How does one arrive at a life in politics and policy? What happens to one’s ideals when confronted with the reality that the only way to get things done in Washington is compromise? Who are the men and women who help shape our national agenda, and what drives their work? Dispatches from the Eastern Front provides fascinating, intensely personal, yet universal answers to these central questions. Recounting four decades inside Washington politics, Gerald Felix Warburg brings remarkable candor to a most unusual memoir. An idealistic California Baby Boomer transported to the intimidating world of Capitol Hill policymaking at a young age, Warburg finds himself working to reform nuclear energy, strategic arms control, and foreign policy. As his access and power grow, greater challenges loom: how to maintain principles while cutting deals, and how to balance public purpose with private interests. An eclectic career reveals the slow and often painful development of emotional intelligence for work at the highest reaches of the public arena. Dispatches takes readers inside the closed conference rooms in the U.S. Capitol where leaders strike legislative bargains, to the inner circles of presidential campaigns where advisors jockey for position, and to the firms where well-paid lobbyists use their expertise to advance the interests of corporations and NGOs. Up close and personal profiles of many of our current national leaders emerge. Cycles of action, followed by academic reflection, permit the type of introspection and insight rare in our national politics. With Dispatches from the Eastern Front, Warburg has crafted a highly literate memoir chronicling the political education of a generation, along the way offering a subtle but effective call to the young to enter the public arena. His sage advice tells how, and why, to construct a career in public service, with irrepressibly optimistic counsel that will make this book a political science standard for years to come.

In "Dispatches from the Front" we have a unique and special conduit from ten American wars. In the correspondents' words ring the passion and drama of war from the American Revolution to the Persian Gulf. The work of Thomas Paine, Stephen Crane, Ernest Hemingway, Edward R. Murrow, and more than 60 other correspondents tells of America's wars as they happened, on the battlefield and on the home front. 66 photos.

At last, in this absorbing and authoritative study, the story of the epic struggle on Spains eastern front during the Peninsular War has been told. Often overlooked as not integral to the Duke of Wellingtons main army and their campaigns in Portugal and western Spain, they were, in point of fact, intrinsically linked. Nick Lipscombe, a leading historian of the Napoleonic Wars and an expert on the fighting in the Iberian peninsula, describes in graphic detail the battles fought by the French army of General Suchet against the Spanish regulars and guerrillas and subsequently the Anglo-Sicilian force sent by the British government to stabilize the region. Despite Suchet's initial successes and repeated setbacks for the allied armies, by late 1813 the east coast of Spain held a key to Wellington's invasion of France and the ultimate defeat of Napoleon's armies in the Peninsula. At a tactical level the allies were undeniably successful and made an important contribution to the eventual French defeat.

As senior war correspondent for the Canadian Broadcasting Corporation during the Second World War, Matthew Halton reported from the front lines in Italy and Northwest Europe and became “the voice of Canada at war.” His gripping, passionate broadcasts chronicled the victories and losses of Canadian soldiers and made him a national hero. Born in Pincher Creek, Alberta, in 1904, Halton was to achieve the fastest ever ascent in Canadian journalism. A year after joining the Toronto Daily Star as a cub reporter, he was in Berlin to write about Adolf Hitler’s seizure of power and – long before most other correspondents – to begin a prophetic series of warnings about the Nazi regime. For more than two decades, he witnessed first-hand the major political and military events of the era. He covered Europe’s drift to disaster, including the breakdown of the League of Nations, the Spanish Civil War, the sellout to Fascism at Munich, and the Nazi takeover of Czechoslovakia. Along the way he interviewed Franklin Delano Roosevelt, Hermann Göring, Neville Chamberlain, Charles de Gaulle, Mahatma Gandhi, and dozens of others who shaped the history of the century. In Dispatches from the Front, acclaimed former CBC correspondent David Halton, Matthew’s son, also examines his father’s often tumultuous personal life. He unravels the many paradoxes of his person­ality: the war correspondent who loathed bloodshed yet became addicted to the thrill of battle; the loner who thrived in good company; and, in some ways most puzzling of all, the womanizer with a deep and enduring love for his wife. Drawn from extensive interviews and archival research, this definitive biography is a captivating portrait of the life of one of Canada’s most accom­plished journalists.

