Charles Dickens was an English writer and social critic, widely recognized as a literary genius. He created some of the world's best-known fictional characters and is regarded by many as the greatest novelist of the Victorian era. G. K. Chesterton took great interest in the literature of Charles Dickens, writing several books concerning his life and his works: Charles Dickens – Biographical Sketch Charles Dickens – Critical Study Appreciations and Criticisms of the Works of Charles Dickens

"Gilbert Keith Chesterton" by Maisie Ward. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

One of the greatest writers of his time, G. K. Chesterton’s short stories, novels, poetry and essays demonstrate his unparalleled versatility in literature. This comprehensive eBook offers readers the complete fictional works of G. K. Chesterton, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 2) Features: * concise introductions to the novels and other works * the complete Father Brown stories, including the very rare stories * the original Father Brown illustrations * ALL the novels, with contents tables * images of how the novels first appeared, giving your eReader a taste of the Edwardian texts * special chronological and alphabetical contents tables for the poetry * rare plays and poetry * features 43 non-fiction books, each with contents tables * unique uncollected essays section, with rare articles by the great essayist * includes Chesterton’s autobiography– explore the writer’s literary life! * features a special criticism section, with four works examining Chesterton’s contribution to literature, including Patrick Braybrooke’s seminal work GILBERT KEITH CHESTERTON * many images relating to Chesterton’s life, works, places and film adaptations * scholarly ordering of texts in chronological order and literary genres, allowing easy navigation around Chesterton’s immense oeuvre Please note: due to copyright restrictions and the scarcity of some minor texts, this is a complete FICTIONAL works of Chesterton, with the almost complete non-fiction works. As soon as more texts become available, they will be added as free updates for customers who have already purchased this eBook. CONTENTS: Father Brown Stories THE INNOCENCE OF FATHER BROWN THE WISDOM OF FATHER BROWN THE INCREDULITY OF FATHER BROWN THE SECRET OF FATHER BROWN THE SCANDAL OF FATHER BROWN UNCOLLECTED FATHER BROWN STORIES Index of Father Brown Stories The Novels THE NAPOLEON OF NOTTING HILL THE MAN WHO WAS THURSDAY THE BALL AND THE CROSS MANALIVE THE FLYING INN THE RETURN OF DON QUIXOTE Short Story Collections THE CLUB OF QUEER TRADES THE MAN WHO KNEW TOO MUCH AND OTHER STORIES TALES OF THE LONG BOW THE POET AND THE LUNATICS FOUR FAULTLESS FELONS THE PARADOXES OF MR. POND UNCOLLECTED SHORT STORIES The Short Stories LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER LIST OF SHORT STORIES IN ALPHABETICAL ORDER The Plays MAGIC THE JUDGMENT OF DR. JOHNSON THE TURKEY AND THE TURK The Poetry Collections GREYBEARDS AT PLAY THE WILD KNIGHT AND OTHER POEMS THE BALLAD OF THE WHITE HORSE POEMS WINE, WATER AND SONG THE BALLAD OF ST. BARBARA AND OTHER POEMS GLORIA IN PROFUNDIS UBI ECCLESIA THE GRAVE OF ARTHUR The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Non-Fiction THE DEFENDANT ROBERT BROWNING TWELVE TYPES HERETICS VARIED TYPES CHARLES DICKENS ALL THINGS CONSIDERED TREMENDOUS TRIFLES ORTHODOXY WHAT’S WRONG WITH THE WORLD GEORGE BERNARD SHAW APPRECIATIONS AND CRITICISMS OF THE WORKS OF CHARLES DICKENS ALARMS AND DISCURSIONS A MISCELLANY OF MEN THE VICTORIAN AGE IN LITERATURE THE APPETITE OF TYRANNY THE CRIMES OF ENGLAND LORD KITCHENER UTOPIA OF USURERS AND OTHER ESSAYS A SHORT HISTORY OF ENGLAND IRISH IMPRESSIONS THE SUPERSTITION OF DIVORCE THE NEW JERUSALEM WHAT I SAW IN AMERICA EUGENICS AND OTHER EVILS ST. FRANCIS FANCIES VERSUS FADS THE EVERLASTING MAN WILLIAM COBBETT THE CATHOLIC CHURCH AND CONVERSION THE OUTLINE OF SANITY ROBERT LOUIS STEVENSON DO WE AGREE? THE THING COME TO THINK OF IT ALL IS GRIST ST. THOMAS AQUINAS ALL I SURVEY: A BOOK OF ESSAYS THE WELL AND THE SHALLOWS THE GLASS WALKING STICK AS I WAS SAYING THE COMMON MAN THE SPICE OF LIFE THE APOSTLE AND THE WILD DUCKS AND OTHER ESSAYS UNCOLLECTED ESSAYS The Criticism MR. G.K. CHESTERTON AND MR. HILAIRE BELLOC by Robert Lynd G. K. CHESTERTON, A CRITICAL STUDY by Julius West and more

