El diccionari UB anglès-català és el resultat d’una activitat conjunta de diferents agents que, de manera complementària, han sumat coneixements, continguts i tecnologia per fer una obra de referència rigorosa, posada al dia, útil a un ampli sector de la ciutadania i que contribueixi a eixamplar els horitzons culturals i lingüístics no solament de la comunitat universitària, sinó de la societat catalana...Pel seu contingut, constitueix una obra idònia tant per als usuaris comuns de la llengua com per a especialistes d’un ampli ventall de sectors professionals, així com per al professorat i estudiants universitaris i de cursos avançats de secundària. La mobilitat estudiantil a nivell internacional el converteix en un company de viatge imprescindible per als estudiants catalans que viatgen a l’estranger i en una eina bàsica per al coneixement de la llengua i la cultura catalanes per als qui vénen a completar els seus estudis al nostre país.

This manual is intended to fill a gap in the area of Romance studies. There is no introduction available so far that broadly covers the field of Catalan linguistics, neither in Catalan nor in any other language. The work deals with the language spoken in Catalonia and Andorra, the Balearic Islands, the region of Valencia, Northern Catalonia and the town of l'Alguer in Sardinia. Besides introducing the ideologies of language and nation and the history of Catalan linguistics, the manual is divided into separate parts embracing the description – grammar, lexicon, variation and varieties – and the history of the language since the early medieval period to the present day. It also covers its current social and political situation in the new local and global contexts. The main emphasis is placed on modern Catalan. The manual is designed as a companion for students of Catalan, while also introducing specialists of other languages into this field, in particular scholars of Romance languages.

In this reference, Buffery and Marcer cover all of the areas historically inhabited by the Catalan people. These are, in order of size and population: Catalonia, which accounts for over half of the population of the Catalan-speaking areas; Valencia, with over a third; the Balearic Islands with just under 8 percent; and the Catalunya Nord, the Principality of Andorra, and the Catalan-speaking areas within Aragon, Murcia, and Alghero. The Historical Dictionary of the Catalans deals not only with the people who live in Catalonia, but with the language and culture of the Catalan countries as well. This is done through a chronology, an introductory essay, a bibliography, and over 600 cross-referenced dictionary entries on significant persons, places, events, institutions, and aspects of culture, society, economy, and politics.

Language standardization is an ongoing process based on the notions of linguistic correctness and models. This manual contains thirty-six chapters that deal with the theories of linguistic norms and give a comprehensive up-to-date description and analysis of the standardization processes in the Romance languages. The first section presents the essential approaches to the concept of linguistic norm ranging from antiquity to the present, and includes individual chapters on the notion of linguistic norms and correctness in classical grammar and rhetoric, in the Prague School, in the linguistic theory of Eugenio Coseriu, in sociolinguistics as well as in pragmatics, cognitive and discourse linguistics. The second section focuses on the application of these notions with respect to the Romance languages. It examines in detail the normative grammar and the normative dictionary as the reference tools for language codification and modernization of those languages that have a long and well-established written tradition, i.e. Romanian, Italian, French, Catalan, Spanish, and Portuguese. Furthermore, the volume offers a discussion of the key issues regarding the standardization of the ‘minor’ Romance languages as well as Creoles.

A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries. How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.