Percival Phillips was born in 1877. He began writing for newspapers at the age of sixteen with articles about coal miners rioting in Southwestern Pennsylvania. At the age of nineteen he began pursuing a dream of being a war correspondent with coverage of the Greco-Turkish war and later the war in Cuba. He next moved to London, England and worked for the Daily Express covering wars in Japan and Russia, Tripoli and the Balkans. Although an American the British government selected him to be one of five correspondents to cover the British portion of the Western Front during the World War I, as well as to cover the troubles in Ireland. After the war he was knighted by King George for these services. He next moved to the Daily Mail where he continued covering conflicts in Russia, China, and India, as well as problems in Iraq, the rise of Mussolini in Italy and Gandhis activities in India. In 1935 he joined the Daily Telegraph and later covered a revolution in Greece and the Italian invasion of Ethiopia. His final war was the Spanish Civil War during which he died in 1937.

Reed thereby alienated literary critics who had idealized timeless artistry against the rough-and-tumble world of historical details and political implications.".

This book is an in-depth reportage on some of the most defining issues of our time, namely the global refugee crisis, the conflicts displacing these masses of humanity, and the causes behind them. It is also an ode to the vanishing art of the long-form feature or reportage, which is disappearing because many media organisations can no longer afford it, or are unwilling to pay for this kind of time-consuming, on-the-ground journalism. It is essential to keep alive old-school reportage from the field because it provides a human face to the issues challenging our world. It helps pierce the bubble of propaganda with a needle of truth and, beyond the political and human, it is a beautiful art form in its own right. This book showcases a keen eye for the human story and a profound commitment to the human family. By telling the stories detailed here, it helps put a human face on the suffering that is too often viewed statistically and quantitatively.

A new post-FDR generation of Americans have been taught in our liberal leftist educational system that the 32nd President was an outstanding war strategist and that Stalin ’s Eastern European invasion was inevitable. Nothing could be further from the truth for the historical reality was that FDR was in reality a dangerous egotistical autocratic bumbler who winged it politically, with little global vision, resulting in multiple catastrophic international disasters that would negatively affect the world for generations to come. The FDR I am going to show you is nothing like what you have been programmed to believe. He was not only a compulsive liar and a hypocrite but also very vindictive, often sadistic to the point of displaying a malicious destructive pattern of behavior that bordered on madness. He was often filled with raging hatred against any opponent who dared to question his supremeness or bruise his delicate manic ego. For decades, the American public has been told a packet of lies repeatedly and in time those falsehoods have not only become accepted history we shoveled to our youth as fact until they read this book by design or chance.

The sensational story of a cache of masterpieces not seen since they vanished during the Nazi terror—a bizarre tale of a father and aged son, of secret deals, treachery and the search for truth. The world was stunned when eighty-year old Cornelius Gurlitt became an international media superstar in November 2013 on the discovery of over 1,400 artworks in his 1,076 square-foot Munich apartment, valued at around $1.35 billion. Gurlitt became known as a man who never was - he didn't have a bank account, never paid tax, never received social security. He simply did not exist. He had been hard-wired into a life of shadows and secrecy by his own father long before he had inherited his art collection built on the spoliation of museums and Jews during Hitler's Third Reich. The ensuing media frenzy unleashed international calls for restitution, unsettled international relations, and rocked the art world. Susan Ronald reveals in this stranger-than-fiction-tale how Hildebrand Gurlitt succeeded in looting in the name of the Third Reich, duping the Monuments Men and the Nazis alike. As an "official dealer" for Hitler and Goebbels, Hildebrand Gurlitt became one of the Third Reich's most prolific art looters. Yet he stole from Hitler too, allegedly to save modern art. Hitler's Art Thief is the untold story of Hildebrand Gurlitt, who stole more than art-he stole lives, too.

When war erupted in Europe in 1914, American journalists hurried across the Atlantic ready to cover it the same way they had covered so many other wars. However, very little about this war was like any other. American Journalists in the Great War tells the dramatic stories of the journalists who covered World War I for the American public.