A report on the prehistoric ceramic figurines recovered from the Franchthi Cave in Greece. Talalay reports on a small body of figurines (twenty-four figurines and twenty-one fragments) recovered during excavations at Franchthi Cave and at the nearby open-air settlement along the present shoreline. She also reexamines the theoretical and methodological foundations of scholarship in the field of figurine studies. A thorough and pathfinding study of the most important body of figurines from southern Greece, this book will be especially valuable to specialists in prehistoric Greece and to all scholars interested in early representations of the human figure in prehistoric art and in the significance of these representations to the members of early human communities. The book also makes a contribution to the growing body of literature on gender in early societies with a critical evaluation of the uses of evidence in addressing gender issues.

This fascicle completes the presentation of the ceramic remains from the Franchthi Cave excavations.

Tell el-Hesi is located near the modern city of Qiryat Gat in the Southern District of Israel, 23 kilometers from the Mediterranean Sea. The site, which covers 35–40 acres, includes both an acropolis and a lower city. Occupation of the site began as early as the Neolithic period, and the city grew significantly during the Early Bronze Age before being abandoned until the Late Bronze Age. The latest phase of occupation occurred during the Hellenistic period. The acropolis was in use for almost two thousand years. This volume is the first in a new iteration of the Joint Archaeological Expedition to Tell el-Hesi series that builds on previously published volumes. It publishes a final report for part of one of Tell el-Hesi’s excavation fields; a reevaluation of the stratigraphic findings of the original 1891–1892 excavations on Tell el-Hesi, based on excavation work from the 1970s and 1980s; in-depth studies of groups of small finds from the tell; and zooarchaeological analyses that widen the investigative perspective to include the region around the tell. Paying tribute to the long excavation history at Tell el-Hesi, the contributors to this volume employ state-of-the-art scientific methods that honor the careful work and findings of a century of excavations. Hesi After 50 Years and 130 Years will be an important reference for scholars researching the history and culture of southern Palestine.

Archaeological remains are ‘fragmented by definition’: apart from exceptional cases, the study of the human past takes into account mainly traces, ruins, discards, and debris of past civilizations. It is rare that things have been preserved as they were originally made and conceived in the past. However, not all the ancient fragmentary objects were the ‘leftovers’ from the past. A noticeable portion of them was part and parcel of the ancient materiality already in the form of a fragment or damaged item. In 2000, John Chapman, with his volume Fragmentation in Archaeology, attracted the attention of scholars on the need to reconsider broken artifacts as the result of the deliberate anthropic process of physical fragmentation. The phenomenon of fragmentation can be thus explored with more outcomes for a category of objects that played an important role inside the society: the figurines. Due to their portability and size, figurines are particularly entangled and engaged in social, spatial, temporal, and material relations, and – more than other artifacts – can easily accommodate acts of embodiment and dismemberment. The act of creation symmetrically also involves the act of destruction, which in turn is another act of creation, since from the fragmentation comes a new entity with a different ontology. Breaking contains the paradigms of life: creation and reparation, destruction and regeneration. The scope of this volume is to search for traces of any voluntary and intentional fragmentation of ancient artifacts, creating, improving, and sharpening the methods and principles for a scientific investigation that goes beyond single author impression or sensitivity. The comparative lens adopted in this volume can allow the reader to explore different fields taken from ancient societies of how we can address, assess, detect, and even discuss the action of breaking and mutilation of ancient figurines.

First reference work to explore the research on gender in archaeology.

Why do twins remain uncanny to those born alone-in other words, most of us? Even with the rise of IVF and an increase in multiple births, why do we still do “a double take” when we encounter twins? Why has this been a near-universal response throughout human history, and how has it played out in religion and myth? Through the work of leading scholars in religion, folklore and mythology, history, anthropology, and archaeology, Gemini and the Sacred explores how twinship has long been imagined, especially in the complex relationship of sacred twin traditions to “twins on the ground” in biology and lived experience. The book considers the multiple ways in which the “doubling” of a human being may be interpreted as auspicious and powerful-or suppressed as unstable and dangerous. Why has this been so and how does it affect living twins today? Treating both famous and lesser-known twins-including supernatural animal twins-in the ancient Near Eastern and classical Mediterranean worlds; early Christianity and Gnosticism; Vedic, Hindu, West African, Black Atlantic, and native American traditions; ancient Mesoamerica, Celtic Roman Britain, and Scandinavia; and in the special, fraught bond shared by all twins, the book offers a variety of perspectives on this topic of great cultural significance.

"This book is a study of the woman-and-child motif as it appeared in the Bronze Age eastern Mediterranean, focusing on Egypt, the Levant, Anatolia, Mesopotamia, Iran, Cyprus, and the Aegean. Rather than being a universal symbol of maternity, or a depiction of a mother goddess, the woman-and-child motif, called by the technical name kourotrophos, was relatively rare in comparison with other images of women in antiquity, and served a number of different symbolic functions, ranging from honoring the king of Egypt to giving extra oomph to magical spells"--Provided by publisher.

Naked Male Figurines in the EIA Aegean -- Iconographic and Regional Patterns in EIA Bronze Figurines and the History of Ritual Action -- The Lost Wax Method of Production and EIA Bronze Figurines -- Bronze Figurines, Transformative Processes, and Ritual Power -- EIA Nudity and Ritual in Historical Perspective -- Method and Approach in the Archaeology of the EIA Aegean.