In traditional China, a funeral and the accompanying death rituals represented a critical moment for the immediate family of the deceased to show their filial piety, a core value of the society. At the same time, death rituals were social occasions, and channels for the outward demonstration of belief in a religiously pluralistic society. During the Northern Song period, however, death rituals increasingly became an arena for political contention as attempts were made to transform these practices from a private matter into one subject to state control. Death Rituals and Politics in Northern Song China examines how political confrontations over the proper conduct of death rituals during Northern Song dynasty (960-1127) inaugurated a period of Confucian revivalism. Mihwa Choi interprets Northern Song court politics, family ritual practices, burial practices, and the popular imagination of the afterlife as sites of contest between groups of varying social status, political vision, and religious belief. She demonstrates that the oversight of ritual affairs by scholar-officials helped them gain the political upper hand they sought, and, more broadly, fostered a revival of Confucianism as the dominant value system of Chinese society in the period that followed.

Educated men in Song-dynasty China (960–1279) traveled frequently in search of scholarly and bureaucratic success. These extensive periods of physical mobility took them away from their families, homes, and native places for long periods of time, preventing them from fulfilling their most sacred domestic duty: filial piety to their parents. In this deeply grounded work, Ellen Zhang locates the tension between worldly ambition and family duty at the heart of elite social and cultural life. Drawing on more than 2,000 funerary biographies and other official and private writing, Zhang argues that the predicament in which Song literati found themselves diminished neither the importance of filial piety nor the appeal of participating in examinations and government service. On the contrary, the Northern Song witnessed unprecedented literati activity and state involvement in the bolstering of ancient forms of filial performances and the promotion of new ones. The result was the triumph of a new filial ideal: luyang. By labeling highly coveted honors and privileges attainable solely through scholarly and official accomplishments as the most celebrated filial acts, the luyang rhetoric elevated office-holding men to be the most filial of sons. Consequently, the proper performance of filiality became essential to scholar-official identity and self-representation. Zhang convincingly demonstrates that this reconfiguration of elite male filiality transformed filial piety into a status- and gender-based virtue, a change that had wide implications for elite family life and relationships in the Northern Song. The separation of elite men from their parents and homes also made the idea of “native place” increasingly fluid. This development in turn generated an interest in family preservation as filial performance. Individually initiated, kinship- and native place-based projects flourished and coalesced with the moral and cultural visions of leading scholar-intellectuals, providing the social and familial foundations for the ascendancy of Neo-Confucianism as well as new cultural norms that transformed Chinese society in the Song and beyond.

This book describes and evaluates how institutional innovation and technological innovation have impacted on humanity from pre-historical times to modern times, and how societies have been transformed in history. The author interrogates the relationship between innovation and civilisation -– particularly the dynamic whereby innovation leads to empire-building -– and explores innovation efforts that stimulated economic and social synergies from the Babylonian Empire in 1900 BC up to the British Empire in the twentieth century. The author uses historical cross-cultural case studies to establish the factors which have given competitive advantages to societies and empires. This book will be of interest to researchers and students in political economy, economic history, economic growth and innovation economics.

Empowered by Ancestors: Controversy over the Imperial Temple in Song China (960–1279) examines the enduring tension between cultural authority and political power in imperial China by inquiring into Song ritual debates over the Imperial Temple. During these debates, Song-educated elites utilized various discourses to rectify temple rituals in their own ways. In this process, political interests were less emphasized and even detached from ritual discussions. Meanwhile, Song scholars of particular schools developed various ritual theories that were used to reshape society in later periods. Hence, the Song ritual debates exemplified the great transmission of ancestral ritual norms from the top stratum of imperial court downward to society. In this book, the author attempts to provide a lens through which historians, anthropologists, experts in Chinese Classics, and scholars from other disciplines can explore Chinese ritual in its intellectual, social, and political forms. “Cheung knows the history and culture of China’s Imperial Temple system best and pulls together a decade of research to share his mature reflections. Most modern scholars have avoided this arcane institution; Cheung clarifies its role in Song political culture, its influence in late imperial China, and its legacy in contemporary constructions of cultural memory and legitimacy.” —Hoyt Cleveland Tillman, Arizona State University; coauthor of Cultural Authority and Political Culture in China: Exploring Issues with the Zhongyong and the Daotong during the Song, Jin and Yuan Dynasties “Professor Cheung helps us wrap our minds around the weight Song Confucian scholars put on reviving ancient rituals. He does this by digging deeply into their positions on the arrangement of the Imperial Ancestral Shrine and placing their contentions in both political and intellectual contexts.” —Patricia Ebrey, University of Washington; author of Confucianism and Family Rituals in Imperial China: A Social History of Writing about Rites

This book, with its accompanying DVD, gives an impression of music-making in daily life in the poor mountainous region of Shaanbei, northwest China. It conveys some of the diverse musical activities there around 2000, from the barrage of pop music blaring from speakers in the bustling county-towns to the life-cycle and calendrical ceremonies of poor mountain villages. Based on the practice of grass-roots music-making in daily life, not merely on official images, the main theme is the painful maintenance of ritual and its music under Maoism, its revival with the market reforms of the 1980s, and its modification under the assaults of TV, pop music, and migration since the 1990s. The 44-minute DVD, with its informative commentary, is intended both to illuminate the text and to stand on its own.

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