PREFATORY NOTE The following story, the first published by the author, was written nineteen years ago, at a time when he was feeling his way to a method. The principles observed in its composition are, no doubt, too exclusively those in which mystery, entanglement, surprise, and moral obliquity are depended on for exciting interest; but some of the scenes, and at least one of the characters, have been deemed not unworthy of a little longer preservation; and as they could hardly be reproduced in a fragmentary form the novel is reissued complete—the more readily that it has for some considerable time been reprinted and widely circulated in America. January 1889. To the foregoing note I have only to add that, in the present edition of 'Desperate Remedies,' some Wessex towns and other places that are common to the scenes of several of these stories have been called for the first time by the names under which they appear elsewhere, for the satisfaction of any reader who may care for consistency in such matters. This is the only material change; for, as it happened that certain characteristics which provoked most discussion in my latest story were present in this my first—published in 1871, when there was no French name for them it has seemed best to let them stand unaltered. T.H. February 1896.

A sweeping history of American psychiatry--from the mental hospital to the brain lab--that reveals the devastating treatments doctors have inflicted on their patients (especially women) in the name of science and questions our massive reliance on meds. For more than two hundred years, disturbances of the mind--the sorts of things that were once called "madness"--have been studied and treated by the medical profession. Mental illness, some insist, is a disease like any other, whose origins can be identified and from which one can be cured. But is this true? In this masterful account of America's quest to understand and treat everything from anxiety to psychosis, one of the most provocative thinkers writing about psychiatry today sheds light on its tumultuous past. Desperate Remedies brings together a galaxy of mind doctors working in and out of institutional settings: psychologists and psychoanalysts, neuroscientists, and cognitive behavioral therapists, social reformers and advocates of mental hygiene, as well as patients and their families desperate for relief. Andrew Scull begins with the birth of the asylum in the reformist zeal of the 1830s and carries us through to the latest drug trials and genetic studies. He carefully reconstructs the rise and fall of state-run mental hospitals to explain why so many of the mentally ill are now on the street and why so many of those whose bodies were experimented on were women. In his compelling closing chapters, he reveals how drug companies expanded their reach to treat a growing catalog of ills, leading to an epidemic of over-prescribing while deliberately concealing debilitating side effects. Carefully researched and compulsively readable, Desperate Remedies is a definitive account of America's long battle with mental illness that challenges us to rethink our deepest assumptions about who we are and how we think and feel.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

This eBook features the unabridged text of ‘Desperate Remedies’ from the bestselling edition of ‘The Complete Works of Thomas Hardy’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Hardy includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Desperate Remedies’ * Beautifully illustrated with images related to Hardy’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This meticulously edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. "Desperate Remedies" – A young woman, Cytherea Graye, is forced by poverty to accept a post as lady's maid to the eccentric Miss Aldclyffe. Cytherea loves Edward Springrove, but Miss Adclyffe's machinations, the discovery that Edward is already engaged to a woman whom he does not love, and the urgent need to support a sick brother drive Cytherea to accept the hand of Aeneas Manston, Miss Adclyffe's illegitimate son, whose first wife is believed to have perished in a fire. "The Hand of Ethelberta" – Ethelberta was raised in humble circumstances but, through her work as a governess, married well at the age of eighteen. Her husband died soon after the wedding and, now Ethelberta lives with her mother-in-law. In the three years that have elapsed since the death of her husband, Ethelberta has been treated to foreign travel and further privilege, making a career as a famous poet and storyteller. Beautiful, clever, and rational, she easily attracts four very persistent suitors, but is reluctant to give her much-coveted hand. "A Laodicean" – Paula Power inherits a medieval castle from her industrialist father who has purchased it from the aristocratic De Stancy family. She employs George Somerset, a newly qualified architect from London. He shows an interest in Paula, as well as Captain De Stancy. Paula is attracted to both of them but William Dare, an illegitimate son of Captain De Stancy and an amateur photographer, helps his father by counterfeiting a telegram and a photograph to make Somerset look bad. Thomas Hardy (1840-1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth.