From Loki to Thor, Ragnarok to Beowulf A gripping and truly mesmerising delve into the Norse legends From bestselling books to blockbusting Hollywood movies, the myths of the Scandinavian gods and heroes are part of the modern day landscape. For over a millennium before the arrival of Christianity, the legends permeated everyday life in Iceland and the northern reaches of Europe. Since that time, they have been perpetuated in literature and the arts in forms as diverse as Tolkien and Wagner, graphic novels to the world of Marvel. This book covers the entire cast of supernatural beings, from gods to trolls, heroes to monsters, and deals with the social and historical background to the myths, topics such as burial rites, sacrificial practices and runes.

This is an A-Z guide to the mythology of the Vikings, with over 400 articles covering myths, gods and goddesses, giants, dwarves, elves and other supernatural creatures. It aims to provide an insight into a folklore tradition which has inspired talents as diverse as Wagner and Tolkien. A general historical introduction provides an overall perspective, and background material on the archaeology and social framework of the Norse world is provided.

Once there was another Sun and another Moon, a different Sun and a different Moon from the ones we see now. Sol was the name of that Sun, and Mani was the name of that Moon. Nevertheless, always behind Sol and Mani wolves went a wolf behind each. The wolves caught on them at last, and they devoured Sol and Mani. And then the world was in darkness and cold. In those times, the Gods lived, Odin and Thor, Hödur and Baldur, Tyr and Heimdall, Vidar and Vali, and Loki, the doer of a good doer of evil. Moreover, the beautiful Goddesses lived then, Frigga, Freya, Nanna, Iduna, and Sif. Nevertheless, in the days when the Sun and Moon were destroyed, the Gods were destroyed too—all the Gods except Baldur who had died before that time, Vidar and Vali, the sons of Odin, and Modi and Magni, the sons of Thor. At that time, too, there were men and women in the world. However, before the Sun and the Moon were devoured and before the Gods were destroyed, terrible things happened in the world. Snow fell on the four corners of the earth and kept on falling for three seasons. Winds came and blew everything away. Moreover, the people of the world who had lived on despite the snow and the cold and the winds fought each other, brother killing brother until all the people were destroyed.

Authoritative, comprehensive reference incorporating the latest research on tales, literary and oral sources, and the broad-reaching cultural legacy of Norse mythology. The book describes the pagan origins of Scandinavia, the interaction between the Vikings and other Europeans, and the concept of time in Norse mythology, and gives a dictionary of deities, themes, and concepts. With 200 entries of up to four pages each, the dictionary includes both well-known characters like Thor and minor figures such as Gleipnir, the "fetter with which the wolf Fenrir was finally bound." It also includes further references about Viking and medieval Scandinavia, archaeology, etymology, the conversion of Iceland, other encyclopedias, and more.

The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological, and cultural value. Monstrosity is bound up with questions of body image and deformity, nature and knowledge, hybridity and horror. To explore a culture's attitudes to the monstrous is to comprehend one of its most important symbolic tools. The Monstrous Middle Ages looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writings and mystical texts to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gender and sexual identity, religious symbolism, and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. The Monstrous Middle Ages will be essential reading for anyone interested in the concept of monstrosity and its significance for both medieval cultural production and contemporary critical practice.

Alphabetically listed entries identify and explain the characters, events, important places, and other aspects of Norse mythology.

"Here there be dragons"--this notation was often made on ancient maps to indicate the edges of the known world and what lay beyond. Heroes who ventured there were only as great as the beasts they encountered. This encyclopedia contains more than 2,200 monsters of myth and folklore, who both made life difficult for humans and fought by their side. Entries describe the appearance, behavior, and cultural origin of mythic creatures well-known and obscure, collected from traditions around the world.

Norse Mythology explores the magical myths and legends of Norway, Sweden, Denmark, Iceland and Viking-Age Greenland and outlines the way the prehistoric tales and beliefs from these regions that have remained embedded in the imagination of the world. The book begins with an Introduction that helps put Scandinavian mythology in place in history, followed by a chapter that explains the meaning of mythic time, and a third section that presents in-depth explanations of each mythological term. These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jötnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead. Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

An innovative and accessible overview of how ancient Scandinavians understood and made use of their mythological stories. Old Norse Mythology provides a unique survey of the mythology of Scandinavia: the gods Þórr (Thor) with his hammer, the wily and duplicitous Óðinn (Odin), the sly Loki, and other fascinating figures. They create the world, battle their enemies, and die at the end of the world, which arises anew with a new generation of gods. These stories were the mythology of the Vikings, but they were not written down until long after the conversion to Christianity, mostly in Iceland. In addition to a broad overview of Nordic myths, the book presents a case study of one myth, which tells of how Þórr (Thor) fished up the World Serpent, analyzing the myth as a sacred text of the Vikings. Old Norse Mythology also explores the debt we owe to medieval intellectuals, who were able to incorporate the old myths into new paradigms that helped the myths to survive when they were no longer part of a religious system. This superb introduction traces the use of the mythology in ideological contexts, from the Viking Age until the twenty-first century, as well as in entertainment.