Kinky killers. Exploding speedboats. $2 billion paternity suits. It’s love Voltarian-style . . . and planet Earth is feeling the heat. Voltarian Royal Officer Jettero Heller will go to any length to protect his beloved Countess Krak. He’ll race up the eastern seaboard pursued by the entire Coast Guard. He’ll smash boats, he’ll set off bombs, he’ll fight off every paternity suit that comes his way. . . . But Apparatus Officer Soltan Gris is just as determined to put the Countess out of commission—for good—and he’s found the perfect hit man for the job. Well, almost perfect. This particular Torpedo has one little kink. He takes a bit of an unhealthy interest in his victims . . . after he kills them. And as if Gris didn’t have enough on his plate, wedding bells are ringing. The Voltarian stud is about to tie the knot—with two women! Yes, love is a battlefield. But in this warped war of twisted desires, perverse passions and unholy alliances—the entire Mission Earth enterprise could soon morph into a truly decadent DEATH QUEST. “Remember how you felt the first time you saw Star Wars? This book will do it to you again.” —ORSON SCOTT CARD

This volume contains fourteen essays in which different aspects of gerard Bucher's "thanatopoietic hypothesis" are examined. Initially, five papers (by Wilson Baldridge, Claire Nouvet, Jean-Michel Rabate, Helene Domon and Metka Zupancic) were presented at the International Association for Philosophy and Literature (IAPL), during its 2001 meeting in Atlanta. Subsequently Michel Deguy and Pierre Ouellet, together with Christian Garaud, Kuisma Korhonen, Michael Degener, and Maurizio Godorecci, were invited to explore various implications of Bucher's hypothesis. Bucher's own work, as shown in his contribution to this volume, analyzes the connection between our experience of death and the establishment of poetry as a means of approaching the truth of being, of aestheticism, and of ethics.

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The Abduction Prince Aiden and Princess Ariana were busy making preparations to celebrate the wonder of their first anniversary. The year had flown by, fulfilling their every dream. Aiden had adapted well to the expectations and demands of royalty, along with fatherhood. Angus, two months old, was the pride and joy of the monarchy. The marriage and parenthood brought out the softer side of the blacksmith. His son looked much like him and he held his legacy as often as possible. Princess Camille loved being a first time aunt, spending as much time as she could with Ariana and the baby. The king and Gideon reflected their approval, but usually at a distance. Aiden had relocated his blacksmith trade inside the perimeter of the castle walls, training his two replacements, while using the forge from time to time, to satisfy a more creative nature. His travels had shown him a wide array of artistic applications for his craft and a use that had yet to be satisfied in the kingdom. Aiden designed plates, bowls, mugs and a variety of hand tools, most of which were given away after fulfilling the needs of the royal family. Surprisingly, he'd given his cottage to a village family, whose child had told the best story at one of his weekly gatherings. The prince had become a farmer, as well, having recently harvested his first crop of corn. He'd dried kernels for the evening's anniversary festivities in the courtyard. It would be his first presentation of pop corn since his return from the quest. He could hardly wait to see the reaction his new treat would have on the children and the prince planned to hand kernels out to the villagers for the next years planting. Times were good and spirits high, in the realm, where the future looked promising for all. King Darian commissioned the kingdom's first ship. The vessel was built of the finest wood, with help from the Egyptian carpenters. It was a beauty to behold, equal in size to the Argo and the ship would open the island up to trade with countries in the inland sea. Jib supervised the raising of the ship and became the kingdom's first captain, through king's decree. The ship was christened the Phoenix, to honor Aiden's quest and his daughter's royal marriage. It was the first of six vessels commissioned by the king, with shipbuilding and global trade escalating the rapid growth of the small, inadequate anchorage. Scota sailed back to Egypt aboard the Phoenix on its maiden voyage at her father's request and having lost any other reason to stay. Everything changed for her with the emotional loss of her husband at the hands of the Nordic's. The princess carried the phoenix feather on the return to her homeland, fulfilling Aiden's commitment to Queen Nefertiti. King Darian opened her old settlement up for villagers to recolonize and also began construction of a larger seaport capable of handling the increased demands of the realm. The new harbors location was near the mouth of a small river, less than a mile from the castle. While plans for the anniversary celebration were being finalized, Aiden went to the gatehouse to pay the wizard a visit. He hadn't seen Edric since just after his son was born. He took dried corn kernels, from the crop the wizard had helped him plant, to show the magician some of his own magic. Edric hadn't been as preoccupied with his magic mirror since the quest had concluded, spending much of his time grooming his own garden. When there was no answer at the door, the prince walked to the backside of the gatehouse, finding the wizard clipping roses from his prized bushes.

Challenging assumptions about caregiving for those dying of chronic illness. What is it like to live with—and love—someone whose death, while delayed, is nevertheless foretold? In Living in Death’s Shadow, Emily K. Abel, an expert on the history of death and dying, examines memoirs written between 1965 and 2014 by family members of people who died from chronic disease. In earlier eras, death generally occurred quickly from acute illnesses, but as chronic disease became the major cause of mortality, many people continued to live with terminal diagnoses for months and even years. Illuminating the excruciatingly painful experience of coping with a family member’s extended fatal illness, Abel analyzes the political, personal, cultural, and medical dimensions of these struggles. The book focuses on three significant developments that transformed the experiences of those dying and their intimates: the passage of Medicare and Medicaid, the growing use of high-tech treatments at the end of life, and the rise of a movement to humanize the care of dying people. It questions the exalted value placed on acceptance of mortality as well as the notion that it is always better to die at home than in an institution. Ultimately, Living in Death’s Shadow emphasizes the need to shift attention from the drama of death to the entire course of a serious chronic disease. The chapters follow a common narrative of life-threatening disease: learning the diagnosis; deciding whether to enroll in a clinical trial; acknowledging or struggling against the limits of medicine; receiving care at home and in a hospital or nursing home; and obtaining palliative and hospice care. Living in Death’s Shadow is essential reading for everyone seeking to understand what it means to live with someone suffering from a chronic, fatal condition, including cancer, AIDS, Alzheimer’s, and heart disease.

The ancient Greeks devoted a significant portion of their poetic and artistic energy to exploring themes of death. Vermeule examines the facts and fictions of Greek death, including burial and mourning, visions of the underworld, souls and ghosts, the value of heroic death in battle, the quest for immortality, the linked powers of death, sleep, and love, and more. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

The editors of "Making Sense of Death: Spiritual, Pastoral, and Personal Aspects of Death, Dying and Bereavement" provide stimulating discussions as they ponder the meaning of life and death.This anthology explores the process of meaning-making in the face of death and the roles of religion and spirituality at times of loss; the profound and devastating experience of loss in the death of a spouse or a child; a psychological model of spirituality; the dimensions of spirituality; humor in client-caregiver relationships; the worldview of modernity in contrast to postmodern assumptions; the Buddhist perspective of death, dying, and pastoral care; meaning-making in the virtual reality of cyberspace; individualism and death; and the historical context of Native Americans, the concept of disenfranchised grief, and its detailed application to the Native American experience.It also explores: a qualitative survey on the impact of the shooting deaths of students in Colorado; a team approach with physicians, nursing, social services, and pastoral care; a study of health care professionals, comparing clergy with other health professionals; marginality in spiritual and pastoral care for the dying; a qualitative research study of registered nurses in the northeast United States; and loss and growth in the seasons of life.