"Aphra Behn (1640-1689) is best known for her novel Oroonoko. Her plays have been revived, in print and on the stage, in modern times, but much of her best work, as she herself knew, is to be found in her poetry. The versatile form and content of her translation, satires and songs, and above all her radical exploration of relationships between the sexes, set her apart from her contemporaries. Behn wittily negotiates the complexities and ironies of women's role in a society in which honour is a commodity. Candid and subtle, her poetry speaks with a distinctive, vigorous intelligence and satirical edge."--BOOK JACKET.

Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the first volume in a set of seven which comprises a complete edition of all her works. This volume is a collection of her poetry.

This annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.

This book presents a collection of the poetry of the 17th-century writer Aphra Behn. It examines the relationships between the sexes, seen from the woman's point of view. The book also includes some of Behn's translations, occasional pieces, satires, and songs.