A positive journey of two front-line EVAC nurses returning from Vietnam, the center of madness. They return to reclaim their virtues, dysfunctional families, and delicate microcosms of religious faith. A textured portrait of the imprecise structures they ran away from three years ago, now possessing a graphic glue eclipsing that which they were before. Two feisty, amusing, feminine rebels whose middle age crisis came early, their lassitude poignantly, gradually replaced by a quixotic sense of future. A vigorous, affirmative character analysis of transition of spirit. DO YOU KNOW YOUR LINES?, a metaphor asking, do you know what to say at that moment in our lives when words almost fail; do fail? Why? Because we may be emotionally bankrupt; willpower, alone, no longer able to return us to those graceful, idealistic, delicious times before fatigue and confusion penetrated deeply into our being.

A memoir of theatrical life and much more by Tim Pigott-Smith, one of the best known and most prodigiously talented actors of his generation. From his appearance as Ronald Merrick in the television adaptation of The Jewel in the Crown to his recent role in the hit play King Charles III, Tim Pigott-Smith has been recognised as one of Britain's most loved contemporary actors. On stage his work encompassed the Bristol Old Vic, Royal Shakespeare Company, National Theatre, West End and Broadway. He acted with Jeremy Irons, Charles Dance, Anthony Hopkins, Michael Caine, Peggy Ashcroft and Judi Dench and collaborated with a host of famous directors, from his late friend Howard Davies, to John Huston and Peter Hall. In his memoir, Do You Know Who I Am?, Pigott-Smith describes the actor's craft with witty anecdotes and fascinating insight. He recalls his childhood and early beginnings in the paint shop at the RSC Stratford, the life of a jobbing actor in 1960s and 70s London, strange meetings with glamorous Hollywood producers, filming a football match with Pelé in Hungary, the epic Indian saga of The Jewel in the Crown and more recent projects such as Mike Bartlett's King Charles III, first performed at the Almeida Theatre and later transferred to Wyndham's Theatre in the West End, Broadway and to film. What is the story of Judi Dench and the black glove? What was it like to visit Michael Caine's LA mansion? How does one produce the character of the complex and unforgettable Corporal Merrick? Humorously written, warm, engaging and accompanied by black and white photographs, Do You Know Who I Am? is an entertaining memoir from one of our great acting talents. Tim Pigott-Smith died in April 2017, shortly before this book was published, having passed final proofs for press.

Is clutch performance innate-or can it be learned? Sooner or later everyone encounters a situation in which the stakes are high and the outcome is crucial. And even top performers can crumble when faced with such extreme pressure. Consider the CEO who panics in a desperate attempt to shore up his company's earnings, the veteran politician who grows overconfident and loses to the upstart candidate, the quarterback who carries his team to the Super Bowl but falls apart in the final quarter. All of them choked. But then there are the performers who thrive under such conditions: the ER doctor racing the clock to save someone's life, the lieutenant who leads his platoon to victory after an ambush, the young attorney who refuses to be intimidated in court and wins the crucial case. These people are clutch, and their ability to overcome extreme pressure consistently and beat the toughest odds fascinates us. How do they do it? According to Paul Sullivan, clutch performance does not stem from an innate ability. It's a learned skill: the art of operating in high-stress situations as if they were everyday conditions. Even some of the most experienced and talented performers lack this skill-but Sullivan shows that anyone can develop it. Drawing on new research and interviews with stars across a range of fields, Sullivan uncovers the shared traits that define clutch performers and explains how anyone can apply their strategies. He builds his case through many inspiring true stories, including those of * a skinny sergeant who saved his battalion in Iraq; * a rookie baseball player who pitched his team into its first World Series; * an eccentric psychiatrist who trained a group of financial traders to become the best in the world; * a lawyer who struggled in school but became one of the top litigators in America. Full of powerful advice and real-world examples, Clutch will show you how to overcome extreme pressure to achieve greatness.

This engaging collection of Bruce F. Kawin’s most important film essays (1977–2011) is accompanied by his interviews with Lillian Gish (1978) and Howard Hawks (1976). The Hawks interview is particularly concerned with his work with William Faulkner and their friendship. The Gish interview emphasizes her role as a producer in the 1920s. The essays focus on such topics as violence and sexual politics in film, the relations between horror and science fiction, the growth of video and digital cinema and their effects on both film and film scholarship, the politics of film theory, narration in film, and the relations between film and literature. Among the most significant articles reprinted here are “Me Tarzan, You Junk,” “The Montage Element in Faulkner's Fiction,” “The Mummy’s Pool,” “The Whole World Is Watching,” and “Late Show on the Telescreen: Film Studies and the Bottom Line.” The book includes close readings of films from “La Jetée” to “The Wizard of Oz.”