Illuminates how the ceremonial dimension of death and the succession reflected both Scottish royal identity and a broader culture of ceremony. To date, scholarly attention to royal ceremony in Scotland from the Middle Ages into the early modern period has been rather haphazard, with few attempts to explore how these crucial moments for the representation of royal authority. This monograph provides a long durée analysis of the ceremonial cycle of death and succession associated with Scottish kingship from the thirteenth to the sixteenth centuries, including the final century of the Canmore dynasty, the crisis of the Bruce-Balliol conflict, and the emergence and consolidation of the Stewart family up to the funeral of last monarch buried in Scotland, James V, in 1543. Using a broad range of primary sources, including financial records and material culture, many of them previously untapped, it addresses key questions about kingship and power, the function of ceremony in legitimising royal authority, its significance in relation to the practical exercising of power, and evidence for Scottish similarities and distinctiveness within wider European contexts.

An exploration of the complex and multifaceted connection between deviant behaviour and social marginality in Scotland between the sixteenth and eighteenth centuries. During the early modern period in Scotland, deviant behaviour often went hand-in-hand with social marginality. Individuals might be ejected from the mainstream after breaching core behavioural standards; the experience of marginality itself often necessitated transgressive behaviour as a survival strategy; and, for some minority groups, the simple maintenance of their accustomed culture or lifestyle was understood through the lens of deviance. To be marginalised and to be deviant were, in many cases, two sides of the same coin. Focusing on a range of behaviours, including irregular sex, violent and verbal assault, petty criminality, piracy, political dissidence, and religious nonconformity, this book explores the connection between deviance and marginality in early modern Scotland, particularly in the sixteenth and seventeenth centuries. It assesses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".sses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".sses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".sses why certain behaviours were judged to deserve social marginalisation, what mechanisms were used to enforce this, how individual and groups responded to it, and what opportunities existed for avoiding, escaping, or mitigating its effects. The result is a fresh and innovative perspective on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".ctive on early modern Scotland, one that not only recovers the experiences of people long excluded from historical discussion, but also offers insights into the nature of crime and deviance in the pre-modern world. Specific topics covered include sexual deviance, defining words as witchcraft, piracy and the state, the weaponisation of "marginality" in verbal violence, covenanting women, and the connection between deviance and the "common musician".

A study of Scottish thinkers and writers in their political and cultural context. The "advancement of learning" was the term used by late seventeenth-century Scots for intellectual enquiry of all kinds. Encouraged by Stuart patronage, and echoing a Royalist ideology of continuity and order following the chaos of the Civil War, the "Virtuosi", Scottish writers and thinkers, sought to define Scotland's identity. They undertook structured, empirical enquiry into Scottish natural history and geography, human history and antiquities, law and society, while the legal and medical professions developed their status and purpose through institutions such as the Royal College of Physicians and the Advocates' Library. They both complemented and eclipsed the changing intellectual life of the Church and Universities. This book considers the work of leading authors, such as Sir George Mackenzie, Sir Robert Sibbald and Lord Stair, alongside the many other voices engaged in learned research and debate, examining their shared or contrasting philosophy and methods. It shows how a distinctively Scottish take on the "Scientific Revolution" was enhanced by close contacts with the Royal Society and English thinkers, and a conscious membership of the European Republic of Letters.

Examines the political significance and performativity of elite hunting in sixteenth-century Scotland. Hunting during the early modern period was not simply a popular form of elite entertainment; it also had an important part in court politics and royal governance. However, little attention has been devoted to it in sixteenth-century Scotland. This study of the role that hunting played in the life of Mary, Queen of Scots, in France and in Scotland, aims both to shed new light on the subject and to provide a new perspective on Mary herself. Drawing on the hunting treatises of Gaston Phoebus and Henri de Ferrières, the histories of Robert Lindsay of Pitscottie and John Lesley, and a wide variety of other literary and visual sources, including letters, administrative records and fieldwork evidence, it reveals the full significance of the hunt in Mary's life and career. She is shown to be an able and enthusiastic huntress, using this "pastime" to establish herself as a Stewart monarch, demonstrate her royal authority, and, particularly during the later stages of her reign, to attempt to hold together a fractious Scottish aristocracy.

Reconstructs the life of Peter Goldman and presents a full edition and translation of his surviving poems and letters. The Dundonian physician Peter Goldman, one of an immigrant family of merchants, was the first Scot to take a medical degree from Leiden; he then undertook research in Oxford, London, and Paris, before resettling in Dundee. An important figure in contemporary Scottish literary culture, he maintained a wide correspondence with significant intellectual figures and influenced two landmark Scottish publishing projects: the Delitiae poetarum Scotorum (1637) and the Blaeu Atlas of Scotland (1654). However, his major literary achievement was his Latin poetry, which establishes him as a unique voice of his time. His longest and most prominent work is an elegy on the deaths of four of his brothers, strikingly narrated in the voice of their lamenting mother. This book reconstructs and provides a study of Goldman's life, career and writing. It also offers a full edition and translation of his surviving poems and letters, with accompanying commentary. Appendices provide an edited list of his remarkable library and a transcript of his testament.

This fourth volume in the European Festival Studies, 1450–1700 series breaks with precedent in stemming from a joint conference (Venice, 2013) between the Society for European Festivals Research and the PALATIUM project supported by the European Science Foundation. The volume draws on up-to-date research by a Europe-wide group of academic scholars and museum and gallery curators to provide a unique, intellectually-stimulating and beautifully-illustrated account of temporary architecture created for festivals of the sixteenth and seventeenth centuries, together with permanent architecture pressed into service for festival occasions across major European locations including Italian, French, Austrian, Scottish and German. Appealing and vigorous in style, the essays look towards classical sources while evoking political and practical circumstances and intellectual concerns – from re-shaping and re-conceptualizing early sixteenth-century Rome, through providing for the well-being and political allegiance of Medici-era Florentines and exploring the teasing aesthetics of performance at Versailles to accommodating players and spectators in seventeenth-century Paris and at royal and ducal events for the Habsburg, French and English crowns. The volume is unique in its field in the diversity of its topics and the range of its scholarship and fascinating in its account of the intellectual and political life of Early Modern Europe.