Much philosophical thinking about religion in the Anglophone world has been hampered by the constraints of Eurocentrism, colonialism and orientalism. Addressing such limitations head-on, this exciting collection develops models for exploring global diversity in order to bring philosophical studies of religion into the globalized 21st century. Drawing on a wide range of critical theories and methodologies, and incorporating ethnographic, feminist, computational, New Animist and cognitive science approaches, an international team of contributors outline the methods and aims of global philosophy of religion. From considering the importance of orality in African worldviews to interacting with Native American perspectives on the cosmos and investigating contemplative studies in Hinduism, each chapter demonstrates how expertise in different methods can be applied to various geographical regions, building constructive options for philosophical reflections on religion. Diversifying Philosophy of Religion raises important questions regarding who speaks for and represents religious traditions, setting the agenda for a truly inclusive philosophy of religion that facilitates multiple standpoints.

This book is a unique introduction to studying the philosophy of religion, drawing on a wide range of cultures and literary sources in an approach that is both methodologically innovative and expansive in its cross-cultural and multi-religious scope. Employing his expertise in interdisciplinary and Wittgenstein-influenced methods, Mikel Burley draws on works of ethnography and narrative fiction, including Dostoevsky's The Brothers Karamazov and Soyinka's Death and the King's Horseman, to critically engage with existing approaches to the philosophy of religion and advocate a radical, pluralist approach. Breaking away from the standard fixation on a narrow construal of theism, topics discussed include conceptions of compassion in Buddhist ethics, cannibalism in mortuary rituals, divine possession and animal sacrifice in Hindu Goddess worship and animism in indigenous traditions. Original and engaging, Burley's synthesis of philosophical, anthropological and literary elements expands and diversifies the philosophy of religion, providing an essential introduction for anyone interested in studying the radical plurality of forms that religion takes in human life.

In this global introduction to philosophy of religion you begin not with a single tradition, but with religious philosophies from East Asia, South Asia, West Africa, and Native North America, alongside the classical Abrahamic and modern European traditions. Matching this diversity of traditions, chapters are organized around questions that acknowledge there is no single understanding of any god or ultimate reality. Instead you approach six different traditions of philosophizing about religion by asking questions about the journeys of both the self and the cosmos such as “What is my path?” and “Where did the cosmos come from?” Accompanied by introductory materials and an extensive glossary, each chapter includes learning objectives, questions for discussion, and suggested primary and secondary sources. The categories of religion and philosophy are interrogated throughout. Equipped with study tools and universal questions about the self and the cosmos, Philosophies of Religion: A Global and Critical Introduction shows you how to philosophize about religions around the world.

Nāgārjuna is the most influential of all Buddhist thinkers following the Buddha himself. Throughout his works, Nāgārjuna calls on us to completely abandon all our views. But how could anyone possibly do that? This book shows not only how Nāgārjuna's truly radical teaching of "abelief" makes perfect sense within his Buddhist philosophy, but how it stands at the summit of his religious mission to care for all living beings. Rather than treating any one aspect of Nāgārjuna's ideas in isolation, here he emerges as forging a single system of thought and practice, one that challenges the very ways in which we think about religion and philosophy.

Drawing on methods from religious studies, philosophy, and cognitive science, Jack Williams develops a unique and interdisciplinary approach to the study of religious conversion. This is the first major philosophical study of conversion to treat the phenomenon as a long-term process, shaped by the convert's embodiment and immersion in a linguistic, social, and ritual community. Williams' analysis of the conversion process is rooted in a view of cognition as both embodied and affective, and is informed by the latest research in phenomenology, affect theory, neuroscience, and enactivist cognitive science. In conversation with diverse conversion narratives, he advances a theory of conversion that is not restricted to a modern, Western context but that can be applied to experiences of conversion across global history and culture. Rethinking Religious Conversion displays an original approach to the philosophical study of diverse religious practices. By bringing together a diverse array of contemporary and historical scholarship, it revitalizes the study of conversion for both philosophy and religious studies.

The philosophy of religion is a discipline that explores a wide range of issues related to religious beliefs and practices. However, the field has historically exhibited a narrow focus, predominantly centreing on the Christian tradition and lacking substantial interaction between philosophers from distinct religious and cultural backgrounds. To address this, Global Dialogues in the Philosophy of Religion includes contributions from eminent scholars that address the world's five major religious traditions: Buddhism, Christianity, Hinduism, Islam, and Judaism. These dialogues delve into the philosophical aspects of religion, covering significant topics, including revelation and religious experience, analysis of faith, science and religion, the foundations of morality, and life and the afterlife. In each section, one of these critical issues is examined by three distinguished philosophers, each specializing in a particular religious tradition. These authors not only present their own perspectives on the subject matter but also respond to the viewpoints of philosophers from other traditions. This dynamic exchange gives readers valuable insight into how philosophical inquiries can be approached from various religious standpoints. This unique collection offers a rich tapestry of ideas and fosters a greater understanding of the philosophical dimensions of religion across diverse cultural and religious contexts. An open access title available under the terms of a CC BY-NC-ND 4.0 licence.

Mainstream philosophy of religion has primarily focused on the truth and justification of religious beliefs even though belief is only one small facet of religious life. This collection remedies this by taking practice and embodied action seriously as fundamental elements of any philosophy of religion. Emerging and established voices across different philosophical traditions come together to consider religious actions, including public worship, from perspectives such as trauma and social ontology, sound and silence, and knowledge and hope. Embodied religious practice is viewed through the lens of liturgy, intrinsically connecting religious rituals to human existence to show clearly that, no matter where one finds oneself in terms of the so-called 'analytic-continental' divide, philosophy of religion must be concerned with more than just beliefs if it is to adequately deal with the subject matter of 'religion.' The purpose of these studies is not to reject what has gone before but to expand the focus of philosophy of religion. This approach lays the groundwork for investigations into how beliefs are situated in our theological, moral, and social frameworks. For any philosophy of religion student or scholar interested in how thinking and living well are intimately related, this is a go-to resource. It takes seriously the importance of historical religious traditions and communities, opening the space for cross-cultural and interdisciplinary debates.

Crossing continents and running across centuries, Key Concepts in World Philosophies brings together the 45 core ideas associated with major Indian, Chinese, Japanese, Islamic, African, Ancient Greek, Indigenous and modern European philosophers. The universal theme of self-cultivation and transformation connects each concept. Each one seeks to change our understanding the world or the life we are living. From Chinese xin and karma in Buddhist traditions to okwu in African philosophy, equity in Islamic thought and the good life in Aztec philosophy, an international team of philosophers cover a diverse set of ideas and theories originating from thinkers such as Confucius, Buddha, Dogen, Nezahualcoyotl, Nietzsche and Zhuangzi. Organised around the major themes of knowledge, metaphysics and aesthetics, each short chapter provides an introductory overview supported by a glossary. This is a one-of-a-kind toolkit that allows you to read philosophical texts from all over the world and learn how their ideas can be applied to your own life.

Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The discussion then opens up to examine the mystical and wounded aspects of embodied interface with God. The final part investigates embodied aesthetic praxis in philosophy of religion and religious studies. With several contributions engaging with the embodied, aesthetic experience of underrepresented voices, Art, Desire, and God offers constructive phenomenological bridges across divides of disciplines, aesthetic experiences, and embodied actions.