One of the greatest writers of his time, G. K. Chesterton’s short stories, novels, poetry and essays demonstrate his unparalleled versatility in literature. This comprehensive eBook offers readers the collected works of G. K. Chesterton, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 3) Father Brown Stories The Innocence of Father Brown (1911) The Wisdom of Father Brown (1914) Uncollected Father Brown Stories The Novels The Napoleon of Notting Hill (1904) The Man Who Was Thursday (1908) The Ball and the Cross (1909) Manalive (1912) The Flying Inn (1914) Short Story Collections The Club of Queer Trades (1905) The Man Who Knew Too Much and Other Stories (1922) Tales of the Long Bow (1925) Uncollected Short Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Play Magic (1913) The Poetry Collections Greybeards at Play (1900) The Wild Knight and Other Poems (1900) The Ballad of the White Horse (1911) Poems (1915) Wine, Water and Song (1915) The Ballad of St. Barbara and Other Poems (1922) The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction The Defendant (1901) Twelve Types (1902) Varied Types (1903) Robert Browning (1903) Dickens (1903) Thackeray (1903) Tolstoy (1903) Tennyson (1903) G. F. Watts (1904) Biography for Beginners (1905) Heretics (1905) Charles Dickens (1906) Orthodoxy (1908) All Things Considered (1908) George Bernard Shaw (1909) Tremendous Trifles (1909) What’s Wrong with the World (1910) A Chesterton Calendar (1911) Appreciations and Criticisms of the Works of Charles Dickens (1911) Alarms and Discursions (1910) A Miscellany of Men (1912) The Victorian Age in Literature (1913) London (1914) The Appetite of Tyranny (1915) The Crimes of England (1915) Divorce versus Democracy (1916) Lord Kitchener (1917) Utopia of Usurers and Other Essays (1917) A Short History of England (1917) Irish Impressions (1919) The Uses of Diversity (1920) The Superstition of Divorce (1920) The New Jerusalem (1920) What I Saw in America (1922) Eugenics and Other Evils (1922) St. Francis of Assisi (1923) Fancies versus Fads (1923) The Everlasting Man (1925) William Cobbett (1925) Uncollected Essays The Criticism Mr. G. K. Chesterton’s Point of View (1912) by John Kelman About Chesterton and Belloc (1914) by H. G. Wells G. K. Chesterton: A Critical Study (1915) by Julius West Mr. G. K. Chesterton and Mr. Hilaire Belloc (1919) by Robert Lynd G. K. Chesterton by (1920) by St. John G. Ervine Gilbert Keith Chesterton (1922) by Patrick Braybrooke

"Gilbert Keith Chesterton" is a review of some of the author's famous works by literary critic Patrick Braybrooke. Braybrooke is full of admiration of his subject and surmises that, "Nothing could be more useful, therefore, than to write a book about a man who has done more than any other living writer to stimulate and preserve the primitive sense of wonder and joy in human life. Gilbert Keith Chesterton has never lost mental contact with the cosmic simplicity of human existence. He knows, as well as anybody has ever known, that the life of man goes wrong simply because we are too lazy to be pleased with simple, fundamental things." Works reviewed include: Orthodoxy, Tremendous Trifles, The Defendant, The Ballad of the White Horse, as well as Chesterton's criticisms of the works of other famous writers Charles Dickens, Thackeray and Browning.

