Adolf Hitler's failure to take Gibraltar in 1940 lost him the Second World War. But in truth the formidable Rock, jutting between the Mediterranean and the Atlantic, was extraordinarily vulnerable. Every day, ten thousand people crossed its frontier to work, spy, sabotage or escape. It was threatened by Spain, Vichy France, Italy and Germany. After the USA entered the war, Gibraltar became General Eisenhower's strategic headquarters for the invasion of North Africa and the battle for the Mediterranean.

Address your questions and build a steadfast foundation for your faith Feeling uncertain about your life? The world? Your future? Looking for something secure to hold onto in turbulent and confusing times? Wanting to know more about God? The NIV Rock Solid Faith Study Bible for Teens was created to help teens grow in their faith and find hope for their future. Featuring the clear New International Version (NIV) translation of the text and lots of study helps along the way, this Bible will help teens get rooted in the unchanging love, guidance and promises of God. Features: Complete text of the accurate, readable, and clear New International Version (NIV) Rock Solid TRUTHS: Examines Christian beliefs and explorations of other religions Rock Solid PRINCIPLES: Applies the Bible to daily decisions and challenges Rock Solid PROMISES: Calls out what is (and is not) promised in the Bible Rock Solid PLANS: Explores God’s plan and will for your life Unshaken PEOPLE: Provides scriptural examples of overcoming difficulties Unshaken GOD: Points out God's unyielding attributes Reading plans 8 pages of color maps Book introductions

During the Second World War, Gibraltar faced the threat of invasion by Italy, Germany, and Spain. The Abwehr, the German Intelligence Service, rather than use their own saboteurs, paid young Spanish men to undertake over sixty sabotage attacks on military installations and shipping with limited success. The Italian Decima Flotilla MAS, a specialist team of underwater frogmen, launched eight attacks which were relatively successful and Spanish Falangists made several unsuccessful attempts. The British Secret Intelligence Service endeavoured to stop or at least limit such attacks. Using contemporary files from the National Archives in Kew, autobiographies, biographies, histories and newspaper articles, this documentary history investigates the successes and failures of these attacks on Gibraltar and the roles played by intelligence officers, agents, double agents in discovering and preventing such acts. The book sheds light on an unusual and largely overlooked aspect of Gibraltar's history.

Percussion is an attempt—in the author’s words—to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks to lay out the "percussive field" through which beating—specifically the backbeat that defines early rock-and-roll—comes to matter for raced, urban subjects. For Mowitt, percussion is both an experience of embodiment—making contact in and on the skin—and a provocation for critical theory itself. In delimiting the percussive field, he plays drumming off against the musicological account of the beat, the sociological account of shock and the psychoanalytical account of fantasy. In the process he touches on such topics as the separation of slaves and drums in the era of the slave trade, the migration of rural blacks to urban centers of the North, the practice and politics of "rough music," the links between interpellation and possession, the general strike, beating fantasies, and the concept of the "skin ego." Percussion makes a fresh and provocative contribution to cultural studies, new musicology, the history of the body and critical race theory. It will be of interest to students of cultural studies and critical theory as well as readers with a serious interest in the history of music, rock-and-roll and drumming.

The rock and roll music that dominated airwaves across the country during the 1950s and early 1960s is often described as a triumph for integration. Black and white musicians alike, including Chuck Berry, Little Richard, Elvis Presley, and Jerry Lee Lewis, scored hit records with young audiences from different racial groups, blending sonic traditions from R&B, country, and pop. This so-called "desegregation of the charts" seemed particularly resonant since major civil rights groups were waging major battles for desegregation in public places at the same time. And yet the centering of integration, as well as the supposition that democratic rights largely based in consumerism should be available to everyone regardless of race, has resulted in very distinct responses to both music and movement among Black and white listeners who grew up during this period. Rock and Roll, Desegregation Movements, and Racism in the Post-Civil Rights Era: An "Integrated Effort" traces these distinctions using archival research, musical performances, and original oral histories to determine the uncertain legacies of the civil rights movement and early rock and roll music in a supposedly post-civil rights era.

Rising out of the American art music movement of the late 1950s and 1960s, minimalism shook the foundations of the traditional constructs of classical music, becoming one of the most important and influential trends of the twentieth century. The emergence of minimalism sparked an active writing culture around the controversies, philosophies, and forms represented in the music’s style and performance, and its defenders faced a relentless struggle within the music establishment and beyond. Focusing on how facts about music are constructed, negotiated, and continually remodeled, We Have Always Been Minimalist retraces the story of these battles that—from pure fiction to proven truth—led to the triumph of minimalism. Christophe Levaux’s critical analysis of literature surrounding the origins and transformations of the stylistic movement offers radical insights and a unique new history.