When Clans Collide: The Germination of Adams Family Tree through Surname, Life Experience, and DNA tells the story of author Wayne Rudolph Davidsons surname and its ancestral connection to individuals and events that have shaped the world in which we live. When Davidson set out to discover the ancestral history of his surname, he had no idea what he would encounter. On his journey, he discovered that people with the surname of Davidson have contributed to government and politics, business and economics, social sciences, religion, education, science and technology, music and entertainment, sports and recreation, and military history. The research included here illustrates events ranging from the evolution of the English Crown and the building of North America to the American Revolution and the American Civil War. He also discovered quite a few events linked to African American history, including the period of Reconstruction, Buffalo Soldiers and the Great Plains, and the Great Migration. Davidsons have also contributed to the popularity of sports and entertainment, the growth of the office of the president of the United States, both World Wars, and the sacrifice of heroes. Interesting and informative, When Clans Collide explores the history of one surname and provides a foundation and plan for making the connection to your own ancestral heritage through your surname.

Tobacco, Pipes, and Race in Colonial Virginia investigates the economic and social power that surrounded the production and use of tobacco pipes in colonial Virginia and the difficulty of correlating objects with cultural identities. A common artifact in colonial period sites, previous publications on this subject have focused on the decorations on the pipes or which ethnic group produced and used the pipes, “European,” “African,” or “Indian.” This book weaves together new interpretations, analytical techniques, classification schemes, historical background, and archaeological methods and theory. Special attention is paid to the subfield of African diaspora research to display the complexities of understanding this class of material culture. This fascinating study is accessible to the undergraduate reader, as well as to graduate students and scholars.

Commemorative practices are revised and rebuilt based on the spirit of the time in which they are re/created. Historians sometimes imagine that commemoration captures history, but actually commemoration creates new narratives about history that allow people to interact with the past in a way that they find meaningful. As our social values change (race, gender, religion, sexuality, class), our commemorations do, too. We Are What We Remember: The American Past Through Commemoration, analyzes current trends in the study of historical memory that are particularly relevant to our own present – our biases, our politics, our contextual moment – and strive to name forgotten, overlooked, and denied pasts in traditional histories. Race, gender, and sexuality, for example, raise questions about our most treasured myths: where were the slaves at Jamestowne? How do women or lesbians protect and preserve their own histories, when no one else wants to write them? Our current social climate allows us to question authority, and especially the authoritative definitions of nation, patriotism, and heroism, and belonging. How do we “un-commemorate” things that were “mis-commemorated” in the past? How do we repair the damage done by past commemorations? The chapters in this book, contributed by eighteen emerging and established scholars, examine these modern questions that entirely reimagine the landscape of commemoration as it has been practiced, and studied, before.

Mac Griswold's The Manor is the biography of a uniquely American place that has endured through wars great and small, through fortunes won and lost, through histories bright and sinister—and of the family that has lived there since its founding as a Colonial New England slave plantation three and a half centuries ago. In 1984, the landscape historian Mac Griswold was rowing along a Long Island creek when she came upon a stately yellow house and a garden guarded by looming boxwoods. She instantly knew that boxwoods that large—twelve feet tall, fifteen feet wide—had to be hundreds of years old. So, as it happened, was the house: Sylvester Manor had been held in the same family for eleven generations. Formerly encompassing all of Shelter Island, New York, a pearl of 8,000 acres caught between the North and South Forks of Long Island, the manor had dwindled to 243 acres. Still, its hidden vault proved to be full of revelations and treasures, including the 1666 charter for the land, and correspondence from Thomas Jefferson. Most notable was the short and steep flight of steps the family had called the "slave staircase," which would provide clues to the extensive but little-known story of Northern slavery. Alongside a team of archaeologists, Griswold began a dig that would uncover a landscape bursting with stories. Based on years of archival and field research, as well as voyages to Africa, the West Indies, and Europe, The Manor is at once an investigation into forgotten lives and a sweeping drama that captures our history in all its richness and suffering. It is a monumental achievement.

Jennifer Potter explores the lives of the fifty-six women who volunteered to leave their lives in England and travel to the Jamestown colony in 1621.

In seventeenth-century Britain, a new breed of 'curious' gardeners were pushing at the frontiers of knowledge and new plants were stealing into Europe from East and West. John Tradescant and his son were at the vanguard of this change - as gardeners, as collectors and above all as exemplars of an age that began in wonder and ended with the dawning of science. Jennifer Potter's book vividly evokes the drama of their lives and takes its readers to the edge of an expanding universe. Strange Blooms is a magnificent pleasure for gardeners and non-gardeners alike. This 'wonderful book' (Jane Stevenson, Daily Telegraph) describes the remarkable lives and times of the John Tradescants.