On the publication of Orthodoxy in 1908, Wilfrid Ward hailed G. K. Chesterton as a prophetic figure whose thought was to be classed with that Burke, Butler, Coleridge, and John Henry Newman. When Chesterton died in 1936, T. S. Eliot pronounced that 'Chesterton's social and economic ideas were the ideas for his time that were fundamentally Christian and Catholic'. But how did he come by these ideas? Eliot noted that he attached 'significance also to his development, to his beginnings as well as to his ends, and to the movement from one to the other'. It is on that development that this book is focused. Chesterton and the Romance of Orthodoxy is an exploration of G.K. Chesterton's imaginative and spiritual development, from his early childhood in the 1870s to his intellectual maturity in the first decade of the twentieth century. William Oddie draws extensively on Chesterton's unpublished letters and notebooks, his journalism, and his early classic writings, to reveal the writer in his own words. In the first major study of Chesterton to draw on this source material, Oddie charts the progression of Chesterton's ideas from his first story (composed at the age of three and dictated to his aunt Rose) to his apologetic masterpiece Orthodoxy, in which he openly established the intellectual foundations on which the prolific writing of his last three decades would build. Part One explores the years of Chesterton's obscurity; his childhood, his adolescence, his years as a student and a young adult. Part Two examines Chesterton's emergence on to the public stage, his success as one of the leading journalists of his day, and his growing renown as a man of letters. Written to engage all with an interest in Chesterton's life and times, Oddie's accessible style ably conveys the warmth and subtlety of thought that delighted the first readership of the enigmatic GKC.

Part of a literary circle that included H. G. Wells, George Bernard Shaw, Hillaire Belloc, and Max Beerbohm, G. K. Chesterton (1874-1936) wrote essays of social criticism for contemporary journals, literary criticism (including notable books on Browning, Dickens, and Shaw), and works of theology and religious argument, but may have been best known for his Father Brown mysteries. Chesterton's interest in Catholic Christianity, first expressed in Orthodoxy, led to his conversion from Anglicanism to Roman Catholicism in 1922. This revised edition of Garry Wills's finely crafted biography includes updates to the text and a new introduction by the author.