This book aims to contribute to the knowledge of the cultural and linguistic relations between Italy and the Crown of Aragon in the 15th century. In particular, it studies some relevant aspects of the chivalric romance entitled Curial e Guelfa, written in Italy around 1443-1448 in Catalan, but mainly Italian in spirit, sources and onomastics. It is probably the very first work of a genre known as “humanistic chivalry”, the epitome of which will be Ariosto’s Orlando furioso. The literary context of Milan and Naples (The Three Crowns, Troubadour Lyrics, Humanism) is analyzed in the first part of the volume. It is this context that made possible the gestation of the Curial, an extraordinary anonymous romance, which was most likely written by the knight Enyego d’Àvalos (Inico d’Avalos), born in Toledo but raised in Valencia. The second part of the volume is devoted to the study of some lexical, stylistic and syntactic aspects of the Curial, which show the author's excellent knowledge of Catalan and the constant influence of Italian in the romance. Questo libro si propone di contribuire alla conoscenza delle relazioni culturali tra l'Italia e la Corona d’Aragona nel XV secolo. In particolare, studia il romanzo dal titolo Curial e Güelfa, scritto in Italia intorno al 1443-1448, dotato di italianità, fonti e onomastica, ma scritto in catalano. È probabilmente la primissima opera di un genere noto come “cavalleria umanistica| , la cui epitome sarebbe l’Orlando Furioso dell’Ariosto. Questo volume analizza il contesto letterario di Milano e Napoli che ha reso possibile questo straordinario romanzo anonimo, di cui conosciamo ormai con quasi assoluta certezza che il suo autore era Enyego o Inico d'Avalos. I contributi in questo volume approfondiscono alcuni degli aspetti lessicali, stilistici e sintattici di Curial e Güelfa, e mettono in evidenza l'eccellente conoscenza del catalano da parte del suo autore, nonché la presenza onnipresente della lingua italiana. El libro pretende contribuir al conocimiento de las relaciones culturales entre Italia y la Corona de Aragón en el siglo XV. En concreto se ocupa de la novela Curial e Güelfa , gestada en Italia hacia 1443-1448, de espíritu, fuentes y onomástica principalmente italianos, pero redactada en lengua catalana. Es probablemente la manifestación más primeriza del género literario conocido como “caballería humanística”, que tendrá su punto culminante con el Orlando furioso, d’Ariosto. Este volumen analiza el contexto literario de Milán y Nápoles que hizo posible esta extraordinaria novela anónima, de la que ahora sabemos con casi absoluta certeza que su autor fue Enyego o Inico d’Avalos. Las contribuciones de este volumen profundizan en algunos de los aspectos léxicos, estilísticos y sintácticos de Curial e Güelfa, y destacan el excelente conocimiento del catalán de su autor, así como la presencia omnipresente de la lengua italiana.

This book is about dictionaries and dictionary making. In six thematic sections it presents nineteen contributions covering a wide field within lexicography: Online Lexicography, Dictionary Structure, Phraseology in Dictionaries, LSP Lexicography, Dictionaries and the User, plus Etymology, History and Culture in Lexicography. Some chapters focus on theoretical aspects, others report on dictionary work in the making, and still others compare and analyze existing dictionaries. Common to all authors, however, is the concern for the dictionary user. Trivial as it may seem, the fact that dictionaries are meant to fulfill the needs of specific user groups has only recently achieved widespread recognition in the lexicographical literature. This volume shows the many ramifications of this functional approach to lexicography by presenting twenty-two authors representing the state of the art in eleven countries: Canada, Denmark, Germany, Great Britain, Iceland, Israel, Latvia, The Netherlands, Poland, South Africa and Spain.

Text bilingüe català/anglès, reuneix per primera vegada una mostra significativa de les nombroses definicions espargides entre la immensa producció de Ramon Llull. Fa més d’un segle que s’ha anat repetint que Llull era un "mestre de definicions" sense saber ben bé que implicava aquest epítet. Ara hom pot apreciar la precisió conceptual i de vegades literària amb la qual defineix una multitud de termes, no tan sols del seu propi sistema, l’Art, sinó també de la filosofia i la teologia medievals. A més, pel fet que la majoria de termes ofereix definicions tant en català com en llatí, en un esforç notable de "donar ciència al poble", hem volgut presentar junts aquests dos caires, no només donant definicions en els dos idiomes, quan n’hi havia, sinó presentant una introducció bilingüe, a fi de donar als mediavalistes no-catalanoparlants accés a aquest ric patrimoni lul.lià.

If, as we believe, the history of languages is the history of the construction of an ideal artefact that permits a specific interpretation of the linguistic reality and helps to approve and assimilate a certain zone of diversity, enabling the accumulation of collective historical knowledge and making us identify it with a social community and a territory, then it must be agreed that languages are extremely complex entities. The new linguistic diversity that cultural globalisation and recent population movements have installed in most traditional linguistic territories has probably put the ideology of the national language into a state of crisis and, as a consequence, has made the ancient, intrinsic diversity of all languages visible, at least to the extent that this is still possible. Nowadays, then, the old linguistic diversity of dialects, of parlances, of local lexicons and the cultural forms that are reflected in these, of varieties and previously unsuccessful linguistic entities has been given a new opportunity in a world where the cohesion of societies and the welfare of citizens must be guaranteed using all available means. Looked at this way, the intricacy of languages may even open up an opportunity for local economic and social development.