Demystifying Meaningful Coincidences (Synchronicities) is an original naturalistic theory of meaningful coincidences (synchronicities) as well as a blueprint for identifying, decoding, interpreting, and utilizing their embedded self-generated 'messages' in ways that are intellectually innovative and experientially useful. Interested readers are promised an experience that will unquestionably stimulate their self-awareness and, in so doing, expand their consciousness.

Shamanism can be described as a group of techniques by which its practitioners enter the “spirit world,” purportedly obtaining information that is used to help and to heal members of their social group. Despite a resurgence of interest in shamanism and shamanic states of consciousness, these phenomena are neither well-defined nor sufficiently understood. This multi-disciplinary study draws on the fields of psychology, philosophy and anthropology with the aim of demystifying shamanism. The authors analyse conflicting perspectives regarding shamanism, the epistemology of shamanic states of consciousness, and the nature of the mental imagery encountered during these states.

Theater’s materiality and reliance on human actors has traditionally put it at odds with modernist principles of aesthetic autonomy and depersonalization. Spectral Characters argues that modern dramatists in fact emphasized the extent to which humans are fictional, made and changed by costumes, settings, props, and spoken dialogue. Examining work by Ibsen, Wilde, Strindberg, Genet, Kopit, and Beckett, the book takes up the apparent deadness of characters whose selves are made of other people, whose thoughts become exteriorized communication technologies, and whose bodies merge with walls and furniture. The ghostly, vampiric, and telepathic qualities of these characters, Sarah Balkin argues, mark a new relationship between the material and the imaginary in modern theater. By considering characters whose bodies respond to language, whose attempts to realize their individuality collapse into inanimacy, and who sometimes don’t appear at all, the book posits a new genealogy of modernist drama that emphasizes its continuities with nineteenth-century melodrama and realism.

In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.

Essays on the rise of the horror film and on how moviemakers package and promote fright

“A welcome correction to the politically tortured conceptions of Islam so prevalent today . . . An important, original new examination of Islam.” —Kirkus Reviews Despite heightened interest in the study of the Muslim faith, for many people Islam remains shrouded in mystery and confusion. What really is Shariah law? How is a Muslim to understand Jihad? Does Islam oppose Western values such as free speech or freedom of religion? What place do women have according to Islam? Understanding that this confusion has as much to do with the behavior and words of Muslims as it does with allegations made by anti-Islam activists, Demystifying Islam offers refreshingly bold answers to provocative questions about Islam today. Author Harris Zafar—lecturer, writer, teacher and national spokesperson for Ahmadiyya Muslim Community USA—is forthright about issues where Muslims disagree, and he digs into history through vast research and scholarship to track the origins of differing beliefs. From the burqa to the role of Jesus in Islam, Demystifying Islam is an essential resource and concise guide to understanding the fastest growing religion in the world. “This book is less of a spiritual introduction than it is a cultural one, and an excellent starting point for people navigating interfaith relationships or working to improve understanding and representation in organizations and public discussion.” —Publishers Weekly “A significant contribution to the global conversation on peace, freedom, and justice in a world mystified and threatened by geopolitical and religious tensions.” —Paul Louis Metzger, author of Connecting Christ

An ever-expanding critical library on fantasy fiction requires an analysis of why the genre is so ubiquitous, enduring and beloved. This work analyzes the mythic elements in foundational fantasy texts, arguing that mythopoeic fantasy reveals timeless truths that link human cultures past and present. Through close readings of works like Phantastes, The King of Elfland's Daughter, The Fellowship of the Ring, The Lion, the Witch, and the Wardrobe, A Wizard of Earthsea, The Neverending Story, A Wrinkle in Time and Out of the Silent Planet, this book explores how mythopoeic fantasy speaks to the deepest concerns of the human heart. It investigates the genre's use of an imagination that is sometimes atrophied by the demands of contemporary life, and explores how fantasy provides restoration, consolation and hope within a cultural context that too often decries such ideas. Each chapter focuses on a representative text, providing author background and engaging relevant scholarship on a variety of relevant thematic issues. Offering new insights on these classic texts by drawing upon post-secular critical approaches, this work is suitable for both new and seasoned students of fantasy.

The appearance of ghosts in art and popular culture has transformed throughout history. From the undead corpse of the medieval tradition to the transparent forms of photographic film, to the infrared and thermal images that now populate reality television, the paranormal has literally changed shape over the centuries. In Poetics of the Paranormal Kevin Chabot articulates the idea of spectrality, demonstrating how the paranormal is far from a stable, metaphysical category: it is a dynamic and historically contingent discourse, the contours of which shift over time. Specific media, Chabot argues, present the ghost in distinct ways that emphasize the ghostly qualities of the medium and, conversely, the technological qualities of the ghost. Through detailed analyses of nineteenth-century spirit photography, horror films, ghost-hunting reality television, and the viral internet phenomenon Slender Man, Chabot shows how the paranormal both shapes and is shaped by media. Exploring key historical shifts in contemporary media while providing a rich and novel theoretical framework, Poetics of the Paranormal addresses with renewed rigour the relationships between media, perception, temporality, and the elusive concept of the evidential.

Learn to Discern So You Won't Be Deceived!Never before has culture had a greater need for clear, prophetic insight while never before has so much prophetic error and controversy swirled around us to discredit legitimate prophetic voices. Now, more than ever, true biblical prophecy must take its place at the forefront.Joseph Z—an international...

The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.