A comprehensive book on contemporary Aboriginal music in Australia.

Country music boasts a long tradition of rich, contradictory gender dynamics, creating a world where Kitty Wells could play the demure housewife and the honky-tonk angel simultaneously, Dolly Parton could move from traditionalist "girl singer" to outspoken trans rights advocate, and current radio playlists can alternate between the reckless masculinity of bro-country and the adolescent girlishness of Taylor Swift. In this follow-up volume to A Boy Named Sue, some of the leading authors in the field of country music studies reexamine the place of gender in country music, considering the ways country artists and listeners have negotiated gender and sexuality through their music and how gender has shaped the way that music is made and heard. In addition to shedding new light on such legends as Wells, Parton, Loretta Lynn, and Charley Pride, it traces more recent shifts in gender politics through the performances of such contemporary luminaries as Swift, Gretchen Wilson, and Blake Shelton. The book also explores the intersections of gender, race, class, and nationality in a host of less expected contexts, including the prisons of WWII-era Texas, where the members of the Goree All-Girl String Band became the unlikeliest of radio stars; the studios and offices of Plantation Records, where Jeannie C. Riley and Linda Martell challenged the social hierarchies of a changing South in the 1960s; and the burgeoning cities of present-day Brazil, where "college country" has become one way of negotiating masculinity in an age of economic and social instability.

The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars.

An Anthology of Australian Albums offers an overview of Australian popular music through the lens of significant, yet sometimes overlooked, Australian albums. Chapters explore the unique qualities of each album within a broader history of Australian popular music. Artists covered range from the older and non-mainstream yet influential, such as the Missing Links, Wendy Saddington and the Coloured Balls, to those who have achieved very recent success (Courtney Barnett, Dami Im and Flume) and whose work contributes to international pop music (Sia), to the more exploratory or experimental (Curse ov Dialect and A.B. Original). Collectively the albums and artists covered contribute to a view of Australian popular music through the non-canonical, emphasizing albums by women, non-white artists and Indigenous artists, and expanding the focus to include genres outside of rock including hip hop, black metal and country.

This long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across 11 chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip Hop in Australia, including Emceeing/ music production, Graffiti and Breaking. The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters, while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music, youth culture and First Nations Studies. It will prove essential reading for students, academics, and practitioners interested in Hip Hop, social justice, popular culture, music and dance in Australia.

DigiCat Publishing presents to you this special edition of "The Dangerous Places" by Louis Golding. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

In the shadowed corners of West Sound, a lethal concoction of drugs claims its victims with ruthless efficiency—four lives extinguished in as many days. Detective Jefferson Hughes follows the deadly trail. What starts as a seemingly routine case tied to the city's homeless population takes an ominous turn when a lifeless body surfaces in a wealthy golf course community. Meanwhile, middle school teacher MJ Brooks senses a troubling change in one of her students. When the girl vanishes without a trace, MJ embarks on a personal crusade to uncover the truth. Soon her investigation intertwines with Hughes' pursuit, revealing a web of deception and danger. In a reluctant alliance, Hughes and MJ find their paths converging once more. However, as the urgency to solve the mystery escalates, so does the magnetic pull between them, binding their fates in ways neither anticipated. As the stakes rise, their alliance may be the only hope of revealing a world where shadows conceal both truth and peril.

Cambridge English Readers is an exciting new series of original fiction, specially written for learners of English. Graded into six levels - from elementary to advanced - the stories in this series provide easy and enjoyable reading on a wide range of contemporary topics and themes.Chief Inspector Jane Honeywell is a city detective in a sleepy country town who wonders why she s moved there. But then the rural peace and quiet is suddenly disturbed by a particularly horrible murder, and Jane starts the dangerous pursuit of the killer, or killers.The cassette(s) contain a recording of the full text of the book.

In this first biography of the man and his music, Jimmy Little: A Yorta Yorta Man tells the incredible story of one of Australia’s most acclaimed Aboriginal pop and country music legends and icons, Jimmy Little. At just 16 years of age, Jimmy Little travelled to Sydney to make his radio debut on Australia’s Amateur Hour. The eldest of seven children and born on the Cummeragunja Reserve on the Murray River, Jimmy’s entry into the entertainment industry came at a time when First Nations people were not counted in the census. In the face of indescribable barriers and discrimination, Jimmy would go on to woo the nation. His immense talent, charm and heart saw him become a household name and national treasure. Jimmy’s songs consistently topped the music charts of the 1960s, and he won several of Australia’s most prestigious lifetime achievement awards, including the ARIA Hall of Fame, NAIDOC Person of the Year, and Officer of the Order of Australia. And now his daughter, Frances Peters-Little, tells the full story behind her father’s inspiring ascent to stardom. For though this is a story about a pop star and national celebrity, it is also the story of a gentle man who always stayed true to himself and his cultural identity – a man who believed in the power of living your dreams. Weaving together stories both known and unknown to the public, Jimmy Little: A Yorta Yorta Man will take you on a remarkable journey through a life of music, love and advocacy.