In Defender in Chief, celebrated constitutional scholar John Yoo makes a provocative case against Donald Trump's alleged disruption of constitutional rules and norms. Donald Trump isn't shredding the Constitution—he's its greatest defender. Ask any liberal—and many moderate conservatives—and they'll tell you that Donald Trump is a threat to the rule of law and the U.S. Constitution. Mainstream media outlets have reported fresh examples of alleged executive overreach or authoritarian White House decisions nearly every day of his presidency. In the 2020 primaries, the candidates have rushed to accuse Trump of destroying our democracy and jeopardizing our nation's very existence. Yoo argues that this charge has things exactly backwards. Far from considering Trump an inherent threat to our nation's founding principles, Yoo convincingly argues that Washington, Jefferson, Madison and Hamilton would have seen Trump as returning to their vision of presidential power, even at his most controversial. It is instead liberal opponents who would overthrow existing constitutional understanding in order to unseat Trump, but in getting their man would inflict permanent damage on the office of the presidency, the most important office in our constitutional system and the world. This provocative and engaging work is a compelling defense of an embattled president's ideas and actions.

This book offers a complete translation of four early plays of the Yang Family Generals. The story of the Yang Family Generals, particularly its female generals, was a perennial favorite on the Chinese stage in the 19th and 20th centuries. In detailing the role of this military family in the Song-Khitan wars of the late 10th and early 11th centuries, these four plays are all in the form of zaju, a type of play that originated in the 13th century. These plays are from the 15th and 16th centuries and allow a glimpse into earlier renditions of the Yang Family saga, which is a decidedly more male-centered tradition than that performed in the Qing dynasty. This volume offers the only complete English-language translation of these early plays. These plays allow access to the earliest phase in the development of the Yang Family saga. The plays provide information on the staging of large battle scenes on the stage and have considerable literary and cultural value.

This innovative sourcebook builds a dynamic understanding of China's early medieval period (220–589) through an original selection and arrangement of literary, historical, religious, and critical texts. A tumultuous and formative era, these centuries saw the longest stretch of political fragmentation in China's imperial history, resulting in new ethnic configurations, the rise of powerful clans, and a pervasive divide between north and south. Deploying thematic categories, the editors sketch the period in a novel way for students and, by featuring many texts translated into English for the first time, recast the era for specialists. Thematic topics include regional definitions and tensions, governing mechanisms and social reality, ideas of self and other, relations with the unseen world, everyday life, and cultural concepts. Within each section, the editors and translators introduce the selected texts and provide critical commentary on their historical significance, along with suggestions for further reading and research.

A detailed academic examination into ancient China's numerous systems of bureaucracy, administration and governance. China has a rich history of administrative systems with each major dynasty developing their own civil and state mechanisms, together with the officials needed to staff the system. This fascinating book reveals all. Author Xie Baocheng breaks the authoritative coverage down into eight distinct sections: Introducing the Official System in Ancient China; Pre-Qin Royal Power and Post-Qin Imperial Power; The Central Decision-making System; The Central Government System; Territorial Administration; The Surveillance System; The Military System; Personnel Administration. This major new work, which is being made available outside of China for the very first time, will appeal to people studying ancient China. Published in association with Social Sciences Academic Press (China).

"The king and ministers, superior and inferior, move with ritual and refinement. When the king goes on an inspection tour, everyone has the correct ceremonial attributes and the divine flag [troops] gallop in front while armored soldiers block the road. The soldiers of the Six Divisions all hold their attributes. Although it is not completely in uniformity with classic rites, compared with other barbarians it is splendid to behold. This is why Confucius thought it would not be a shame to reside here. And is not moreover Kija's country a close relative of the hallowed dynasty?" So observed the Song envoy Xu Jing in the official report of his 1123 visit to Korea—a rare eyewitness account of Koryŏ (918–1392) society in its prime. Officially, the purpose of Xu Jing's visit was to condole the new king, Injong, on the death of his father and present him with a letter of investiture; unofficially, he was tasked with persuading Injong to align with Song China against the newly emergent Jin dynasty. Although famous for its celadon and Buddhist paintings, the Koryŏ period is still very much terra incognita in world history because of the lack of translated source materials. The present work, the first fully annotated, complete translation of a key source text on Koryŏ, fills this gap. Xu Jing spent a little more than a month in the Koryŏ capital, Kaesŏng, but he was a meticulous chronicler, compiling a veritable handbook on Koryŏ that is full of fascinating details found nowhere else on daily life, history, customs and manners, buildings, the military, food, among others. However, Xu Jing was not unbiased in his observations and supplemented his work with unreliable information from earlier chronicles—a fact often ignored in previous studies of the Illustrated Account. In a substantial introduction to his translation, Sem Vermeersch not only places this important work in its historical context, but also reveals both the sources used by the author and the merits and limits of his observations, allowing historians of medieval Korea to make fuller use of this singular primary source.

The crucial period of Chinese history, 220-960, falls naturally into contrasting phases. The first phase, also known as that of "early medieval China," is an age of political decentralization. Following the breakup of the Han empire, China was plunged into civil war and fragmentation and stayed divided for nearly four centuries. The second phase started in 589, during the Sui dynasty, when China was once again brought under a single government. Under the Sui, the bureaucracy was revitalized, the military strengthened, and the taxation system reformed. The fall of the Sui in 618 gave way to the even stronger Tang dynasty, which represents an apogee of traditional Chinese civilization. Inheriting all the great institutions developed under the Sui, the Tang made great achievements in poetry, painting, music, and architecture. The An Lushan rebellion, which also took place during Tang rule, brought about far-reaching changes in the socioeconomic, political, and military arenas. What transpired in the second half of the Tang and the ensuing Five Dynasties provided the foundation for the next age of late imperial China. The Historical Dictionary of Medieval China fills an urgent need for a standard reference tailored to the interest of Western academics and readers. The history of medieval China is related through the book's introductory essay, maps, a table of Dynastic Periods, a bibliography, and hundreds of cross-referenced dictionary entries on key people, historical geography, arts, institutions, events, and other important terms.

This book offers a complete translation of four early plays of the Yang Family Generals. The story of the Yang Family Generals, particularly its female generals, was a perennial favorite on the Chinese stage in the 19th and 20th centuries. In detailing the role of this military family in the Song-Khitan wars of the late 10th and early 11th centuries, these four plays are all in the form of zaju, a type of play that originated in the 13th century. These plays are from the 15th and 16th centuries and allow a glimpse into earlier renditions of the Yang Family saga, which is a decidedly more male-centered tradition than that performed in the Qing dynasty.This volume offers the only complete English-language translation of these early plays. These plays allow access to the earliest phase in the development of the Yang Family saga. The plays provide information on the staging of large battle scenes on the stage and have considerable literary and cultural value.