How was it possible to write history in the Soviet Union, under strict state control and without access to archives? What methods of research did these 'historians' - be they academic, that is based at formal institutions, or independent - rely on? And how was their work influenced by their complex and shifting relationships with the state? To answer these questions, Barbara Martin here tracks the careers of four bold and important dissidents: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research and interviews (with some of the authors themselves, as well as those close to them), the result is a nuanced and very necessary history of Soviet dissident history writing, from the relative liberalisation of de-Stalinisation through increasing repression and persecution in the Brezhnev era to liberalisation once more during perestroika. In the process Martin sheds light onto late Soviet society and its relationship with the state, as well as the ways in which this dissidence participated in weakening the Soviet regime during Perestroika. This is important reading for all scholars working on late Soviet history and society.

How was it possible to write history in the Soviet Union, under strict state control and without access to archives? What methods of research did these 'historians' - be they academic, that is based at formal institutions, or independent - rely on? And how was their work influenced by their complex and shifting relationships with the state? To answer these questions, Barbara Martin here tracks the careers of four bold and important dissidents: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research and interviews (with some of the authors themselves, as well as those close to them), the result is a nuanced and very necessary history of Soviet dissident history writing, from the relative liberalisation of de-Stalinisation through increasing repression and persecution in the Brezhnev era to liberalisation once more during perestroika. In the process Martin sheds light onto late Soviet society and its relationship with the state, as well as the ways in which this dissidence participated in weakening the Soviet regime during Perestroika. This is important reading for all scholars working on late Soviet history and society.

How have the fall of the USSR and the long dominance of Putin reshaped Russian politics and culture? Ilya Budraitskis, one of the country's most prominent leftist political commentators, explores the strange fusion of free-market ideology and postmodern nationalism that now prevails in Russia, and describes the post-Soviet evolution of its left. He incisively describes the twists and contradictions of the Kremlin's geopolitical fantasies, which blend up-to-date references to "information wars" with nostalgic celebrations of the tsars of Muscovy. Despite the revival of aggressive Cold War rhetoric, he argues, the Putin regime takes its bearings not from any Soviet inheritance, but from reactionary thinkers such as the White émigré Ivan Ilyin. Budraitskis makes an invaluable contribution by reconstructing the forgotten history of the USSR's dissident left, mapping an entire alternative tradition of heterodox Marxist and socialist thought from Khrushchev's Thaw to Gorbachev's perestroika. Doubly outsiders, within an intelligentsia dominated by liberal humanists, they offer a potential way out of the impasse between condemnations of the entire Soviet era and blanket nostalgia for Communist Party rule--suggesting new paths for the left to explore.

Soviet and western history researchers present 16 essays on accessing and using a wide variety of sources pertaining to the Stalin era. Topics include archives, annual reports of industries, laws, legal journals, city directories, newspapers and journals, memoirs, and military sources. Appended to particular essays and to the volume as a whole are catalogues of specific documents and publications. Annotation copyrighted by Book News, Inc., Portland, OR

This lucid account of Russian and Soviet history presents major trends and events from Kievan Rus’ to Vladimir Putin’s presidency in the twenty-first century. Directly addressing controversial topics, this book looks at issues such as the impact of the Mongol conquest, the paradoxes of Peter the Great, the “inevitability” of the 1917 Revolution, the Stalinist terror, and the Gorbachev reform effort. This new ninth edition has been updated to include a discussion of Russian participation in the War in Donbas, eastern Ukraine, Russia’s role in the Syrian civil war, the rise of opposition figure Alexei Navalny, Vladimir Putin’s confirmation as “president for life,” recent Russian relations with the United States, the North Atlantic Treaty Organization (NATO), and the European Union as well as contemporary social and cultural trends. Distinguished by its brevity and supplemented with substantially updated suggested readings that feature new scholarship on Russia and a thoroughly updated index, this essential text provides balanced coverage of all periods of Russian history and incorporates economic, social, and cultural developments as well as politics and foreign policy. Suitable for undergraduates as well as the general reader with an interest in Russia, this text is a concise, single volume on one of the world’s most significant lands.

Drawing on documents from archives in St Petersburg and Moscow, the analysis portrays film production "in the round" and shows that the term "censorship" is less appropriate than the description preferred in the Soviet film industry itself, "control," which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced. The two opening chapters trace the various crises that beset film production between 1961 and 1970 (Chapter 1) and 1970 and 1985 (Chapter 2). These are followed by a chapter on the working life of the studio and particularly the technical aspects of production (Chapter 3), and a chapter on the studio aesthetic (Chapter 4). The second part of the book comprises close analyses of fifteen films that are particularly typical of the studio's production and which had especial impact within the studio and beyond. .

Draws on documentation released since the fall of the Soviet Union to offer a global history of communism in the twentieth century.