Confronting Bakhtin’s formative reading of Dostoevsky to recover the ways the novelist stokes conflict and engages readers—and to explore the reasons behind his adversarial approach Like so many other elements of his work, Fyodor Dostoevsky’s deliberate deployment of provocation was both prescient and precocious. In this book, Lynn Ellen Patyk singles out these forms of incitement as a communicative strategy that drives his paradoxical art. Challenging, revising, and expanding on Mikhail Bakhtin’s foundational analysis in Problems of Dostoevsky’s Poetics, Patyk demonstrates that provocation is the moving mover of Dostoevsky’s poetics of conflict, and she identifies the literary devices he uses to propel plot conflict and capture our attention. Yet the full scope of Dostoevsky’s provocative authorial activity can only be grasped alongside an understanding of his key themes, which both probed and exploited the most divisive conflicts of his era. The ultimate stakes of such friction are, for him, nothing less than moral responsibility and the truth of identity. Sober and strikingly original, compassionate but not uncritical, Dostoevsky’s Provocateurs exposes the charged current in the wiring of our modern selves. In an economy of attention and its spoils, provocation is an inexhaustibly renewable and often toxic resource.

Tapping into the emergence of scholarly comedy studies since the 2000s, this collection brings new perspectives to bear on the Dostoevskian light side. Funny Dostoevksy demonstrates how and why Dostoevsky is one of the most humorous 19th-century authors, even as he plumbs the depths of the human psyche and the darkest facets of European modernity. The authors go beyond the more traditional categories of humor, such as satire, parody, and the carnivalesque, to apply unique lenses to their readings of Dostoevsky. These include cinematic slapstick and the body in Crime and Punishment, the affective turn and hilarious (and deadly) impatience in Demons, and ontological jokes in Notes from Underground and The Idiot. The authors – (coincidentally?) all women, including some of the most established scholars in the field alongside up-and-comers – address gender and the marginalization of comedy, culminating in a chapter on Dostoevsky's "funny and furious" women, and explore the intersections of gender and humor in literary and culture studies. Funny Dostoevksy applies some of the latest findings on humor and laughter to his writing, while comparative chapters bring Dostoevsky's humor into conjunction with other popular works, such as Chaplin's Modern Times and Lin-Manuel Miranda's Hamilton. Written with a verve and wit that Dostoevsky would appreciate, this boldly original volume illuminates how humor and comedy in his works operate as vehicles of deconstruction, pleasure, play, and transcendence.

Challenging, revising, and expanding on Bakhtin's Problems of Dostoevsky's Poetics, Lynn Ellen Patyk demonstrates that provocation drives Dostoevsky's poetics of conflict, and she identifies the literary devices he uses to propel plot conflict and capture our attention.

Oscar Wilde is remembered as a wit and a dandy, as a gay martyr, and as a brilliant writer, but his philosophical depth and political radicalism are often forgotten. Resist Everything Except Temptation locates Wilde in the tradition of left-wing anarchism, and argues that only when we take his politics seriously can we begin to understand the man, his life, and his work. Drawing from literary, historical, and biographical evidence, including archival research, the book outlines the philosophical influences and political implications of Wilde's ideas on art, sex, morality, violence, and above all, individualism. Williams raises questions about the relationships between culture and politics, between utopian aspirations and practical programs, and between individualism, group identity, and class struggle. The resulting volume represents, not merely a historical curiosity, but a contribution to current debates within political theory and a salvo in the broader culture wars.

In his monumental narrative of the outbreak of the First World War and the ill-fated Russian offensive into East Prussia, Solzhenitsyn has written what Nina Krushcheva, in The Nation, calls "a dramatically new interpretation of Russian history." The assassination of tsarist prime minister Pyotr Stolypin, a crucial event in the years leading up to the Revolution of 1917, is reconstructed from the alienating viewpoints of historical witnesses. The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him perished Russia's last hope for reform. Translated by H.T. Willetts. August 1914 is the first volume of Solzhenitsyn's epic, The Red Wheel; the second is November 1916. Each of the subsequent volumes will concentrate on another critical moment or "knot," in the history of the Revolution. Translated by H.T. Willetts.

From animal rights to anti-abortion, from tax resistance to anti-poverty, activists from across the political spectrum often deliberately break the law to further their causes. While not behaviors common to hardened or self-seeking criminals, the staging of civil disobedience, non-violent resistance, and direct action can nevertheless trigger a harsh response from law enforcement, with those arrested risking jail time and criminal records. Crimes of Dissent features the voices of these activists, presenting a fascinating insider’s look at the motivations, costs and consequences of deliberately violating the law as a strategy of social change. Crimes of Dissent provides readers with an in-depth understanding of why activists break the law, and what happens to them when they do. Using dynamic examples, both historic and recent, Jarret Lovell explores how seasoned protesters are handled and treated by the criminal justice system, shedding light on the intersection between the political and the criminal. By adopting the unique vantage of the street-level activist, Crimes of Dissent provides a fascinating view of protest from the ground, giving voice to those who refuse to remain silent by risking punishment for their political actions.

This volume is about economists, economics, and issues of concern to Indian society. Some essays are expository, and some satirical. Together, they offer a commentary on the state of the discipline of economics today and on aspects of contemporary India’s society and polity. The volume affords insights into, among other things, - the pervasive influence of economists such as Kenneth Arrow and Anthony Atkinson, and thinkers such as Tom Paine, Jonathan Swift, and Dadabhai Naoroji; - the place of markets and game theory (and even crime fiction!) in present-day economics; - the affectations and convoluted mathematisation of a good deal of ‘mainstream’ economics; and - India’s recent political climate, and the conduct of various arms of the legislature, the executive, and the judiciary in the country. Engaging and lucidly written, this volume should be of interest to scholars of economics, political science, development studies, South Asian studies, and, above all, the general reader.

‘One word of truth shall outweigh the whole world’ Aleksandr Solzhenitsyn In the first month of the First World War the Russian campaign against the Germans creaks into gear. Crippled by weak, indecisive leadership the Russian troops battle desperately, even as the inevitability of failure and their own sacrifice dawns. Solzhenitsyn’s astounding work of historical fiction is a portrait of pre-revolutionary Russia, a tragic war story, and an epic novel in the great Russian tradition.