Born in September 1891, Arthur Graeme West was a quiet and self-effacing youth with a passion for literature, who went on to become a keen Oxford scholar. When war broke out in 1914, for some time it left him untouched. However, in January 1915, in a rush of enthusiasm, he enlisted as a private in the Public Schools Battalion. From that time, until his death in April 1917, his life was a succession of training in England and fighting in France, with short intervals of leave. West joined due to a feeling of duty and patriotism, but the war was to have a profound effect on him. He developed an intense abhorrence of army life and began to question the very core of his beliefs — in religion, patriotism and the reason for war. This growing disillusionment found expression in two particularly powerful war poems, God! How I Hate You, You Young Cheerful Men and Night Patrol, which stand deservedly alongside those of Siegfried Sassoon and Wilfred Owen. In August 1916, he became a second lieutenant in the Oxfordshire and Buckinghamshire Light Infantry. Shortly after, he wrote to his CO renouncing the war and any further part in it — but he could not bring himself to post the letter. Less than a year later, on April 3rd, 1917, he was shot dead by a sniper's bullet near Bapaume. Written with complete frankness and sincerity, Diary of a Dead Officer gives voice to West's struggle to come to terms with the realities of war and is a poignant tribute to a lost generation of soldiers.

The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall not grow old, as they that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets. Music hall and trench songs provide a further lyrical perspective on the War. A general introduction charts the history of the war poets' reception and challenges prevailing myths about the war poets' progress from idealism to bitterness. The work of each poet is prefaced with a biographical account that sets the poems in their historical context. Although the War has now passed out of living memory, its haunting of our language and culture has not been exorcised. Its poetry survives because it continues to speak to and about us.

Diary of a Sub-Divisional Police Officer" offers an authentic glimpse into the dynamic world of law enforcement during the period from February 1979 to August 1980. Serving as the Sub-Divisional Police Officer (SDPO) in Palitana Subdivision of Bhavnagar district, Gujarat, the author, Kuldip Sharma, provides a detailed narrative based on real-time investigations and the supervision of serious crimes. The book, delves into the intricacies of criminal cases, with a focus on 'Visitable Crimes'—offences that demand special attention from supervisory ranks. The SDPO's duties involve the thorough scrutiny of murder cases, culpable homicides, dacoities, robberies, housebreakings with theft, and serious riots. Additionally, cases involving police officers accused of offences are subject of the SDPO's visitation. Beyond catering to general readers, this book holds immense value for current and aspiring Sub-Divisional Police Officers (SDPOs) and Assistant Commissioners of Police (ACPs). It not only elucidates the methodical and sustained approaches employed in addressing serious crimes during that era but also sheds light on the logic and historical significance of procedures still followed today. The narrative captures the social norms prevalent during the depicted time, offering readers a comprehensive understanding of policing and crime resolution in the late 1970s and early 1980s. Unlock the archives of police investigations and delve into the fascinating world of a Sub-Divisional Police Officer through his diary. Gain insights into the historical context, procedural intricacies, and social nuances that shaped law enforcement during this period. "Diary of a Sub-Divisional Police Officer" is not just a memoir but a valuable historical document that resonates with relevance for law enforcement professionals and enthusiasts alike.

Gary Powell takes the reader through a year of crime and punishment in London, covering over 400 years of history.

"An illustrated analytical study, Words and the First World War considers the situation at home, at war, and under categories such as race, gender and class to give a many-sided picture of language used during the conflict." The Spectator First World War expert Julian Walker looks at how the conflict shaped English and its relationship with other languages. He considers language in relation to mediation and authenticity, as well as the limitations and potential of different kinds of verbal communication. Walker also examines: - How language changed, and why changed language was used in communications - Language used at the Front and how the 'language of the war' was commercially exploited on the Home Front - The relationship between language, soldiers and class - The idea of the 'indescribability' of the war and the linguistic codes used to convey the experience 'Languages of the front' became linguistic souvenirs of the war, abandoned by soldiers but taken up by academics, memoir writers and commentators, leaving an indelible mark on the words we use even today.

Ranging far beyond the traditional canon, this ground-breaking anthology casts a vivid new light on poetic responses to the First World War. Bringing together poems by soldiers and non-combatants, patriots and dissenters, and from all sides of the conflict across the world, International Poetry of the First World War reveals the crucial public role that poetry played in shaping responses to and the legacies of the conflict. Across over 150 poems, this anthology explores such topics as the following: · Life at the Front · Psychological trauma · Noncombatants and the home front · Rationalising the war · Remembering the dead · Peace and the aftermath of the war With contextual notes throughout, the book includes poems written by authors from America, Australia, Austria-Hungary, Belgium, Canada, France, Germany, Great Britain, India, Ireland, Italy, New Zealand, Russia, and South Africa.

Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.

The popular idea of the First World War is a story of disillusionment and pointless loss. This vision, however, dates from well after the Armistice. In this 2004 book Janet Watson separates out wartime from retrospective accounts and contrasts war as lived experience - for soldiers, women and non-combatants - with war as memory, comparing men's and women's responses and tracing the re-creation of the war experience in later writings. Using a wealth of published and unpublished wartime and retrospective texts, Watson contends that participants tended to construct their experience - lived and remembered - as either work or service. In fact, far from having a united front, many active participants were in fact 'fighting different wars', and this process only continued in the decades following peace. Fighting Different Wars is an interesting, richly textured and multi-layered book which will be compelling reading for all those interested in the First World War.

“First class . . . a book that helps the reader to understand just what the ordinary soldier thought about his lot in the Great War.” —The Western Front Association This is a most unusual chronicle of the events of one man during the Great War. A professional soldier at the outbreak, Edward Roe was one of the first to cross over to France in 1914 and as such fought in the early battles of the war and took part in the Retreat from Mons. He was there for the crossing of the Marne and Aisne, the dreadful fighting at Ploegsteert and for the extraordinary events during the first Christmas. Remarkably he witnessed the debacle at Gallipoli and was part of the rear-guard of the Army during the re-embarkation and evacuation of the Peninsula. Thereafter the scene shifts to Mesopotamia and the Tigris Corps in the attempt to relieve General Townshend at Kut. Wounded he returned for the final campaign that captured Baghdad. “The author of these unique and extraordinarily moving diaries, which are supported by excellent maps and footnotes, was Edward Roe, an Irishman who had already served nine years with the British Army by the outbreak of the first world war.” —The Times