Includes statistics.

Displacement, Diaspora, and Geographies of Identity challenges conventional understandings of identity based on notions of nation and culture as bounded or discrete. Through careful examinations of various transnational, hybrid, border, and diasporic forces and practices, these essays push at the edge of cultural studies, postmodernism, and postcolonial theory and raise crucial questions about ethnographic methodology. This volume exemplifies a cross-disciplinary cultural studies and a concept of culture rooted in lived experience as well as textual readings. Anthropologists and scholars from related fields deploy a range of methodologies and styles of writing to blur and complicate conventional dualisms between authors and subjects of research, home and away, center and periphery, and first and third world. Essays discuss topics such as Rai, a North African pop music viewed as westernized in Algeria and as Arab music in France; the place of Sephardic and Palestinian writers within Israel’s Ashkenazic-dominated arts community; and the use and misuse of the concept “postcolonial” as it is applied in various regional contexts. In exploring histories of displacement and geographies of identity, these essays call for the reconceptualization of theoretical binarisms such as modern and postmodern, colonial and postcolonial. It will be of interest to a broad spectrum of scholars and students concerned with postmodern and postcolonial theory, ethnography, anthropology, and cultural studies. Contributors. Norma Alarcón, Edward M. Bruner, Nahum D. Chandler, Ruth Frankenberg, Joan Gross, Dorinne Kondo, Kristin Koptiuch, Smadar Lavie, Lata Mani, David McMurray, Kirin Narayan, Greg Sarris, Ted Swedenburg

With New Orleans Suite, Eric Porter and Lewis Watts join the post-Katrina conversation about New Orleans and its changing cultural scene. Using both visual evidence and the written word, Watts and Porter pay homage to the city, its region, and its residents, by mapping recent and often contradictory social and cultural transformations, and seeking to counter inadequate and often pejorative accounts of the people and place that give New Orleans its soul. Focusing for the most part on the city’s African American community, New Orleans Suite is a story about people: how bad things have happened to them in the long and short run, how they have persevered by drawing upon and transforming their cultural practices, and what they can teach us about citizenship, politics, and society.

Arab Voices in Diaspora offers a wide-ranging overview and an insightful study of the field of anglophone Arab literature produced across the world. The first of its kind, it chronicles the development of this literature from its inception at the turn of the past century until the post 9/11 era. The book sheds light not only on the historical but also on the cultural and aesthetic value of this literary production, which has so far received little scholarly attention. It also seeks to place anglophone Arab literary works within the larger nomenclature of postcolonial, emerging, and ethnic literature, as it finds that the authors are haunted by the same 'hybrid', 'exilic', and 'diasporic' questions that have dogged their fellow postcolonialists. Issues of belonging, loyalty, and affinity are recognized and dealt with in the various essays, as are the various concerns involved in cultural and relational identification. The contributors to this volume come from different national backgrounds and share in examining the nuances of this emerging literature. Authors discussed include Elmaz Abinader, Diana Abu-Jaber, Leila Aboulela, Leila Ahmed, Rabih Alameddine, Edward Atiyah, Shaw Dallal, Ibrahim Fawal, Fadia Faqir, Khalil Gibran, Suheir Hammad, Loubna Haikal, Nada Awar Jarrar, Jad El Hage, Lawrence Joseph, Mohja Kahf, Jamal Mahjoub, Hisham Matar, Dunya Mikhail, Samia Serageldine, Naomi Shihab Nye, Ameen Rihani, Mona Simpson, Ahdaf Soueif, and Cecile Yazbak. Contributors: Victoria M. Abboud, Diya M. Abdo, Samaa Abdurraqib, Marta Cariello, Carol Fadda-Conrey, Cristina Garrigós, Lamia Hammad, Yasmeen Hanoosh, Waïl S. Hassan, Richard E. Hishmeh, Syrine Hout, Layla Al Maleh, Brinda J. Mehta, Dawn Mirapuri, Geoffrey P. Nash, Boulus Sarru, Fadia Fayez Suyoufie

Asians make up the largest and most dispersed peoples of the world, and Christians constitute a sizable proportion of this population. Asian Christians are likely to emigrate, and many have embraced Christian faith at their diasporic destinations. In light of these realities, the Asian Diaspora Christianity series charts the growing interconnections between the Diaspora Christian communities by providing a rich, multidisciplinary, and contemporary perspective on the globalization of Asian Christianity. This volume, the last in the Asian Diaspora Christianity series, brings together scholars of Asian background and a few others who are situated in diverse locations to draw insights on Christian ministry from a diasporic perspective. This volume pays special attention to the Asian diasporic experience in areas of theology and ministry. Issues of a practical nature, such as English-language worship, contextual leadership, and missionary training are included.

