Study of the critical reception of one of the most famous and widely read works of modern literature. Thomas Mann's 1912 novella Death in Venice is one of the most famous and widely read texts in all of modern literature, raising such issues as beauty and decadence, eros and irony, and aesthetics and morality. The amount and variety of criticism on the work is enormous, and ranges from psychoanalytic criticism and readings inspired by Mann's own homosexuality to inquiries into the place of the novella in Mann's oeuvre, its structure and style, and its symbolism and politics. Critics have also drawn connections between the novella and works of Plato, Euripides, Goethe, Schopenhauer, Platen, Wagner, Nietzsche, Gide, and Conrad. Ellis Shookman surveys the reception of Deathin Venice, analyzing several hundred books, articles, and other reactions to the novella, proceeding in a chronological manner that allows a historical perspective. Critics cited include Heinrich Mann, Hermann Broch, D. H. Lawrence, Karl Kraus, Kenneth Burke, Georg Lukàcs, Wolfgang Koeppen, Mario Vargas Llosa, and Thomas Mann himself. Particular attention is paid to Luchino Visconti's film, Benjamin Britten's opera, and to other more recent creative adaptations, both in Germany and throughout the world. Ellis Shookman is associate professor of German at Dartmouth College.

A tale of genius in which Thomas Mann explores the artist's relation to life. First published in 1912, Death in Venice tells how Gustave von Aschenbach, a writer utterly absorbed in his work, arrives in Venice as the result of a 'youthfully ardent thirst for distant scenes', and meets a young boy by whose beauty he becomes obsessed. His pitiful pursuit of the object of his affection and its inevitable and pathetic climax are told here with the particular skill the author has for this shorter form of fiction.

DIVAn author's infatuation with a handsome youth has fatal consequences in Death in Venice. A Man and His Dog is a charming essay about Mann's canine companion. Excellent English translations by Appelbaum. /div

REA's MAXnotes for Thomas Mann's Death in Venice MAXnotes offer a fresh look at masterpieces of literature, presented in a lively and interesting fashion. Written by literary experts who currently teach the subject, MAXnotes will enhance your understanding and enjoyment of the work. MAXnotes are designed to stimulate independent thought about the literary work by raising various issues and thought-provoking ideas and questions. MAXnotes cover the essentials of what one should know about each work, including an overall summary, character lists, an explanation and discussion of the plot, the work's historical context, illustrations to convey the mood of the work, and a biography of the author. Each chapter is individually summarized and analyzed, and has study questions and answers.

A Study Guide for Thomas Mann's "Death in Venice," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

A New York Times Notable Book A Best Book of the Year: The Economist, The New Yorker, San Francisco Chronicle, Slate.com, and Time In Venice, at the Biennale, a jaded, bellini-swigging journalist named Jeff Atman meets a beautiful woman and they embark on a passionate affair. In Varanasi, an unnamed journalist (who may or may not be Jeff) joins thousands of pilgrims on the banks of the holy Ganges. He intends to stay for a few days but ends up remaining for months. Their journey—as only the irrepressibly entertaining Geoff Dyer could conjure—makes for an uproarious, fiendishly inventive novel of Italy and India, longing and lust, and the prospect of neurotic enlightenment.

Thomas Mann (1875-1955) won the Nobel Prize for literature in 1929. This is a collection of his shorter works. "Death in Venice," later filmed by Lucion Visconti starring Dirk Bogarde, was published in 1911. It is a poetic meditation on art and beauty, where the dying composer Aschenbach (modelled on Gustav Mahler) becomes fixated by the young boy Tadzio. The other stories are: "Tonio Kroger"; the collection entitled "Tristan"; "The Blood of the Walsungs"; "Mario the Magician"; and "The Tables of the Law." A number of essays are also included.>

Unlock the more straightforward side of Death in Venice with this concise and insightful summary and analysis! This engaging summary presents an analysis of Death in Venice by Thomas Mann, which tells the story of an acclaimed author’s journey to Venice in an attempt to overcome his writer’s block. Once there, he is shaken out of his disciplined, morally upright existence by a strikingly beautiful boy, who captivates him to such an extent that he ignores the pestilence that is sweeping through the city and does everything in his power to remain close to the object of his affections. The novella is a fascinating meditation on obsession, the virtues of youth and the painful process of aging, and is widely considered to be one of Thomas Mann’s masterpieces. Mann is also known for his novels Buddenbrooks, The Magic Mountain and Doctor Faustus, and was awarded the Nobel Prize in Literature in 1929. Find out everything you need to know about Death in Venice in a fraction of the time! This in-depth and informative reading guide brings you: • A complete plot summary • Character studies • Key themes and symbols • Questions for further reflection Why choose BrightSummaries.com? Available in print and digital format, our publications are designed to accompany you on your reading journey. The clear and concise style makes for easy understanding, providing the perfect opportunity to improve your literary knowledge in no time. See the very best of literature in a whole new light with BrightSummaries.com!

Sherlock Holmes and Dr. Watson traverse the British Isles and the Italian peninsula in a rousing series of new adventures. After a thrilling jaunt in the Far East, Holmes and Watson return to England to address an inheritance left by one of Watson’s relatives in Cornwall, half of which is entrusted to Sherlock Holmes. Financially secure, the two are now free to spend as much time on Baker Street and the Continent as they please, and the duo find themselves as comfortable in Rome on the banks of the Tiber as they do on the Thames. As Holmes rationalizes and ratiocinates his way through adventure after adventure, from The Case of Two Bohemes to A Singular Event in Tranquebar, it is all in a day’s work, until clues surface that his great nemesis, Professor James Moriarty, might still be alive . . . “There’s no way to dance around it: Ted Riccardi’s work is absolutely brilliant. It is as if he is channeling Conan Doyle. Once you’re a few pages into these stories, you would swear that these were newly discovered manuscripts, unearthed by Conan Doyle’s estate. Or, better yet, I had the feeling that I had stumbled upon some pulp magazines where Conan Doyle was still writing. Riccardi has it all down – the cadence, the language, everything. He doesn’t try to subtly update Holmes for the modern audience, either. It is as if each and every tale was written at the turn of the century, and not the twenty-first.” Ted Riccardi is a professor emeritus in the Department of Middle East and Asian Languages and Cultures at Columbia University. He has served as the counselor of cultural affairs at the United States embassy in New Delhi. Ted and his wife split their time between New York City, New Mexico and Nepal.

Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.