Is art created with computers really art? This book answers ‘yes.’ Computers can generate visual art with unique aesthetic effects based on innovations in computer technology and a Postmodern naturalization of technology wherein technology becomes something we live in as well as use. The present study establishes these claims by looking at digital art’s historical emergence from the 1960s to the start of the present century. Paul Crowther, using a philosophical approach to art history, considers the first steps towards digital graphics, their development in terms of three-dimensional abstraction and figuration, and then the complexities of their interactive formats.

International journal of contemporary visual artists.

This text explains the basic principles of how to produce colour on the Macintosh computer. The book covers details about colour separations, ImageSetters, colour printing and other applications dealing with colour on the Mac. There is also a colour-matching chart.

Out of Hand: Materializing the Postdigital will explore the many areas of 21st-century creativity made possible by advanced methods of computer-assisted production known as digital fabrication. In today’s postdigital world, artists are using these means to achieve levels of expression never before possible – an explosive, unprecedented scope of artistic expression that extends from sculptural fantasy to functional beauty.

"This book is a compilation of essays by leading Canadian and international curators and artists that explores the role of the art object in a broader context of visual and display culture. The book analyzes the human impulse to collect and the social context, rhetoric, politics, and science associated with cultural collections." -- BACK COVER.

Covering many artistic movements that have been developed through the exploitation of modern technology, this work is a well-informed examination of computer art, multimedia installations, virtual worlds, interactivity, Internet art and more.