A song holds the key to murder in this Dr. Hugh Westlake mystery from the Edgar Award–winning author who wrote the Peter Duluth series as Patrick Quentin. Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” The affluent Bray family was known for throwing the most enjoyable picnics, and this one seemed to be no different to Dr. Hugh Westlake and his precocious progeny, Dawn. When their host’s daughter breaks into a version of the old English folk ballad, “Green Grow the Rushes, O,” no one gives it a second thought. Little do they know the song portends death. It begins with the bodies of twin boys found in the river, which connects to a lyric from the ballad. And before anyone can even recover from such a horror, more killings occur—all diabolically tied to the song. With help from Dawn and his old friend, Inspector Cobb, Westlake must sort through an ever-shrinking circle of suspects and stop a murderer from striking another deadly note.

**** Cited in Sheehy and BCL3. The foremost reference in the field, completely revised and updated, and now covering about 600 authors, mainly English-language writers whose work appeared during or since the time of Conan Doyle. The entry for each writer consists of a biography, a bibliography, and a signed critical essay. Living authors were invited to add a comment on their work; many of them accepted, and their remarks are both entertaining and enlightening. Annotation copyrighted by Book News, Inc., Portland, OR

Modern Greece, constructed by the early nineteenth-century ideals and ideas associated with Byron, has been "haunted, holy ground" in English and American literature for almost two centuries. In Byron's Shadow analyzes how authors employ ideas about romantic nationalism, gender politics, shifts in cultural constructions, and literary experimentation to create variations of "Greece" to suit changing eras.

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the first volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes supply the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. The present volume includes the 'Esdaile' poems, which only entered the public domain in the 1950s, printed in chronological order and integrated with the rest of Shelley's early output, and Queen Mab, the first of Shelley’s major poems, together with its extensive prose notes. The seminal Alastor volume is placed in the detailed context of Shelley’s overall poetic development. The ‘Scrope Davies’ notebook, only discovered in 1976, furnishes two otherwise unknown sonnets as well as alternative versions of ‘Hymn to Intellectual Beauty’ and ‘Mont Blanc’, which significantly influence our understanding of these important poems. This first volume contains new datings, and makes numerous corrections to long-established errors and misunderstandings in the transmission of Shelley's work. Its annotations and headnotes provide new perspectives on Shelley's literary, philosophical and political development The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.