Explores Jacques Derrida's distinctive approach to ShakespeareOffers the first comprehensive and accessible account and discussion of Derrida's engagement with ShakespeareChallenges the way we have traditionally come to think about the interdisciplinary relationship between literature and philosophy, as well as literary geniusContextualises Derrida's readings of Shakespeare within his wider philosophical project and discusses in how far they relate to - or are distinct from - his engagement with other dramatic or literary worksThis book brings to light Derrida's rich and thought-provoking discussions of Shakespearean drama. Contextualising Derrida's readings of Shakespeare's Romeo and Juliet, Hamlet, The Merchant of Venice and King Lear within his wider philosophical project, Alfano explores what draws Derrida to Shakespeare and what makes him particularly suitable for philosophical thought. The author also makes the case for Derrida's singular understanding of the relationship between philosophy and Shakespeare and his radical idea of what literary genius is.

This book brings to light Derrida's rich and thought-provoking discussions of Shakespearean drama.

Desmet draws on classical and Renaissance texts, as well as on the work of such 20th-century critics as Kenneth Burke and Paul de Man, to explore the role played by rhetoric in fashioning and representing Shakespearean character. Annotation copyright by Book News, Inc., Portland, OR

DIVA theory-driven study of the invisibility of lesbians in post-WW2 American culture./div

What happens when deconstruction reads politics? This collection of essays by some of Derrida's most significant readers thinks through deconstruction's relation to politics by explicating the text of Derrida in relation to political examples. Neither 'deconstruction' nor 'reading' nor 'politics' is left untouched in the encounters explored by the contributors to this volume. This book dispels any notion of the separation of deconstruction from the everyday and demonstrates the importance of deconstructive thought for the political.

An annual survey of important issues and new developments in contemporary Shakespeare studies, with contributors appraising or reappraising current thinking on such diverse topics as scepticism, ethnicity, performance, theatrical and textual practices, and translations or adaptations.