DIVA critical and historical study of the debate over early African-American music that draws on the views of W.E.B. Du Bois, Alain Locke, Langston Hughes, Zora Neal Hurston, and others to show competing notions of how this music relates to cultural inherita/div

An interdisciplinary dialogue with Shūsaku Endō’s last novel offering new perspectives on Japanese culture, Christian doctrine, Hindu spiritualities, and Buddhist worldviews. In Navigating Deep River, Mark W. Dennis and Darren J. N. Middleton have curated a wide-ranging discussion of Shūsaku Endō’s final novel, Deep River, in which four careworn Japanese tourists journey to India’s holy Ganges in search of spiritual as well as existential renewal. Navigating Deep River evaluates and probes Endō’s decades-long search to find the words to explain Transcendent Mystery, the difficult tension between faith and doubt, the purpose of spiritual journeys, and the challenges posed by the reality of religious pluralism in an increasingly diverse world. The contributors, including Van C. Gessel who translated Deep River into English in 1994, offer an engaged and patient exploration of this major text in world fiction, and this anthology promises to deepen academic appreciation for Endō, within and beyond the West. “This volume contextualizes, delineates, and articulates the complex religious/theological/spiritual dimensions of Deep River and its rich intertextual, interpersonal, psychosocial, and literary aspects. There are few edited volumes in which so many experts focus on a single Japanese text in this sustained manner, and this stands as a model of how to do so deftly and productively.” — David C. Stahl, author of Social Trauma, Narrative Memory and Recovery in Japanese Literature and Film

Deep River and Ivoryton, two villages in the lower Connecticut River Valley, were dominated for more than a century by "white gold"-ivory. The growth of the piano industry led to a new use for this exotic and long-treasured substance and, suddenly, the two villages became tied to Zanzibar, the most important exporting place for the tusks of African elephants. With more than two hundred exceptional photographs and narrative, Deep River and Ivoryton tells the story of how ivory shaped the economy and culture of these villages. Two companies, Pratt, Read & Company and the Comstock, Cheney & Company, employed thousands of people in satisfying the demand for new pianos. Probably more than ninety percent of the ivory processed in this country was handled in Deep River and Ivoryton. The demand for new instruments slowed with the invention of the radio, followed by the Great Depression of the 1930s, and the flow of material stopped altogether in the 1950s, when the use of ivory in the United States was banned.

First in a bold, sexy new small-town Alaska contemporary romance series from Jackie Ashenden Deep River, Alaska boasts a fiercely independent though small population. The people who live here love it, and they don't much care what anyone else thinks. Until the day Silas Quinn comes back and tells them an oil reserve has been found below the town and now it's neighbor vs. neighbor. Some want to take the money and run, while others want to tell the oil company to put its rigs where the sun don't shine. Hope Dawson never expected to leave Deep River. Her mom needs her. Her grandfather died and left her the local hangout to run. Her dreams of college and adventure died long ago. Until Silas comes back to town, holding the key to set her free. But freedom means she loses him again, and he's the one she's really always wanted. "Tantalizing and explosive."—Publishers Weekly Starred review for Mine to Take

The region along Deep River in central North Carolina once boasted a small but significant coal mining industry that from the early 1800s to the end of the 20th century provided fuel for manufacturing and domestic use. Confronted by natural obstacles and other challenges--including a devastating explosion in 1925 that killed 53 men and boys--entrepreneurs made numerous attempts (some successful, some not) to harness the power of coal in a state still defining itself in a modernizing nation. Iron forges and hearths required ample supplies of coal to meet local demand, and the Deep River deposits provided them when no others existed.

Deep River uncovers the layers of history—both personal and regional—that have accumulated on a river-bottom farm in west-central Missouri. This land was part of a late frontier, passed over, then developed through the middle of the last century as the author's father and uncle cleared a portion of it and established their farm. Hamilton traces the generations of Native Americans, frontiersmen, settlers, and farmers who lived on and alongside the bottomland over the past two centuries. It was a region fought over by Union militia and Confederate bushwhackers, as well as by their respective armies; an area that invited speculation and the establishment of several small towns, both before and after the Civil War; land on which the Missouri Indians made their long last stand, less as a military force than as a settlement and civilization; land that attracted French explorers, the first Europeans to encounter the Missouris and their relatives, the Ioways, Otoes, and Osage, a century before Lewis and Clark. It is land with a long history of occupation and use, extending millennia before the Missouris. Most recently it was briefly and intensively receptive to farming before being restored in large part as state-managed wetlands. Deep River is composed of four sections, each exploring aspects of the farm and its neighborhood. While the family story remains central to each, slavery and the Civil War in the nineteenth century and Native American history in the centuries before that become major themes as well. The resulting portrait is both personal memoir and informal history, brought up from layers of time, the compound of which forms an emblematic American story.