On 22 June 1941 Germany attacked the Soviet Union and her Panzer divisions were to play a major role in this titanic struggle. Although overwhelmed by Soviet numbers, the superior skill and capability of the German Panzer divisions meant that in three months the Germans had advanced deep into Soviet territory. However, after these initial successes the German offensive began to falter, culminating in the disastrous defeat at Kursk. This book describes the organisational history of the Panzer divisions, from the early successes of 1941 through to the introduction of revised Blitzkrieg tactics as the war progressed.

Germany's success in the Second World War was built upon its tank forces; however, many of its leading generals, with the notable exception of Heinz Guderian, are largely unknown. This biographical study of four German panzer army commanders serving on the Eastern Front is based upon their unpublished wartime letters to their wives. David Stahel offers a complete picture of the men conducting Hitler's war in the East, with an emphasis on the private fears and public pressures they operated under. He also illuminates their response to the criminal dimension of the war as well as their role as leading military commanders conducting large-scale operations. While the focus is on four of Germany's most important panzer generals - Guderian, Hoepner, Reinhardt and Schmidt - the evidence from their private correspondence sheds new light on the broader institutional norms and cultural ethos of the Wehrmacht's Panzertruppe.

On the Ufa - the German movie Company

This book demythologises one of the top Waffen-SS units during the Second World War, the Hitlerjugend Division. In addition to bringing together new research in European historiography, it also represents an innovative scientific approach using social psychology. It provides insights into inner psychological mechanisms that facilitated moral disengagement and culminated in the division’s unparalleled combat motivation and war crimes. Best known for their alleged fanaticism, Nazi indoctrination and inclination to perpetrate atrocities, Hitlerjugend soldiers are analysed here using perspectives drawn from across sociology, anthropology and psychology.

This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.

One of the most intriguing questions of our time is how some of the masterpieces of modernity originated in a country in which personal liberty and democracy were slow to emerge. This Companion provides an authoritative account of modern German culture since the onset of industrialisation, the rise of mass society and the nation state. Newly written and researched by experts in their respective fields, individual chapters trace developments in German culture - including national identity, class, Jews in German society, minorities and women, the functions of folk and mass culture, poetry, drama, theatre, dance, music, art, architecture, cinema and mass media - from the nineteenth century to the present. Guidance is given for further reading and a chronology is provided. In its totality the Companion shows how the political and social processes that shaped modern Germany are intertwined with cultural genres and their agendas of creative expression.