In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. While taking up the critical philosophical questions surrounding fraud, Lynch shows that fakery takes us to the heart of eighteenth-century values as they relate to evidence, perception and memory, the relationship between art and life, historicism, and human motivation.

In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery, fakery, and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. Confrontations with inauthenticity, in other words, bring tacitly understood conceptions of reality to the surface. Drawing on a wide range of contemporary print and manuscript sources”not only books and pamphlets, but ballads, comic prints, legal proceedings, letters, and diaries”Lynch focuses on the debates they provoked, rather than the forgers themselves. He offers a comprehensive treatment of the criticism surrounding fraud in most of the noteworthy controversies of the long eighteenth century. To this end, his study is structured around topics related to the arguments over deception in Britain, whether they concerned George Psalmanazar's Formosan hoax at the beginning of the eighteenth century or William Henry Ireland's Shakespearean imposture at the end. Beginning with the question of what constitutes deception and ending with an illuminating chapter on what was at stake in these debates for eighteenth-century British thinkers, Lynch's accessibly written study takes the reader through the means”whether simple, sophisticated, or tortuously argued”by which partisans on both sides struggled to define which of the apparent contradictions were sufficient to disqualify a claim to authenticity. Fakery, Lynch persuasively argues, transports us to the heart of eighteenth-century notions of the value of evidence, of the mechanisms of perception and memory, of the relationship between art and life, of historicism, and of human motivation.

Eighteenth-century consumers in Britain, living in an increasingly globalized world, were infatuated with exotic Chinese and Chinese-styled goods, art and decorative objects. However, they were also often troubled by the alien aesthetic sensibility these goods embodied. This ambivalence figures centrally in the period's experience of China and of contact with foreign countries and cultures more generally. David Porter analyzes the processes by which Chinese aesthetic ideas were assimilated within English culture. Through case studies of individual figures, including William Hogarth and Horace Walpole, and broader reflections on cross-cultural interaction, Porter's readings develop new interpretations of eighteenth-century ideas of luxury, consumption, gender, taste and aesthetic nationalism. Illustrated with many examples of Chinese and Chinese-inspired objects and art, this is a major contribution to eighteenth-century cultural history and to the history of contact and exchange between China and the West.

This book provides an expansive view of celebrity’s intimate dimensions. In the process, it offers a timely reassessment of how notions of private and public were negotiated by writers, readers, actors and audiences in the early to mid-eighteenth century. The essays assembled here explore the lives of a wide range of figures: actors and actresses, but also politicians, churchmen, authors and rogues; some who courted celebrity openly and others who seemed to achieve it almost inadvertently. At a time when the topic of celebrity’s origins is attracting unprecedented scholarly attention, this collection is an important, pioneering resource.

This book discusses the English periodical and how it shapes and expresses early conceptions of authorship in the eighteenth century.

This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.

Examines debt insecurity in eighteenth-century Britain, a period of famously rapid economic growth when many people nevertheless experienced financial failure.

A profligate son was every Georgian parent's worst nightmare. To his father, William Jackson's imprudent spending, incessant partying, and sexual adventures were a sure sign he was on the slippery slope to ruin. But to his friends, William was a "damned good fellow," a charming, impeccably dressed young gentleman with enviable seductive skills who was willing to defend his honor in duels. Mr. Jackson and his son viewed each other across a generational gap that neither could bridge, and their flawed relationship had catastrophic consequences for their family. In The Profligate Son, historian Nicola Phillips hauntingly reconstructs this family tragedy from a recently discovered trove of letters and court documents. After Mr. Jackson's acquisition of a fortune during his service for the East India Company in Madras was undermined by false accusations that ruined his career, he invested all his future ambitions in his only son. William grew up in great comfort and was sent to the best schools in the country. But when the family moved to London, the teenager rebelled against the loneliness and often brutal regimes of public schooling and escaped to explore the pleasures of the town with his wealthy friends. His attempts to impress his peers led him into disastrous levels of debt that resulted in his imprisonment and ever more illegal efforts to satisfy his creditors, which appalled his prudent, sternly moralistic father. Mr. Jackson decided that the only way to combat his son's wayward behavior was to completely cut him off. In doing so, he condemned William to repeated imprisonment and a perilous voyage to an Australian penal colony. In Sydney William sought to rebuild his life with a family of his own, but even there his father's legacy brought further tragedy. A masterpiece of literary nonfiction as dramatic as any Dickens novel, The Profligate Son transports readers from the steamy streets of India and the elegant squares and seedy brothels of London to the sunbaked shores of Australia, tracing the arc of a life long buried in history.

Making Stars provides multiple perspectives on the simultaneous emergence of modern forms of life writing and celebrity culture in eighteenth-century Britain. Crossing multiple genres and media, contributors reveal the complex and varied ways in which these modern ways of thinking about individual identity mutually conditioned their emergence during this formative period.

Arguing for the centrality of the female criminal subject to the rise of the British novel, Kirsten Saxton compares representations of homicidal women in legal documents with those in the early novels of Behn, Manley, Defoe, and Fielding. She demonstrates that legal narratives informed the novel's evolution and fictional texts shaped the development of legal narratives, and suggests that Augustan configurations of the murderess continue to influence our legal and social conceptions of femininity.