A feminist literary theorist, specialist in Rembrandt, and a scholar with a knack for reading Old Testament stories, Mieke Bal weaves a tapestry of signs and meanings that enrich our senses. Her subject is the act of showing, the gesture of exposing to view. In a museum, for example, the object is on display, made visually available. "That's how it is," the display proclaims. But who says so? Bal's subjects are displays from the American Museum of Natural History, paintings by such figures as Courbet, Caravaggio, Artemisia Gentileschi, and Rembrandt, as well as works by twentieth-century artists, and such literary texts as Shakespeare's Rape of Lucrece.

A new collaborative venture between Manuel Vason and forty of the most visually arresting artists working with performance in the United Kingdom, Double Exposures brings together newly commissioned images and essays to explore new ways of bridging performance and photography. Ten years after Vason’s first book, Exposures, this ambitious project draws into sharp focus the body, the diptych, documentation, the photobook, identity, mediation, collaborative practices, and the relationship between photography and performance. With essays by leading critics, academics, and practitioners, this collection solidifies Vason’s centrality to the photography of performance. Copublished with the Live Art Development Agency (LADA). Published with the support of Arts Council England.

This book explores the connections between two of the most transformative processes of the twenty-first century, namely climate change and globalization. In this book, Leichenko and O'Brien present a conceptual framework for analyzing the interactions between these two processes, and illustrate, through case studies, how these interactions create situations of "double exposure." Drawing upon prominent recent and current climate-related events -- Hurricane Katrina in New Orleans, recurring droughts in India, and the melting of Arctic sea ice -- the case studies each demonstrate a different pathway of interaction between globalization and global environmental change. Through exploration of these pathways of double exposure, the book also shows how broader human security concerns including growing inequalities, growing vulnerabilities, and unsustainable rates of development are integrally connected to both processes of global change. The double exposure framework not only sheds light on the challenges raised by these two global processes, but also reveals possibilities for using the interactions to generate positive opportunities for action.

Readers will discover Hasselblad's enormous potential and its comprehensive range of lenses and accessories. Presented in an easily accessible format, this book shows not only the working and manipulation of individual cameras, but also provides insight into the ways in which these superb cameras and their ancillary equipment may be best utilized to create professional quality images. Detailed illustrations of the system dissect the equipment to show how it functions. The Hasselblad Manual also includes 80 photographs from well-known photographers, illustrating a variety of photographic techniques using a Hasselblad Camera.

Discover the exciting opening story of The Justice Agency series from Susan Sleeman! The Justice Agency: Family and law enforcement go hand in hand Photographer Jennie Buchanan unknowingly captures a drug cartel meeting on film. And now she has become a killer’s next target. Even worse, her only protection from the danger that threatens her life is the man who threatens her heart. Dodging bullets almost seems safer than facing the feelings stirred up by seeing ex-FBI agent and ex-boyfriend Ethan Justice again. Ethan vows to safeguard Jennie from the deadly men on her trail. And for a second chance at Jennie’s love, he’s willing to risk anything to expose the truth—about the drug smugglers, the past and the future together he still wants. Originally published in 2012

What do you do when you identity is stolen by a KGB spy who looks just like you, and has been using your identity to flitch U.S. military secrets since World War II? If you are Rina Halloran, widow and doting grandmother, you decide the only way to prove you are not a spy is to find your double. Not an easy task, especially when your search is hobbled by a tendency to rush into things before sufficient forethought. "This is the start of what promises to be an interesting series peppered with good characters. I think Rina is a pleasure and there is a great market out there for mysteries starring older protagonists." -Patricia Lande Grader, Avon "I liked many things about it, particularly the strong writing and main character." -Anne Savarese, St. Martin's Press "It's an interesting story, skillfully paced, good characters." -Michael Seidman, Walker and Company

Over the past decade, historians and sociologists have increasingly used visual materials, in particular photographs, in their work. This volume brings together historians, sociologists, anthropologists, and media and visual scholars to articulate how photography, as a practice and as a visual medium, can provide insights into national memory, collective identities, and the historical imagination. This collection allows the reader to trace parallel conceptual developments occurring in the sociology and anthropology of memory and in the history and theory of photography, and to illustrate the unique "angles of vision" these disciplines offer. Photographic images commonly accompany historical accounts, from documentaries to family scrapbooks, and since the early days of commercial photography, pictures have been viewed as tools to capture memories. Later critical writing has challenged this equation by inverting it: photos, along with other archival practices, were often viewed as falling short of their supposed function as vessels of memory and at times even denounced as devices that distorted memories. How does photography participate in the formation and maintenance of collective identities and shared memory discourses, from the family to the nation? Furthermore, how can we begin to conceptualize photography’s effects on the historical imagination of individuals and groups? Double Exposure endeavors to answer these questions by calling attention to the variety of contexts in which images circulate and to the narratives from which they spring and which they, in turn, shape. This is the latest volume in Transaction’s Memory and Narrative series.

Chris Eveson is a genius; streetwise, artistic and sensitive, and rebelling against the domineering abuses of his father. Unlike his twin brother, Cain, who seems average in every way - at least to the outward observer. But gifts and talents run much deeper than two dimensions.Brian Caswell's extraordinary new novel will draw you into a web of mysteries, and of horrors from the past buried by lies in the present.

Capture the perfect portrait--even if it's with a selfie--in this updated edition of a trusted classic, now with all-new photography. Great portraits go beyond a mere record of a face. They reveal one of the millions of intimate human moments that make up a life. In Understanding Portrait Photography, renowned photographer Bryan Peterson shows how to spot those "aha!" moments and capture them forever. Rather than relying on pure luck and chance to catch those moments, Peterson's approach explains what makes a photo memorable, how to spot the universal themes that everyone can identify with, and how to use lighting, setting, and exposure to reveal the wonder and joy of everyday moments. This updated edition includes new sections on capturing the perfect selfie, how to photograph in foreign territory while being sensitive to cultures and customs, how to master portraiture on an iPhone, and the role of Photoshop in portraiture. Now with brand-new photography, Understanding Portrait Photography makes it easy to create indelible memories with light and shadow.