas Pugh.

The prophecy said the deliverer would come to reestablish the rule of the Thanes. “Knowing no magic, he shall bring magic with him; being of Christ, he shall not be of the Church; being of few years, he shall be the eldest of all.” The priest believes Paul Owens to be the deliverer. If he is right, they will be rid of the devil gang forever. If he is wrong, it could cost him his soul. Paul doesn’t believe he is the answer to anybody’s prophecy, but if he isn’t, what is he doing here? The only way to know for sure is to find the Four Hills of Sealoch, where the Angel of Light and the Angel of Darkness are entombed...but which one will Paul resurrect?