Diasporic Avant-Gardes draws into dialogue two differing traditions of poetic practice: the diasporic and the avant-garde. This interdisciplinary collection examines the unacknowledged affinities (and crucial differences) between avant-garde and diasporic formal strategies and social formations. The essays foreground the creation of experimental forms and investigate the specific contexts of cultural displacement and language use that inform their poetics.

Experiences of migration and dwelling-in-displacement impinge upon the lives of an ever increasing number of people worldwide, with business class comfort but more often with unrelenting violence. Since the early 1990s, the political and cultural realities of global migration have led to a growing interest in the different forms of “diasporic” existence and identities. The articles in this book do not focus on the external boundaries of diaspora – what is diasporic and what is not? – but on one of its most important internal boundaries, which is indicated by the second term in the title of this book: memory. It is not by chance that the right to remember, the responsibility to recall, are central issues of the debates in diasporic communities and their relation to their cultural and political surroundings. The relation of diaspora and memory contains important critical and maybe even subversive potentials. Memory can transcend the territorial logic of dispersal and return, and emerge as a competing source of diasporic identity. The articles in this volume explore how, shaped by the responsibilities of testimony as well as by the normalizing forces of amnesia and forgetting and political interests, memory is a performative, figurative process rather than a secure space of identity.

Diaspora criticism takes the concept 'diaspora' as its object of inquiry and provides a framework for discussing displaced communities in a way that takes contemporary social, cultural and economic pressures into account. It also offers an alternative to Postcolonial Studies. This book is the first to provide an accessible overview of the critical trends in Diaspora criticism and to critically evaluate the major Diaspora critics and their models, with the aim of adding to the debate on methodology. This authoritative account will be of interest to those working in Diaspora Studies and its related fields of History, Literature, Art, Sociology, Population and Migration Studies, Politics, and Ethnic and Postcolonial Studies.

In view of the growing influence of religion in public life on the national and international scenes, Muslim Diaspora in the West constitutes a timely contribution to scholarly debates and a response to concerns raised in the West about Islam and Muslims within diaspora. It begins with the premise that diasporic communities of Islamic cultures, while originating in countries dominated by Islamic laws and religious practices, far from being uniform, are in fact shaped in their existence and experiences by a complex web of class, ethnic, gender, religious and regional factors, as well as the cultural and social influences of their adopted homes. Within this context, this volume brings together work from experts within Europe and North America to explore the processes that shape the experiences and challenges faced by migrants and refugees who originate in countries of Islamic cultures. Presenting the latest research from a variety of locations on both sides of The Atlantic, Muslim Diaspora in the West addresses the realities of diasporic life for self-identified Muslims, addressing questions of integration, rights and equality before the law, and challenging stereotypical views of Muslims. As such, it will appeal to scholars with interests in race and ethnicity, cultural, media and gender studies, and migration.

This anthology originated as papers presented at a conference held in London, July 2018, entitled "Caribbean Women (Post) Diaspora: African-Caribbean Interconnections". The chapters focus on issues of women’s agency and on the potential for transformation produced by the experience of migration and the networks and communities fashioned by African-Caribbean women in diasporic spaces. They cover a range of disciplines including the study of visual art, auto-ethnographic analysis, in addition to socio-cultural and literary analyses. The work included in this anthology inserts, as central to its focus, considerations of gender and specifically the experiences of women in processes of migration, community formation and resistance. In its focus on concepts of diaspora and post-diaspora, the book investigates the potential of these theoretical terms to address the complexity of the diasporic experience. Concepts of post-diaspora have emerged in recent scholarship as a response to the challenges to traditional understandings of diaspora raised by the increase and speed of globalisation, and by the rise of transnationalism, both as a focus of academic study and as an everyday experience. Post-diaspora, like transnationalism, emphasises the fluidity of the migration process: post-diasporic identities emerge from the shifting formations of intra- and international communities. The chapters in this book were originally published as a special issue of the journal African and Black Diaspora.