Bourassa demonstrates what happens when the set of concepts developed by Deleuze come into contact with the complex and philosophically problematic worlds of William Faulkner, Cormac McCarthy, Edith Wharton and Ralph Ellison.

A guide to the work of Gilles Deleuze

Gilles Deleuze has been labelled as the "post-x" thinker: post-structuralist, post-modern, post-Spinozist, post-Nietzschean, and even post-utopian. An Introduction to the Philosophy of Gilles Deleuze explores such categorizations and places Deleuze and Deleuzian method at the heart of contemporary thought.Contributors include: Giorgio Agamben, Mary Bryden, Gilles Deleuze, Jean Khalfa, Claude Imbert, Alain MTnil, Bento Prado, Juliette Simont, Ronald Bogue, Jonathan Philippe.

'Political anthropology' as the major contemporary importance in Deleuze’s work This work explores the significance of two recurring themes in the thought of Gilles Deleuze: his critique of psychoanalysis and praise for Anglo-American literature. Tracing the overlooked influence of English writer D.H. Lawrence on Deleuze, Rockwell Clancy shows how these themes ultimately bear on two competing 'political anthropologies', conceptions of the political and the respective accounts of philosophical anthropology on which they are based. Contrary to the mainstream of both Deleuze studies and contemporary political thought, Clancy argues that the major contemporary importance of Deleuze’s thought consists in the way he grounds his analyses of the political on accounts of philosophical anthropology, helping to make sense of the contemporary backlash against inclusive liberal values evident in forms of political conservatism and religious fundamentalism.

Choice Outstanding Academic Title 2014 In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe's satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe's work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe's life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the poète maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe's varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.

This collection brings together the philosophy of Gilles Deleuze and the rich tradition of American pragmatist thought, taking seriously the commitment to pluralism at the heart of both. Contributors explore in novel ways Deleuze’s explicit references to pragmatism, and examine the philosophical significance of a number of points at which Deleuze’s philosophy converges with, or diverges from, the work of leading pragmatists. The papers of the first part of the volume take as their focus Deleuze’s philosophical relationship to classical pragmatism and the work of Peirce, James and Dewey. Particular areas of focus include theories of signs, metaphysics, perspectivism, experience, the transcendental and democracy. The papers comprising the second half of the volume are concerned with developing critical encounters between Deleuze’s work and the work of contemporary pragmatists such as Rorty, Brandom, Price, Shusterman and others. Issues addressed include antirepresentationalism, constructivism, politics, objectivity, naturalism, affect, human finitude and the nature and value of philosophy itself. With contributions by internationally recognized specialists in both poststructuralist and pragmatist thought, the collection is certain to enrich Deleuze scholarship, enliven discussion in pragmatist circles, and contribute in significant ways to contemporary philosophical debate.

Why does knowledge of philosophy presuppose knowledge of reality? What are the characters in Deleuze's theatre and philosophy? How are his famous metaphysical distinctions secondary to the concept of philosophy as practice and politics? These questions are answered through careful analysis and application of Deleuzian principles.

In 1972, the French theorists Deleuze and Guattari unleashed their collaborative project-which they termed schizoanalysis-upon the world. Today, few disciplines in the humanities and social sciences have been left untouched by its influence. Through a series of groundbreaking applications of Deleuze and Guattari's work to a diverse range of literary contexts, from Shakespeare to science fiction, this collection demonstrates how schizoanalysis has transformed and is transforming literary scholarship. Intended for upper-level undergraduates, postgraduates and scholars with an interest in continental philosophy, literary theory and critical and cultural theory, Deleuze and the Schizoanalysis of Literature is a cutting edge volume, featuring some of the most original voices in the field, setting the agenda for future research.

Representing a sustained engagement with the thought of Deleuze and Guattari, covering more than two decades and on a wide range of topics, from aesthetics and literature to capitalism and Marxism, Kenneth Surin takes politics as the thematic thread to this collection. Deleuze and Guattari: Selected Writings tackles both central political issues, such as the State, globalization, and the citizen, as well as the political qualities of topics generally considered outside this realm, such as the animal, the image, and the literary. Surins pursues theoretical interventions inspired by Deleuze and Guattari's scholarship in relation to Marxism and specifically materialism and notions of political solidarity, which they did not engage with extensively or explicitly themselves, but which extend their critique along new lines of flight. This book demonstrates the breadth and lasting relevance of Deleuze's and Guattari's legacy by tracing the affinities between Deleuze and both Marxist sociologist, Antonio Negri, and Raymond Williams, one of the founders of cultural studies as a discipline.