“A lighthearted, entertaining trip down Memory Lane” (Kirkus Reviews), Don’t Make Me Pull Over! offers a nostalgic look at the golden age of family road trips—before portable DVD players, smartphones, and Google Maps. The birth of America’s first interstate highways in the 1950s hit the gas pedal on the road trip phenomenon and families were soon streaming—sans seatbelts!—to a range of sometimes stirring, sometimes wacky locations. In the days before cheap air travel, families didn’t so much take vacations as survive them. Between home and destination lay thousands of miles and dozens of annoyances, and with his family Richard Ratay experienced all of them—from being crowded into the backseat with noogie-happy older brothers, to picking out a souvenir only to find that a better one might have been had at the next attraction, to dealing with a dad who didn’t believe in bathroom breaks. Now, decades later, Ratay offers “an amiable guide…fun and informative” (New York Newsday) that “goes down like a cold lemonade on a hot summer’s day” (The Wall Street Journal). In hundreds of amusing ways, he reminds us of what once made the Great American Family Road Trip so great, including twenty-foot “land yachts,” oasis-like Holiday Inn “Holidomes,” “Smokey”-spotting Fuzzbusters, twenty-eight glorious flavors of Howard Johnson’s ice cream, and the thrill of finding a “good buddy” on the CB radio. An “informative, often hilarious family narrative [that] perfectly captures the love-hate relationship many have with road trips” (Publishers Weekly), Don’t Make Me Pull Over! reveals how the family road trip came to be, how its evolution mirrored the country’s, and why those magical journeys that once brought families together—for better and worse—have largely disappeared.

Things have gone from bad to worse as the true plot of the Blood Belles has been revealed. Stakes are high, but theyÕll need to be brought low if Sam, Michael and the Frog Brothers want to get out of this predicament. The comic book sequel to the cult classic vampire movie comes to a bloody conclusion!

In a world of shadows, anything is possible. Except escaping your fate. Ever since she was a child, Ivy has been gripped by visions of strange realms just beyond her own. But when her sister goes missing, Ivy discovers the truth is far worse—her hallucinations are real, and her sister is trapped in a parallel realm. And the one person who believes her is the dangerously attractive guy who's bound by an ancient legacy to betray her. Adrian might have turned his back on those who raised him, but that doesn't mean he can change his fate...no matter how strong a pull he feels toward Ivy. Together they search for the powerful relic that can save her sister, but Adrian knows what Ivy doesn't: that every step brings Ivy closer to the truth about her own destiny, and a war that could doom the world. Sooner or later, it will be Ivy on one side and Adrian on the other. And nothing but ashes in between... The first in a stunning new series, this is New York Times bestselling author Jeaniene Frost at her dazzling, inventive best.

'Look first. Reach second. Vanish third.' London, 1825: Eglantine has always had an eye for the shine. Born the same day as the young princess destined to be queen, Eglantine has an altogether different path ahead of her, strewn with the glittering waste of her father's ambitions. Her mysteriously prosperous father, Mr Amberline Stark, is a man of great expectations. He coaxes her to follow in his footsteps, making picking pockets a delightful parlour game which they play in their fine house by the Thames. Eglantine's life before her arrival at the house remains a mystery, her memories wrapped up in a small doll she keeps close to her, and with it the fragmentary recollections of her mother. It is only when Amberline is caught and transported as a thief to the penal colony of Australia, that Eglantine has to grow up and fend for herself using her only skill. Reluctantly, the thief's daughter becomes a thief, until a chance meeting gives her a window on a new way of being, and the opportunity to strike out into a new and untarnished world. But will the weight of her father's choices make her a prisoner in the house at the side of the Thames? Birth and death, love and sadness, love knots and cut ties, quicksilver and shine, old worlds and new beginnings, Sandra Leigh Price weaves another gritty and beguiling story that will enchant and delight readers. Praise for The River Sings: 'The River Sings packs an emotional punch ... each page will grip you by the heart and drag you in. A lyrical work of great mastery, from a beautiful storyteller who knows just what words to use and when, The River Sings will call to you long after you turn the final page, just as the river does to Eglantine.' Better Reading 'Rich and lyrical ... Sandra Leigh Price is a beautiful wordsmith ... engrossing' Australian Women's Weekly 'Richly imaginative' Sydney Morning Herald 'Price weaves a magical tale that is rich in history and atmosphere that will sing to your traveller's soul' Good Reading 'It's impossible not to be charmed by The River Sings ... it flirts with the works of Charles Dickens in a way that's startlingly clever. It's Oliver Twist with a feminist twist; Great Expectations remixed ... it's unique; a richly imaginative work of literary fiction that sparkles with sheer joy.' Newtown Review of Books Praise for The Bird's Child: 'A wonderful, strange, glittering book, full of astounding imagination, glorious really.' Edward Carey, author of Heap House 'A shimmering dream of haunted pasts. A silver girl. Abandoned boys. All the magic of the stage. The Bird's Child is a delight.' Essie Fox, author of The Somnambulist 'The Bird's Child is entirely original, its familiar Sydney settings set asparkle and rendered dreamlike by Sandra Leigh Price's lyrical and lovely writing. This is a magical fable that penetrates to deep emotional truths.' Geraldine Brooks 'This debut novel brings 1920s Sydney to life through a fairytale lens, highlighting the city's romance, its magic and its mystery ... It is the Australian setting that sets this quirky historical romance apart from others of its genre. Price's dream-like portrayal of a bygone Sydney - with its vaudeville shows and opium dens, lyrebirds and swagmen - establishes a unique mood that transforms the local into the exotic, making The Bird's Child a memorable tale.' Australian Book Review 'Gritty yet enchanting ... often deliciously sumptuous and erotically charged ... unusual, imaginative' Newtown Review of Books 'Skilfully written and richly imagined' Sydney Morning Herald

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