THE G. K. CHESTERTON COLLECTION [65 BOOKS] G. K. CHESTERTON — 65 Books in One: 27 Non-Fiction, 17 Fiction, 11 Biographies, 4 Poetry, 2 Plays, 3 Critiques, 1 Introduction — Over 3.2 Million Words in one E-Book — Includes an Active Index to all books and 65 Table of Contents for each book — Includes Illustrations by Claude Monet Gilbert Keith Chesterton (1874–1936) was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox". Whenever possible, Chesterton made his points with popular sayings, proverbs, and allegories—first carefully turning them inside out. Chesterton is well known for his reasoned apologetics and even some of those who disagree with him have recognized the universal appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both progressivism and conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify such a position more and more with Catholicism, eventually converting to Roman Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" said of him, "He was a man of colossal genius". INCLUDED BOOKS: GILBERT KEITH CHESTERTON —NON-FICTION— THE EVERLASTING MAN THE CATHOLIC CHURCH AND CONVERSION THE THING THE OUTLINE OF SANITY THE WELL AND THE SHALLOWS HERETICS ORTHODOXY WHAT’S WRONG WITH THE WORLD WHAT I SAW IN AMERICA THE NEW JERUSALEM IRISH IMPRESSIONS A SHORT HISTORY OF ENGLAND EUGENICS AND OTHER EVILS THE SUPERSTITION OF DIVORCE THE APPETITE OF TYRANNY THE CRIMES OF ENGLAND THE BLATCHFORD CONTROVERSIES THE VICTORIAN AGE IN LITERATURE A MISCELLANY OF MEN ALARMS AND DISCURSIONS ALL THINGS CONSIDERED THE DEFENDANT TREMENDOUS TRIFLES UTOPIA OF USURERS AND OTHER ESSAYS THE USES OF DIVERSITY ESSAYS BY CHESTERTON A CHESTERTON CALENDAR —FICTION— THE INNOCENCE OF FATHER BROWN THE WISDOM OF FATHER BROWN THE INCREDULITY OF FATHER BROWN THE SECRET OF FATHER BROWN THE SCANDAL OF FATHER BROWN TALES OF THE LONG BOW THE MAN WHO WAS THURSDAY THE MAN WHO KNEW TOO MUCH THE NAPOLEON OF NOTTING HILL THE FLYING INN MANALIVE THE BALL AND THE CROSS THE PARADOXES OF MR POND FOUR FAULTLESS FELONS THE CLUB OF QUEER TRADES THE TREES OF PRIDE OTHER STORIES —BIOGRAPHY— AUTOBIOGRAPHY SAINT FRANCIS OF ASSISI SAINT THOMAS AQUINAS VARIED TYPES CHARLES DICKENS APPRECIATIONS AND CRITICISMS OF THE WORKS OF CHARLES DICKENS GEORGE BERNARD SHAW ROBERT BROWNING WILLIAM BLAKE G.F. WATTS BIOGRAPHIES BY CHESTERTON —POETRY— THE BALLAD OF THE WHITE HORSE THE BALLAD OF SAINT BARBARA THE WILD KNIGHT AND OTHER POEMS GREYBEARDS AT PLAY —PLAYS— MAGIC THE TURKEY AND THE TURK —CRITIQUES— GILBERT KEITH CHESTERTON by Cecil Chesterton GILBERT KEITH CHESTERTON by Patrick Braybrooke OTHER G. K. CHESTERTON CRITIQUES PUBLISHER: CATHOLIC WAY PUBLISHING

G. K. Chesterton is remembered as a brilliant creator of nonsense and satirical verse, author of the Father Brown stories and the innovative novel, The Man who was Thursday, and yet today he is not counted among the major English novelists and poets. However, this major new biography argues that Chesterton should be seen as the successor of the great Victorian prose writers, Carlyle, Arnold, Ruskin, and above all Newman. Chesterton's achievement as one of the great English literary critics has not hitherto been fully recognized, perhaps because his best literary criticism is of prose rather than poetry. Ian Ker remedies this neglect, paying particular attention to Chesterton's writings on the Victorians, especially Dickens. As a social and political thinker, Chesterton is contrasted here with contemporary intellectuals like Bernard Shaw and H. G. Wells in his championing of democracy and the masses. Pre-eminently a controversialist, as revealed in his prolific journalistic output, he became a formidable apologist for Christianity and Catholicism, as well as a powerful satirist of anti-Catholicism. This full-length life of G. K. Chesterton is the first comprehensive biography of both the man and the writer. It draws on many unpublished letters and papers to evoke Chesterton's joyful humour, his humility and affinity to the common man, and his love of the ordinary things of life.

G. K. Chesterton, London and Modernity is the first book to explore the persistent theme of the city in Chesterton's writing. Situating him in relation to both Victorian and Modernist literary paradigms, the book explores a range of theoretical and methodological approaches to address the way his imaginative investments and political interventions conceive urban modernity and the central figure of London. While Chesterton's work has often been valued for its wit and whimsy, this book argues that he is also a distinctive urban commentator, whose sophistication has been underappreciated in comparison to more canonical contemporaries. With chapters written by leading scholars in the field of 20th-century literature, the book also provides fresh readings and suggests new contexts for central texts such as The Man Who Was Thursday, The Napoleon of Notting Hill and the Father Brown stories. It also discusses lesser-known works, such as Manalive and The Club of Queer Trades, drawing out their significance for scholars interested in urban representation and practice in the first three decades of the 20th century.