This book comprises a series of ten essays written by the authors both individually and collaboratively. While the subjects of these essays are wide ranging, they share a common recognition that issues at the forefront of contemporary Jewish thought must be measured against the background of ancient traditions, which revisit rabbinic and biblical times and beyond. The intent of these essays is to illustrate how shadows of longstanding traditions continue to shade current perceptions. Double Takes challenges the reader's assumptions about modern Jewish thought by demonstrating how the past can be an unpredictable lens for the present-day. An examination of contemporary themes in a historical perspective reveals unanticipated, even disconcerting, refractions. The book appears in the Studies in the Shoah series as volume 26.

A boy becomes trapped in a lift at his grandmother's apartment building. He stays calm and uses the emergency phone to call a rescue team. Tunnel under the sea examines the many problems faced in this project and the solution that the engineers provided.

Viewing cross-cultural differences through the lens of cinema.

Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.

From New York Times bestselling author Brenda Joyce comes an alluring novel of a woman's dangerous quest to protect her twin sister---and the secrets, lies, and deceptions that threaten them both... Kait London has been estranged from her twin sister for years. She has never understood why and has always regretted it. When her phone rings in the middle of the night, Kait learns that Lana desperately needs her help. All Kait has to do is take her place, for two days, at her home in the horse country of Virginia. If Kait can play this role convincingly, she will save Lana's life. This is a game the twins have played before. But never like this. For the charade is much more difficult to pull off than when they were children. Lana has many secrets, secrets she has kept from everyone, including Kait---and she has as many enemies---including her own husband. Kait had not been expecting Trev Coleman to be in residence. Worse, she is soon forced to recognize how darkly seductive he is---and that he may very well be her worst enemy. And then Kait realizes that she is directly in the line of fire. Someone is deliberately stalking Lana, but Kait is the trapped prey. Filled with stunning twists and turns, with mind games and body heat, Double Take is a taut romantic thriller from an author who delivers one surprise after another until the very last page.

Set at a school that gives lots of homework, the children are growing up as all school children do. The innocence of childhood is a precious thing, and this school understands that. Then a premeditated crime happens and the adults spring into action to deal with it. So how can they deal with the corruption that led up to that moment? How much evil will some people ignore before theyre forced into action? In any setting human nature remains the same. Even with the bad ones that move among us.

It seemed that a good many people wanted to find out the identity of Ralph Johnston’s wife. Among them was the woman’s own husband...

When sixteen-year-old Brooke Bentley's green convertible and cell phone conk out during a tropical rainstorm, she believes it's just bad luck. But when she darts through the dark to a dilapidated Victorian she thinks is the home of a friend and is invited in by a butler wearing a faded black tux, Brooke knows it must be karma. Because how often do you meet a reclusive 1950's movie star who thinks she's actress Terry Moore? And how often does someone as charming as eighty-year-old Laura de France insist on turning you into a movie star, too?